The Worlds of Villard de Honnecourt: The Portfolio, Medieval Technology, and Gothic Monuments / edited by George Brooks and Maile S. Hutterer.
Erişim Adresi
ISBN
9789004529090 (print)
9789004529106 (electronic book)
9789004529106 (electronic book)
Dil Kodu
İngilizce
Yer Numarası
DK/5947
Yayın Bilgisi
Leiden ; Boston : Brill, 2023.
©2023
©2023
Fiziksel Niteleme
1 online resource
Dizi
AVISTA Studies in the History of Medieval Technology, Science, and Art ; 15
Late Antiquity and Medieval Studies E-Books Online, Collection 2023
Late Antiquity and Medieval Studies E-Books Online, Collection 2023
İçindekiler Notu
Preliminary Material / George Brooks, Maile S. Hutterer -- Copyright page / George Brooks, Maile S. Hutterer -- List of Figures / George Brooks, Maile S. Hutterer -- Notes on Contributors / George Brooks, Maile S. Hutterer -- Introduction / George Brooks, Maile S. Hutterer -- AVISTA and Its Publications: A Brief History / Ellen M. Shortell -- Chapter 1 An Essay on Villard de Honnecourt and Cambrai Cathedral / Carl F. Barnes Jr.† -- Chapter 2 Villard de Honnecourt: Gothic Carpenter / George Brooks, Maile S. Hutterer -- Chapter 3 The Counterweight Trebuchet, the History of Its Name in Medieval France and Britain, and the Terminology of Its Components in Villard de Honnecourt / William Sayers -- Chapter 4 Representational Conventions and Villard’s Architectural Drawings / Maile S. Hutterer -- Chapter 5 Further beyond Villard: The Rose Window Design at Saint-Quentin / Ellen M. Shortell -- Chapter 6 Through a Glass, Darkly: Villard’s Notebook, the Liberal Arts, and the Problem of Architectural Meaning / Erik Gustafson -- Chapter 7 Mortar, Measure, Masonry: Who Created the Gothic Style? / John James -- Chapter 8 Hugues Libergier and His Instruments / Nancy Wu -- Chapter 9 Like Clockwork: Timely Authorial Mechanisms in Guillaume de Machaut / Kathleen Wilson Ruffo -- Chapter 10 Late Medieval Angel Machines / Amy Gillette -- Chapter 11 ReCOGnition: Revisiting Medieval Gearing from Vitruvius to Print / Steven A. Walton -- Chapter 12 Warrior Kings and Savvy Abbots: The Depiction of Contemporary Costume on the Cross of the Scriptures at Clonmacnois / Maggie M. Williams -- Chapter 13 To Sea and Be Seen: Reconstruction of the Strategic Building Program at Maillezais Abbey / Mickey Abel -- Chapter 14 Adaptation and Audience: Remodeling Notre-Dame d’Étampes in the Thirteenth Century / Sarah Thompson -- Chapter 15 Design in the Details: The Choir of the Cathedral of Clermont-Ferrand / Michael T. Davis -- Chapter 16 From Half to Full Palmier : Factors Contributing to the Final Chevet Design of Toulouse’s Jacobin Church / Richard Alfred Sundt -- Chapter 17 Holy Toledo Redux: Reconsidering Art-Historical Taxonomy and the Morphology of Toledo Cathedral / Robert Bork -- Chapter 18 The Reach of the Gothic: Monastic Architecture and the Intersection of Traditions in Eastern Europe / Alice Isabella Sullivan -- Index / George Brooks, Maile S. Hutterer.
Özet, vb.
This book charts the past, present, and future of studies on medieval technology, art, and craft practices. Inspired by Villard’s enigmatic portfolio of artistic and engineering drawings, this collection explores the multiple facets of medieval building represented in this manuscript (Paris, Bibliothèque nationale de France, MS Fr 19093). The book’s eighteen essays and two introductions showcase traditional and emergent methods for the study of medieval craft, demonstrating how these diverse approaches collectively amplify our understanding about how medieval people built, engineered, and represented their world. Contributions range from the analysis of words and images in Villard’s portfolio, to the close analysis of masonry, technological marvels, and gothic architecture, pointing the way toward new avenues for future scholarship to explore. Contributors are: Mickey Abel, Carl F. Barnes Jr., Robert Bork, George Brooks, Michael T. Davis, Amy Gillette, Erik Gustafson, Maile S. Hutterer, John James, William Sayers, Ellen Shortell, Alice Isabella Sullivan, Richard Alfred Sundt, Sarah Thompson, Steven A. Walton, Maggie M. Williams, Kathleen Wilson Ruffo, and Nancy Wu.
Dil Notu
English
Konu
Art History.
Architecture.
Art Theory.
Architecture.
Art Theory.
Diğer Yazarlar
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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245 14|aThe Worlds of Villard de Honnecourt: The Portfolio, Medieval Technology, and Gothic Monuments /|cedited by George Brooks and Maile S. Hutterer.
264 1|aLeiden ;|aBoston :|bBrill,|c2023.
264 4|c©2023
300 |a1 online resource
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|2rdacarrier
490 1 |aAVISTA Studies in the History of Medieval Technology, Science, and Art ;|v15
490 1 |aLate Antiquity and Medieval Studies E-Books Online, Collection 2023
505 0 |tPreliminary Material /|rGeorge Brooks, Maile S. Hutterer -- Copyright page /|rGeorge Brooks, Maile S. Hutterer -- List of Figures /|rGeorge Brooks, Maile S. Hutterer -- Notes on Contributors /|rGeorge Brooks, Maile S. Hutterer -- Introduction /|rGeorge Brooks, Maile S. Hutterer -- AVISTA and Its Publications: A Brief History /|rEllen M. Shortell -- Chapter 1 An Essay on Villard de Honnecourt and Cambrai Cathedral /|rCarl F. Barnes Jr.† -- Chapter 2 Villard de Honnecourt: Gothic Carpenter /|rGeorge Brooks, Maile S. Hutterer -- Chapter 3 The Counterweight Trebuchet, the History of Its Name in Medieval France and Britain, and the Terminology of Its Components in Villard de Honnecourt /|rWilliam Sayers -- Chapter 4 Representational Conventions and Villard’s Architectural Drawings /|rMaile S. Hutterer -- Chapter 5 Further beyond Villard: The Rose Window Design at Saint-Quentin /|rEllen M. Shortell -- Chapter 6 Through a Glass, Darkly: Villard’s Notebook, the Liberal Arts, and the Problem of Architectural Meaning /|rErik Gustafson -- Chapter 7 Mortar, Measure, Masonry: Who Created the Gothic Style? /|rJohn James -- Chapter 8 Hugues Libergier and His Instruments /|rNancy Wu -- Chapter 9 Like Clockwork: Timely Authorial Mechanisms in Guillaume de Machaut /|rKathleen Wilson Ruffo -- Chapter 10 Late Medieval Angel Machines /|rAmy Gillette -- Chapter 11 ReCOGnition: Revisiting Medieval Gearing from Vitruvius to Print /|rSteven A. Walton -- Chapter 12 Warrior Kings and Savvy Abbots: The Depiction of Contemporary Costume on the Cross of the Scriptures at Clonmacnois /|rMaggie M. Williams -- Chapter 13 To Sea and Be Seen: Reconstruction of the Strategic Building Program at Maillezais Abbey /|rMickey Abel -- Chapter 14 Adaptation and Audience: Remodeling Notre-Dame d’Étampes in the Thirteenth Century /|rSarah Thompson -- Chapter 15 Design in the Details: The Choir of the Cathedral of Clermont-Ferrand /|rMichael T. Davis -- Chapter 16 From Half to Full Palmier : Factors Contributing to the Final Chevet Design of Toulouse’s Jacobin Church /|rRichard Alfred Sundt -- Chapter 17 Holy Toledo Redux: Reconsidering Art-Historical Taxonomy and the Morphology of Toledo Cathedral /|rRobert Bork -- Chapter 18 The Reach of the Gothic: Monastic Architecture and the Intersection of Traditions in Eastern Europe /|rAlice Isabella Sullivan -- Index /|rGeorge Brooks, Maile S. Hutterer.
520 |aThis book charts the past, present, and future of studies on medieval technology, art, and craft practices. Inspired by Villard’s enigmatic portfolio of artistic and engineering drawings, this collection explores the multiple facets of medieval building represented in this manuscript (Paris, Bibliothèque nationale de France, MS Fr 19093). The book’s eighteen essays and two introductions showcase traditional and emergent methods for the study of medieval craft, demonstrating how these diverse approaches collectively amplify our understanding about how medieval people built, engineered, and represented their world. Contributions range from the analysis of words and images in Villard’s portfolio, to the close analysis of masonry, technological marvels, and gothic architecture, pointing the way toward new avenues for future scholarship to explore. Contributors are: Mickey Abel, Carl F. Barnes Jr., Robert Bork, George Brooks, Michael T. Davis, Amy Gillette, Erik Gustafson, Maile S. Hutterer, John James, William Sayers, Ellen Shortell, Alice Isabella Sullivan, Richard Alfred Sundt, Sarah Thompson, Steven A. Walton, Maggie M. Williams, Kathleen Wilson Ruffo, and Nancy Wu.
546 |aEnglish
588 |aDescription based on print version record.
650 0|aArt History.
650 0|aArchitecture.
650 0|aArt Theory.
700 1 |aBrooks, George,|eeditor.
776 08|iPrint version:|tThe Worlds of Villard de Honnecourt: The Portfolio, Medieval Technology, and Gothic Monuments.|dLeiden ; Boston : Brill, 2023.|z9789004529090|w(DLC) 2022048704
830 0|aAVISTA Studies in the History of Medieval Technology, Science, and Art ;|v15.
830 0|aLate Antiquity and Medieval Studies E-Books Online, Collection 2023.
856 4 |zDOI: |uhttp://dx.doi.org/10.1163/9789004529106
001 784781
003 TR_AnAIT
005 20250821173520
006 m d
007 cr un uuuua
008 221230s2023 gw sb 001 0 eng d
020 |a9789004529090|q(print)
020 |a9789004529106|q(electronic book)
024 7 |a10.1163/9789004529106|2DOI
035 |z(OCoLC)1347365154
040 |aNL-LeKB|cNL-LeKB|erda
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aN5300
072 7|aHBLC1|2bicssc
072 7|aHIS|x037010|2bisacsh
082 04|a709|223
090 |aDK/5947
245 14|aThe Worlds of Villard de Honnecourt: The Portfolio, Medieval Technology, and Gothic Monuments /|cedited by George Brooks and Maile S. Hutterer.
264 1|aLeiden ;|aBoston :|bBrill,|c2023.
264 4|c©2023
300 |a1 online resource
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|2rdacarrier
490 1 |aAVISTA Studies in the History of Medieval Technology, Science, and Art ;|v15
490 1 |aLate Antiquity and Medieval Studies E-Books Online, Collection 2023
505 0 |tPreliminary Material /|rGeorge Brooks, Maile S. Hutterer -- Copyright page /|rGeorge Brooks, Maile S. Hutterer -- List of Figures /|rGeorge Brooks, Maile S. Hutterer -- Notes on Contributors /|rGeorge Brooks, Maile S. Hutterer -- Introduction /|rGeorge Brooks, Maile S. Hutterer -- AVISTA and Its Publications: A Brief History /|rEllen M. Shortell -- Chapter 1 An Essay on Villard de Honnecourt and Cambrai Cathedral /|rCarl F. Barnes Jr.† -- Chapter 2 Villard de Honnecourt: Gothic Carpenter /|rGeorge Brooks, Maile S. Hutterer -- Chapter 3 The Counterweight Trebuchet, the History of Its Name in Medieval France and Britain, and the Terminology of Its Components in Villard de Honnecourt /|rWilliam Sayers -- Chapter 4 Representational Conventions and Villard’s Architectural Drawings /|rMaile S. Hutterer -- Chapter 5 Further beyond Villard: The Rose Window Design at Saint-Quentin /|rEllen M. Shortell -- Chapter 6 Through a Glass, Darkly: Villard’s Notebook, the Liberal Arts, and the Problem of Architectural Meaning /|rErik Gustafson -- Chapter 7 Mortar, Measure, Masonry: Who Created the Gothic Style? /|rJohn James -- Chapter 8 Hugues Libergier and His Instruments /|rNancy Wu -- Chapter 9 Like Clockwork: Timely Authorial Mechanisms in Guillaume de Machaut /|rKathleen Wilson Ruffo -- Chapter 10 Late Medieval Angel Machines /|rAmy Gillette -- Chapter 11 ReCOGnition: Revisiting Medieval Gearing from Vitruvius to Print /|rSteven A. Walton -- Chapter 12 Warrior Kings and Savvy Abbots: The Depiction of Contemporary Costume on the Cross of the Scriptures at Clonmacnois /|rMaggie M. Williams -- Chapter 13 To Sea and Be Seen: Reconstruction of the Strategic Building Program at Maillezais Abbey /|rMickey Abel -- Chapter 14 Adaptation and Audience: Remodeling Notre-Dame d’Étampes in the Thirteenth Century /|rSarah Thompson -- Chapter 15 Design in the Details: The Choir of the Cathedral of Clermont-Ferrand /|rMichael T. Davis -- Chapter 16 From Half to Full Palmier : Factors Contributing to the Final Chevet Design of Toulouse’s Jacobin Church /|rRichard Alfred Sundt -- Chapter 17 Holy Toledo Redux: Reconsidering Art-Historical Taxonomy and the Morphology of Toledo Cathedral /|rRobert Bork -- Chapter 18 The Reach of the Gothic: Monastic Architecture and the Intersection of Traditions in Eastern Europe /|rAlice Isabella Sullivan -- Index /|rGeorge Brooks, Maile S. Hutterer.
520 |aThis book charts the past, present, and future of studies on medieval technology, art, and craft practices. Inspired by Villard’s enigmatic portfolio of artistic and engineering drawings, this collection explores the multiple facets of medieval building represented in this manuscript (Paris, Bibliothèque nationale de France, MS Fr 19093). The book’s eighteen essays and two introductions showcase traditional and emergent methods for the study of medieval craft, demonstrating how these diverse approaches collectively amplify our understanding about how medieval people built, engineered, and represented their world. Contributions range from the analysis of words and images in Villard’s portfolio, to the close analysis of masonry, technological marvels, and gothic architecture, pointing the way toward new avenues for future scholarship to explore. Contributors are: Mickey Abel, Carl F. Barnes Jr., Robert Bork, George Brooks, Michael T. Davis, Amy Gillette, Erik Gustafson, Maile S. Hutterer, John James, William Sayers, Ellen Shortell, Alice Isabella Sullivan, Richard Alfred Sundt, Sarah Thompson, Steven A. Walton, Maggie M. Williams, Kathleen Wilson Ruffo, and Nancy Wu.
546 |aEnglish
588 |aDescription based on print version record.
650 0|aArt History.
650 0|aArchitecture.
650 0|aArt Theory.
700 1 |aBrooks, George,|eeditor.
776 08|iPrint version:|tThe Worlds of Villard de Honnecourt: The Portfolio, Medieval Technology, and Gothic Monuments.|dLeiden ; Boston : Brill, 2023.|z9789004529090|w(DLC) 2022048704
830 0|aAVISTA Studies in the History of Medieval Technology, Science, and Art ;|v15.
830 0|aLate Antiquity and Medieval Studies E-Books Online, Collection 2023.
856 4 |zDOI: |uhttp://dx.doi.org/10.1163/9789004529106
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