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020 |a9789004407053|q(electronic book)
020 |z9789004340428|q(print)
024 7 |a10.1163/9789004407053|2DOI
035 |a(OCoLC)1110681324
040 |aNL-LeKB|cNL-LeKB|erda
043 |ae-po---
049 |aTürk Tarih Kurumu Kütüphanesi
050 00|aPN3178.J46
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072 7|aHIS|x054000|2bisacsh
072 7|aSOC|x008000|2bisacsh
082 00|a872/.04|223
090 |aDK/6024
100 1 |aMiranda, Maria Margarida Lopes de,|d1966-|eauthor.
245 10|aMiguel Venegas and the earliest Jesuit theater :|bchoruses for tragedies in sixteenth-century Europe /|cby Margarida Miranda.
264 1|aLeiden Boston :|bBRILL,|c2019.
300 |a1 online resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|2rdacarrier
490 1 |aJesuit Studies;|vvolume23
490 1 |aEarly Modern History and Modern History E-Books Online, Collection 2019, ISBN: 9789004386310
504 |aIncludes bibliographical references and index.
505 00|tFront Matter -- Copyright Page -- Dedication -- Acknowledgments -- Abbreviations -- Introduction -- Miguel Venegas of Ávila -- Miguel Venegas: the Master and the Jesuit -- The Alcalá Legacy: from Grammar to the Bible, from Rhetoric to Theater -- Miguel Venegas and the Dramatic Tradition in Spain -- School Theater in Coimbra during the Time of Miguel Venegas: the Colégio das Artes -- The Literary Works Miguel Venegas Produced in Portugal (1559–62) -- Drama sacrum et Latinum: the Tragoedia sacra ex 3° Lb. Regum Cap. 18-20-21 and the Beginning of a Cycle of Tragic Plays -- Optime more tragico canebantur: Francisco de Santa María and the Dramatic Choruses of Miguel Venegas, 1559–62 -- Conclusion -- Back Matter -- Miguel Venegas’s Writings -- Bibliography -- Index.
520 |aIn Miguel Venegas and the Earliest Jesuit Theater, Margarida Miranda takes a fresh look at the origins of Jesuit theater and provides a detailed account of the life and work of Miguel Venegas (1529–after 1588) within the Iberian tradition. The book details Venegas’s role as the founder of Jesuit theater in Portugal and the creator of a new musical genre, choruses for tragedies, which was gradually codified and emulated by successive generations of Jesuits. Venegas’s Latin tragedies in turn provided the model for regular dramatic activities in the global network of Jesuit schools, including, significantly, the first tragedies to be staged in Rome: Saul Gelboeus and Achabus, both of which had originally been performed in Coimbra in the mid-sixteenth century.
600 10|aVenegas, Miguel,|d1531-|xCriticism and interpretation.
650 0|aJesuit theater|zPortugal|xHistory|y16th century.
650 0|aLatin drama (Tragedy)|xHistory and criticism.
776 08|iPrint version:|tMiguel Venegas and the earliest Jesuit theater: choruses for tragedies in sixteenth-century Europe,|dLeiden Boston: BRILL, 2019|w9789004340428
830 0|aJesuit Studies;|vvolume23.
830 0|aEarly Modern History and Modern History E-Books Online, Collection 2019, ISBN: 9789004386310.
856 4 |zDOI: |uhttp://dx.doi.org/10.1163/9789004407053