LEADER 03178cam a2200361Ii 4500
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003 TR_AnAIT
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008 180706s2018 enka ob 001 0 eng d
020 |a9781315109480|q(e-book : PDF)
020 |a9781351613194|q(e-book: Mobi)
020 |z9781472484796|q(hardback)
024 7 |a10.4324/9781315109480 |2doi
035 |a(OCoLC)993949228
040 |aFlBoTFG|cFlBoTFG|erda
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aBX4818.3|b.N69 2018
082 04|a280.042|bN957
100 1 |aNoyes, Ruth S.,|eauthor.
245 10|aPeter Paul Rubens and the Counter-Reformation crisis of the beati moderni /|cRuth S. Noyes.
264 1|aLondon :|bRoutledge,|c2018.
300 |a1 online resource (xiv, 161 pages)
336 |atext|2rdacontent
337 |acomputer|2rdamedia
338 |aonline resource|2rdacarrier
490 0 |aSanctity in Global Perspective
504 |aIncludes bibliographical references (pages 301-340) and index.
505 0 |achapter Introduction: bitter pills -- chapter 1 Among the others -- chapter 2 Keep a close eye -- chapter 3 Incredible costs -- chapter 4 Has not pleased -- chapter 5 “Give it to me”.
520 |a"Peter Paul Rubens and the Crisis of the Beati Moderni takes up the question of the issues involved in the formation of recent saints - or Beati moderni (modern Blesseds) as they were called - by the Jesuits and Oratorians in the new environment of increased strictures and censorship that developed after the Council of Trent with respect to legal canonization procedures and cultic devotion to the saints. Ruth Noyes focuses particularly on how the new regulations pertained to the creation of emerging cults of those not yet canonized, the so-called Beati moderni, such as Jesuit founders Francis Xavier and Ignatius Loyola, and Filippo Neri, founder of the Oratorians. Centrally involved in the book is the question of the fate and meaning of the two altarpiece paintings commissioned by the Oratorians from Peter Paul Rubens. The Congregation rejected his first altarpiece because it too specifically identified Filippo Neri as a cult figure to be venerated (before his actual canonization) and thus was caught up in the politics of cult formation and the papacy's desire to control such pre-canonization cults. The book demonstrates that Rubens' second altarpiece, although less overtly depicting Neri as a saint, was if anything more radical in the claims it made for him. Peter Paul Rubens and the Crisis of the Beati Moderni offers the first comparative study of Jesuit and Oratorian images of their respective would-be saints, and the controversy they ignited across Church hierarchies. It is also the first work to examine provocative Philippine imagery and demonstrate how its bold promotion specifically triggered the first wave of curial censure in 1602."--Provided by publisher.
610 20|aJesuits|xHistory.
610 20|aOratorians|xHistory.
650 0|aChristian saints|xCult|xHistory|y16th century.
650 0|aChristian sects|xHistory|y17th century.
650 0|aCounter-Reformation.
776 08|iPrint version: |z9781472484796
856 40|uhttps://www.taylorfrancis.com/books/9781315109480|zClick here to view.
901 |aTaylor & Francis