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020 |a9781003185130|q(ebook)
020 |a1003185134
020 |a9781000405330|q(electronic bk. : PDF)
020 |a1000405338|q(electronic bk. : PDF)
020 |a9781000405347|q(electronic bk. : EPUB)
020 |a1000405346|q(electronic bk. : EPUB)
020 |z9781032027784|q(paperback)
020 |z9781472440310|q(hardback)
024 8 |a10.4324/9781003185130|2doi
035 |a(OCoLC)1240828457
035 |a(OCoLC-P)1240828457
040 |aOCoLC-P|beng|erda|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 00|aN8217.E88
072 7|aART|x000000|2bisacsh
072 7|aACV|2bicssc
082 00|a709.2/52|223
100 1 |aKelly, Mary|c(Art historian),|eauthor.
245 10|aFrench women orientalist artists, 1861-1956 :|bcross-cultural contacts and depictions of difference /|cMary Kelly.
264 1|aAbingdon, Oxon ;|aNew York :|bRoutledge,|c2021.
300 |a1 online resource
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
490 0 |aRoutledge research in gender and art
505 0 |aMarie Élisabeth Aimée Lucas-Robiquet (1858-1959): interior depictions of Maghrebi weavers -- Interior representations of Maghrebi women -- Describing the Maghrebi exterior: women Orientalists' depictions of life and landscape -- Modernism in the works of French women Orientalists.
520 |a"This book is the first full-length study dedicated to French women Orientalist artists. Mary Kelly has gathered primary documentation relating to seventy-two women artists whose works of art can be placed in the canon of French Orientalism between 1861 and 1956. Bringing these artists together for the first time and presenting close contextual analyses of works of art, attention is given to artists' cross-cultural interactions with painted/sculpted representations of the Maghreb particularly in Algeria, Tunisia and Morocco. Using an interdisciplinary 'open platform of discussion' approach, Kelly builds on established theory which places emphases on the gendered gaze. This entails a discussion on women's painted perspectives of and contacts with Muslim women as well as various Maghrebi cultures and land-all the while remaining mindful of the subject position of the French artist and the problematic issues which can arise when discussing European-made 'ethnographic' scenes. Kelly argues that French women's perspectives of the Maghreb differed from the male gaze and were informed by their artistic training and social positions in Europe. In so doing, French women's socio-cultural modernity is also examined. Moreover, executed between 1861 and 1956, the works of art presented show influences of Modernism; therefore, this book also pays close attention to progressive Realism and Naturalism in art and the Orientalist shift into Modernist subject matter and form. Through this research into French women Orientalists, Kelly engages with important discussions on the crossing view of the historical female other with the cultural other, artistic hybridity and influence in art as well as the postcolonial response to French activities in colonial Algeria and the protectorates of Tunisia and Morocco. On giving focus to women's art and the impact of cross-cultural interchanges, this book rethinks Orientalism in French art. This book will be of particular interest to scholars in the History of Art, Gender Studies, History, and Middle Eastern and North African Studies"--|cProvided by publisher.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aOrientalism in art.
650 0|aWomen artists|zFrance|xHistory|y19th century.
650 0|aWomen artists|zFrance|xHistory|y20th century.
650 0|aNorth Africans in art.
650 0|aWomen in art.
650 7|aART / General|2bisacsh
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781003185130
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis