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008 160813s2016 sz | s |||| 0|eng d
020 |a9783319404813|9978-3-319-40481-3
024 7 |a10.1007/978-3-319-40481-3|2doi
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1993.5.U6
072 7|aAP|2bicssc
072 7|a1K|2bicssc
072 7|aPER004000|2bisacsh
072 7|aAT|x1K|2thema
082 04|a791.40973|223
090 |aEK/2706
100 1 |aDixon, Wheeler Winston.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aHollywood in Crisis or: The Collapse of the Real|h[electronic resource] /|cby Wheeler Winston Dixon.
250 |a1st ed. 2016.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2016.
300 |aXI, 116 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |a1. This is the End -- 2. The Center Will Not Hold -- 3. The New Hollywood Economy -- 4. Hollywood Under Attack -- 5. The Visible Invisible.
520 |aThis book discusses the collapse and transformation of the Hollywood movie machine in the twenty-first century, and the concomitant social collapse being felt in nearly every aspect of society. Winston Wheeler Dixon examines key works in cinema from the era of late-stage capitalists, analyzing Hollywood films and the current wave of cinema developed outside of the Hollywood system alike. Dixon illustrates how movies and television programs across these spaces have adopted, reflected, and generated a society in crisis, and with it, a crisis for the cinematic industry itself. Wheeler Winston Dixon is James Ryan Professor of Film Studies, Coordinator of the Film Studies Program, and Professor of English at the University of Nebraska, Lincoln, USA. .
650 0|aMotion pictures, American.
650 0|aEthnology|xAmerica.
650 0|aCulture.
650 0|aCommunication.
650 0|aMotion pictures.
650 0|aFilm genres.
650 14|aAmerican Film and TV.
650 24|aAmerican Culture.
650 24|aMedia and Communication.
650 24|aFilm Theory.
650 24|aGenre Studies.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319404806
776 08|iPrinted edition:|z9783319404820
776 08|iPrinted edition:|z9783319821146
856 40|uhttps://doi.org/10.1007/978-3-319-40481-3
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)