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020 |a9789004421370|q(electronic book)
020 |a9789004421363|q(print)
024 7 |a10.1163/9789004421370|2DOI
035 |z(OCoLC)1154813074
040 |aNL-LeKB|cNL-LeKB|erda
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aN5303
072 7|aHBLC1|2bicssc
072 7|aHIS|x037010|2bisacsh
082 04|a709|223
090 |aDK/6124
245 00|aByzantium in Eastern European Visual Culture in the Late Middle Ages /|cEdited by Maria Alessia Rossi, Alice Isabella Sullivan.
264 1|aLeiden; |aBoston :|bBRILL, |c2020.
300 |a1 online resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|2rdacarrier
490 1 |aEast Central and Eastern Europe in the Middle Ages, 450-1450 ;|v65
490 1 |aLate Antiquity and Medieval Studies E-Books Online, Collection 2020, ISBN: 9789004407404
505 0 |aAcknowledgments -- List of Illustrations -- Notes on Contributors -- Introduction -- Maria Alessia Rossi and Alice Isabella Sullivan -- 1 The Allegory of Wisdom in Chrelja’s Tower Seen through Philotheos Kokkinos -- Justin L. Willson -- 2 How Byzantine was the Moscow Inauguration of 1498? -- Alexandra Vukovich -- 3 Intellectual Relationships between the Byzantine and Serbian Elites during the Palaiologan Era -- Elias Petrou -- 4 An Unexpected Image of Diplomacy in a Vatican Panel -- Marija Mihajlovic-Shipley -- 5 Byzantine Heritage and Serbian Ruling Ideology in Early 14th-Century Monumental Painting -- Maria Alessia Rossi -- 6 Dečani between the Adriatic Littoral and Byzantium -- Ida Sinkević -- 7 Triconch Churches Sponsored by Serbian and Wallachian Nobility -- Jelena Bogdanović -- 8 Moldavian Art and Architecture between Byzantium and the West -- Alice Isabella Sullivan -- 9 The Byzantine Tradition in Wallachian and Moldavian Embroideries -- Henry David Schilb -- 10 Rethinking the Veglia Altar Frontal from the Victoria and Albert Museum and Its Patron -- Danijel Ciković and Iva Jazbec Tomaić -- Index.
520 |aByzantium in Eastern European Visual Culture in the Late Middle Ages , edited by Maria Alessia Rossi and Alice Isabella Sullivan, engages with issues of cultural contact and patronage, as well as the transformation and appropriation of Byzantine artistic, theological, and political models, alongside local traditions, across Eastern Europe. The regions of the Balkan Peninsula, the Carpathian Mountains, and early modern Russia have been treated in scholarship within limited frameworks or excluded altogether from art historical conversations. This volume encourages different readings of the artistic landscapes of Eastern Europe during the late medieval period, highlighting the cultural and artistic productions of individual centers. These ought to be considered individually and as part of larger networks, thus revealing their shared heritage and indebtedness to artistic and cultural models adopted from elsewhere, and especially from Byzantium.
588 |aDescription based on print version record.
650 0|aArt.
650 0|aHistory in art.
700 1 |aRossi, Maria Alessia,|eeditor.
700 1 |aSullivan, Alice Isabella,|eeditor.
776 08|iPrint version:|tByzantium in Eastern European Visual Culture in the Late Middle Ages, |dLeiden Boston : BRILL, 2020|w9789004421363
830 0|aEast Central and Eastern Europe in the Middle Ages, 450-1450 ;|v65.
830 0|aLate Antiquity and Medieval Studies E-Books Online, Collection 2020, ISBN: 9789004407404.
856 4 |zDOI: |uhttp://dx.doi.org/10.1163/9789004421370