PERFORMING RELIGION ON THE SECULAR STAGE [electronic resource].
ISBN
9781000894912 (electronic bk.)
1000894916 (electronic bk.)
9781003042730 (electronic bk.)
1003042732 (electronic bk.)
9781000894943 (electronic bk. : EPUB)
1000894940 (electronic bk. : EPUB)
0367487527
9780367487522
1000894916 (electronic bk.)
9781003042730 (electronic bk.)
1003042732 (electronic bk.)
9781000894943 (electronic bk. : EPUB)
1000894940 (electronic bk. : EPUB)
0367487527
9780367487522
Dil Kodu
İngilizce
Yazar
Fiziksel Niteleme
1 online resource
Özet, vb.
This book examines the relations between Western religion, secularism, and modern theater and performance. Sharon Aronson-Lehavi posits that the ongoing cultural power of religious texts, icons, and ideas on the one hand and the artistic freedom enabled by secularism and avant-garde experimentalism on the other, has led theatre artists throughout the twentieth century to create a uniquely modern theatrical hybrid-theater performances that simultaneously re-inscribe and grapple with religion and religious performativity. The book compares this phenomenon with medieval forms of religious theater and offers deep and original analyses of significant contemporary works ranging from plays and performances by August Strindberg, Hugo Ball (Dada), Jerzy Grotowski, and Hanoch Levin, to those created by Adrienne Kennedy, Rina Yerushalmi, Deb Margolin, Milo Rau, and Sarah Ruhl. The book analyzes a new and original historiography of a uniquely modern theatrical phenomenon, a study that is of high importance considering the reemergence of religion in contemporary culture and politics.
Konu
Theater __ Religious aspects.
Performing arts __ Religious aspects.
Religion in literature.
PERFORMING ARTS / General __ bisacsh
RELIGION / General __ bisacsh
SOCIAL SCIENCE / Popular Culture __ bisacsh
Performing arts __ Religious aspects.
Religion in literature.
PERFORMING ARTS / General __ bisacsh
RELIGION / General __ bisacsh
SOCIAL SCIENCE / Popular Culture __ bisacsh
Veritabanı
