LEADER 03907cam a22005658i 4500
001 792243
003 TR_AnAIT
005 20260122235800
006 m o d
007 cr |||||||||||
008 241015s2025 enk ob 001 0 eng
020 |a9781003436492|q(ebook)
020 |a1003436498
020 |a9781040277218|q(electronic bk. : PDF)
020 |a1040277217|q(electronic bk. : PDF)
020 |a9781040277232|q(electronic bk. : EPUB)
020 |a1040277233|q(electronic bk. : EPUB)
020 |z9781032547541|q(hardback)
020 |z9781032566375|q(paperback)
024 7 |a10.4324/9781003436492|2doi
035 |a(OCoLC)1461743066
035 |a(OCoLC-P)1461743066
040 |aOCoLC-P|beng|erda|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 00|aPN1584
072 7|aAN|2bicssc
072 7|aPER000000|2bisacsh
072 7|aAFKP|2bicssc
072 7|aHRA|2bicssc
072 7|aJHM|2bicssc
072 7|aPER011000|2bisacsh
072 7|aPER011020|2bisacsh
072 7|aREL000000|2bisacsh
072 7|aSOC039000|2bisacsh
082 00|a791.01|223/eng/20241015
245 00|aMattering spiritualities :|bperformative experiments for a radical imagining of the world becoming /|cedited by Silvia Battista, David Mason.
264 1|aLondon ;|aNew York :|bRoutledge,|c2025.
300 |a1 online resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
490 1 |aRoutledge advances in theatre & performance studies
520 |a"Mattering Spiritualities brings together an array of international scholars and practitioners to explore spirituality in embodiment through the lens of performance, performative writing, and performance studies. The book concerns spirituality and takes the body as the site of whatever it is we call spirituality. The methodological assumption is that the opposition of body and spirit is a false binary that calls for re-examination and revision. It stems from the argument that people can deliberately shift their boundaries of perception and knowing through practice, technologies and performative techniques that can alter the way in which they perceive the ecologies in which they are embedded. This approach understands that careful attention to which bodies are performing in any given scenario is crucial, as is a sensitivity to the ramifications of any body's race, gender, class, and biological ability. Performance can therefore be regarded as anything through which individuals and collectives experiment with bodies as technologies. Each chapter engages with such experiments to explore how bodies experience and relate to other bodies, human and other-than-human, but also how, by mobilizing bodies and changing relationships between them, practitioners can transform people, spaces and places, objects, ecologies large and small, and shift the borders-of-the-known. Such experiments can also reveal intersectional dynamics within given social, political, and biological borders offering new perspectives and angles of analysis. This collection intends to serve transdisciplinary studies and to support varied learning and teaching environments for undergraduate, postgraduate, and PhD students"--|cProvided by publisher.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aPerforming arts|xPhilosophy.
650 0|aSpirituality.
700 1 |aBattista, Silvia,|eeditor.|1https://id.oclc.org/worldcat/entity/E39PCjwpwjRt4rj3tkFWtpJCHy
700 1 |aMason, David V.|q(David Vaughn),|eeditor.|1https://id.oclc.org/worldcat/entity/E39PCjCtt7YDfTKXFFV7CG89jC
830 0|aRoutledge advances in theatre and performance studies.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781003436492
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis