LEADER 04885nam a22004458i 4500
001 785002
003 TR_AnAIT
005 20250821172716
006 m d
007 cr un uuuua
008 220531s2022 ne sb 001 0 eng d
020 |a9789004517035|q(electronic book)
020 |a9789004429680|q(print)
024 7 |a10.1163/9789004517035|2DOI
035 |z(OCoLC)1303079937
040 |aNL-LeKB|cNL-LeKB|erda
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aML5
072 7|aHB|2bicssc
072 7|aHIS|x000000|2bisacsh
082 04|a780.5|223
090 |aDK/6168
245 00|aFemale-Voice Song and Women’s Musical Agency in the Middle Ages /|cedited by Anna Kathryn Grau and Lisa Colton.
264 1|aLeiden ;|aBoston :|bBrill,|c2022.
300 |a1 online resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|2rdacarrier
490 1 |aBrill's Companions to the Musical Culture of Medieval and Early Modern Europe ;|v5
500 |aThis collection presents fresh evidence and new perspectives on the diverse ways in which women created and interacted with cultures of song between c. 600 and c. 1500.
504 |aIncludes bibliographical references and index.
505 00|tAcknowledgements --|tList of Figures, Tables and Music Examples --|tNotes on Contributors --|tIntroduction: Female Authorship, Female Voice, and Female-Voice Song /|rAnna Kathryn Grau and Lisa Colton --|tPART 1: Ritual Discourse --|t1 The Feminine Voice in the Early Islamicate Courts (661–1000) /|rLisa Nielson --|t2 Music, Liturgy, and the Discursive Construction of Gender in a Thirteenth-Century Double Monastery /|rLauren Purcell-Joiner --|t3 A Female-Voice Ceremonial from Medieval Castile /|rDavid Catalunya --|t4 Religious Reform and Liturgical Change in the Fifteenth Century: Chant as Women’s Protest Music /|rClaire Taylor Jones --|tPART 2: Materiality --|t5 Beyond this Mist: Uncovering Material Multiplicities in Amis, amis /|rRachel May Golden --|t6 Transmission of Female-Voice Motets in Late Thirteenth-Century Manuscripts /|rAnna Kathryn Grau --|t7 Chants for the Holy Trinity of Barking Abbey: Ethelburg, Hildelith, and Wulfhild /|rAnne Bagnall Yardley --|tPART 3: Subjectivity and Emotion --|t8 Handmade Women: The Manufacture of Femininity in the Chansons de femme /|rHelen Dell --|t9 The Voice of Emotion: Constructing an Identity for the Comtessa de Dia in Performance /|rLeah Stuttard --|t10 “Going all the Way with Marot”: Empowerment in the Pastourelle Motet L’autrier m’esbatoie/Demenant grant joie/ MANERE /|rLisa Colton --|t11 Sexuality, Pedagogy, and Women’s Emotions in Middle English Songs /|rCarissa M. Harris --|t12 “Who cannot wepe come lerne at me”: Voicing Refrains in Late Medieval Passion Lyric /|rMelissa Tu --|tPART 4: Representation --|t13 A Song from the Mound: The Female Voice as a Repository for Genealogical Knowledge in Hyndluljóð /|rAnnemari Ferreira --|t14 Eye, Mouth, and Heart: The Female-Voiced Contrafacta of Can vei la lauzeta mover /|rMeghan Quinlan --|t15 A Musical Letter from Eleanor of Provence to Margaret of Scotland: Patronage as Authorship in the Sequence Ex te lux oritur /|rGillian L. Gower --|t16 Female Voice in the Trecento Song /|rAngelica Vomera --|t17 Saints and Sinners: The Representation of Women in Late-Medieval English Carols /|rLouise McInnes --|tIndex.
520 |aThis collection of seventeen essays newly identifies contributions to musical culture made by women before 1500 across Europe. You will learn about repertoire from such diverse locations as Iceland, Spain, and Italy, and encounter examples of musicianship from the gender-fluid professional musicians at the Islamicate courts of Syria to the nuns of Barking Abbey in England. The book shows that women drove musical patronage, dissemination, composition, and performance, including within secular and ecclesiastical contexts, and also reflects on the reception of medieval women’s musical agency by both medieval poets and by modern recording artists. Contributors are David Catalunya, Lisa Colton, Helen Dell, Annemari Ferreira, Rachel Golden, Gillian L. Gower, Anna Kathryn Grau, Carissa M. Harris, Louise McInnes, Lisa Nielson, Lauren Purcell-Joiner, Megan Quinlan, Leah Stuttard, Claire Taylor Jones, Melissa Tu, Angelica Vomera, and Anne Bagnall Yardley.
588 |aDescription based on print version record.
650 0|aMusic.
650 0|aMusicology.
650 0|aHistory.
700 1 |aGrau, Anna Kathryn,|eeditor.
700 1 |aColton, Lisa,|eeditor.
776 08|iPrint version:|tFemale-Voice Song and Women’s Musical Agency in the Middle Ages.|dLeiden ; Boston : Brill, 2022|z9789004429680
830 0|aBrill's Companions to the Musical Culture of Medieval and Early Modern Europe ;|v5.
856 4 |zDOI: |uhttp://dx.doi.org/10.1163/9789004517035