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020 |a9789004379480|q(electronic book)
020 |z9789004368453|q(print)
024 7 |a10.1163/9789004379480|2DOI
040 |aNL-LeKB|cNL-LeKB|erda
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aML410.A2|bM8 2019
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245 00|aMusical culture in the world of Adam de la Halle /|cedited by Jennifer Saltzstein.
264 1|aLeiden ;|aBoston :|bBrill,|c[2019]
300 |a1 online resource.
336 |atext|btxt|2rdacontent
337 |aunmediated|bn|2rdamedia
338 |aonline resource|2rdacarrier
490 0 |aBrill's companions to the musical culture of medieval and early modern Europe ;|vVolume 3
490 0 |aLate Antiquity and Medieval Studies E-Books Online, Collection 2019, ISBN: 9789004386303
504 |aIncludes bibliographical references and index.
505 00|tFront Matter -- |tAcknowledgements -- |tFigures -- |tA Note on Manuscript Sigla -- |tTables -- |tNotes on Contributors -- |tMusic Examples -- |tIntroduction /|rJennifer Saltzstein -- |tThe “School of Arras” and the Career of Adam /|rCarol Symes -- |tThe Poets of the North: Economies of Literature and Love /|rEliza Zingesser -- |tAnother Note on fr. 25566 and Its Illustrations /|rAlison Stones -- |tAristocratic Patronage and the Cosmopolitan Vernacular Songbook: the Chansonnier du Roi (M-trouv.) and the French Mediterranean /|rJohn Haines -- |tTaking Notae on King and Cleric: Thibaut, Adam, and the Medieval Readers of the Chansonnier de Noailles (T-trouv.) /|rJudith A. Peraino -- |tThe Northern Jeu-parti /|rDaniel E. O’Sullivan -- |tThe Songs of Adam de la Halle /|rIsabelle Ragnard -- |tAdam de la Halle: Cleric and Busker /|rAlain Corbellari -- |tRefrain Quotations in Adam’s Rondeaux, Motets and Plays /|rAnne Ibos-Augé -- |tThe Pastourelle and the Jeu de Robin et Marion /|rAnna Kathryn Grau -- |tFriends and Foals: The Polyphonic Music of Adam de la Halle /|rMark Everist -- |tAdam de la Halle’s Fourteenth-Century Musical and Poetic Legacies /|rJennifer Saltzstein -- |tAnnex I – Refrains in Rondeaux and Chansons /|rAnne Ibos-Augé -- |tAnnex II – The Refrains and Citations in the Motets /|rAnne Ibos-Augé -- |tAnnex III – Lyrical Citations in the Plays /|rAnne Ibos-Augé -- |tAnnex IV – Musical Transcriptions /|rAnne Ibos-Augé -- |tBack Matter -- |tBibliography -- |tIndex of People -- |tIndex of Sources and Works -- |tIndex of Subjects.
520 |aIn Musical Culture in the World of Adam de la Halle , contributors from musicology, literary studies, history, and art history provide an account of the works of 13th-century composer Adam de la Halle, one of the first named authors of medieval vernacular music for whom a complete works manuscript survives. The essays illuminate Adam’s generic transformations in polyphony, drama, debate poetry, and other genres, while also emphasizing his place in a large community of trouvères active in the bustling urban environment of Arras. Exploring issues of authorship and authority, tradition and innovation, the material contexts of his works, and his influence on later generations, this book provides the most complete and up-to-date picture available in English of Adam’s œuvre . Contributors are Alain Corbellari, Mark Everist, Anna Kathryn Grau, John Haines, Anne Ibos-Augé, Daniel E. O’Sullivan, Judith A. Peraino, Isabelle Ragnard, Jennifer Saltzstein, Alison Stones, Carol Symes, and Eliza Zingesser.
600 00|aAdam,|cde La Halle,|dapproximately 1235-approximately 1288.
650 0|aMusic|y500-1400|xHistory and criticism.
700 1 |aSaltzstein, Jennifer.
776 08|iPrint version:|tMusical Culture in the World of Adam de la Halle|dLeiden ; Boston : BRILL, [2019], |z9789004368453
830 0|aBrill's Companions to the Musical Culture of Medieval and Early Modern Europe|v3.
830 0|aLate Antiquity and Medieval Studies E-Books Online, Collection 2019, ISBN: 9789004386303.
856 4 |zDOI: |uhttp://dx.doi.org/10.1163/9789004379480