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008 240702s2025 nyu ob 001 0 eng
020 |a9781032708676|q(ebook)
020 |a1032708670
020 |a9781040230596|q(electronic bk. : EPUB)
020 |a1040230598|q(electronic bk. : EPUB)
020 |a9781040230589|q(electronic bk. : PDF)
020 |a104023058X|q(electronic bk. : PDF)
020 |z9781032708652|q(paperback)
020 |z9781032708638|q(hardback)
024 7 |a10.4324/9781032708676|2doi
035 |a(OCoLC)1456591235
035 |a(OCoLC-P)1456591235
040 |aOCoLC-P|beng|erda|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 00|aN7485.U38
072 7|aART|x015000|2bisacsh
072 7|aART|x015030|2bisacsh
072 7|aART|x015110|2bisacsh
072 7|aAC|2bicssc
082 00|a701/.18094770904|223/eng/20240918
245 00|aEntangled art historiographies in Ukraine /|cedited by Stefaniia Demchuk and Illia Levchenko.
264 1|aNew York, NY :|bRoutledge,|c2025.
300 |a1 online resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
490 1 |aStudies in art historiography
505 2 |aFedir Schmit's 'Art, its psychology, form and evolution (1919)', Wöllflinn and the Vienna School / Stefaniia Demchuk -- A revival of Ukrainian art history? Entangled paths of the six-volume "History of Ukrainian art" (1966-1970) / Olha Novikova -- The nation as a framework for art historical writing. Constructs: 'Kyivan' Rus', baroque, avant-garde / Illia Levchenko.
520 |a"This book explores ideologies, conflicts and ideas that underpinned art historical writing in Ukraine in the 20th century. Disciplinary beginnings testify both to its deep connection to Krakow, Saint Petersburg and especially Vienna with its school of art history and originality of theoretical thought. Art History started as another imperial project in Ukraine, but ultimately transformed into the means of assertion of national identity. The volume looks closely at the continuity and ruptures in scholarship caused by the establishment of Soviet power and challenges a number of existing stereotypes like total isolation under Communist rule and strict adherence to a Marxist-Leninist methodology. It showcases intellectual exchanges through published work, personal contacts, and ways to resist the politically enforced methodology. Despite keeping the focus on one country, it contributes to understanding the development of art history as an academic discipline in Europe more generally. It also uncovers unknown or little-researched personal and academic connections between art historians from Ukraine and their peers abroad. Starting with the 19th century quest for the method and proceeding by disentangling the complexities of the 20th century, the authors move on to the specifics of historiography after the formal collapse of the USSR. The volume transgresses purely academic boundaries and tackles the development of the discourse in periodicals, exhibition spaces and public discussions. Thus, the findings will be pertinent to all interested in politics, art history, museum studies, intellectual history, historiography, and Eastern European studies"--|cProvided by publisher.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aArt criticism|zUkraine|xHistory|y20th century.
650 0|aArt|xHistoriography.
650 7|aART / History / General|2bisacsh
650 7|aART / European|2bisacsh
650 7|aART / History / Contemporary (1945-)|2bisacsh
651 0|aUkraine|xIntellectual life|y20th century.
700 1 |aDemchuk, Stefaniia,|eeditor.
700 1 |aLevchenko, Illia,|eeditor.
830 0|aStudies in art historiography.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781032708676
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis