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001 792442
003 TR_AnAIT
005 20260123000122
006 m o d
007 cr
008 181224s2018 fluab ob 001 0 eng d
020 |a9781315232782(e-book : PDF)
035 |a(OCoLC)1028223172
040 |aFlBoTFG|cFlBoTFG|erda
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aGN799
072 7|aSOC|x003000 |2bisacsh
072 7|aHD |2bicscc
082 04|a759.01/13|223
245 00|aArchaeologies of Rock Art :|bSouth American Perspectives /|cedited by Andrés Troncoso, Felipe Armstrong and George Nash.
250 |aFirst edition.
264 1|aBoca Raton, FL :|bTaylor and Francis, an imprint of Routledge,|c2018.
300 |a1 online resource (326 pages) :|b81 illustrations, text file, PDF.
336 |atext|2rdacontent
337 |acomputer|2rdamedia
338 |aonline resource|2rdacarrier
504 |aIncludes bibliographical references and index.
505 00|t1. Contemporary approaches to rock art in South America: introductory remarks; 2. The materiality of rock art. Image-making technology and economy viewed from Patagonia; 3. Rock art and technology. A spatio-temporal proposal from the upper basin of the Limari river, north central Chile; 4. Rock art in the construction of landscape, Parguaza river basin, Venezuela; 5. Memory in the stone. Rock art landscape at Cerro Colorado as a negotiation space for social memory; 6. Signs in the desert: geoglyphs as cultural system and ideology (northern Chile); 7. Capivara (north-east Brazil) and the Limari Basin (Chile): a semiotic tale of two rock art landscapes; 8. Exploring rock paintings, engravings and geoglyphs of the Atacama Desert through materiality, style, and agency; 9. Hunting scenes in Cueva de las Manos: style, content, and chronology (Rio Pinturas, Santa Cruz, Patagonia); 10. Rock art assemblages in north central Chile: materials and practices through history; 11. Ethnogeology of rock art? Some considerations derived from Amazonianist ethnographies.
520 3 |aRock art in South America is as diverse as the continent itself. In this vast territory, different peoples produced engravings, paintings, and massive earthworks, from the Atacama to the Amazon. These marks on the landscape were made by all different kinds of peoples, from some of the earliest hunter-gatherers in the continent, to the very complex societies within the Inca Empire. This book brings together the work of specialists from throughout the continent, addressing this diversity, as well as the variety of approaches that the Archaeology of rock art has taken in South America. Constructed of eleven thought-provoking chapters and arranged in three thematic sections, the book presents different theoretical approaches that are currently being used to understand the roles rock art played in prehistoric communities. The editors have skillfully crafted a book that presents the contribution the study of South American rock art can offer to the global research of this materiality, both theoretically and methodologically. This book will interest a broad range of scholars researching in archaeology, anthropology, history of art, heritage and conservation, as well as undergraduate and postgraduate students who will find interesting case studies showcasing the diverse ways in which rock art can be approached. Despite its focus on South America, the book is intended as a contribution towards the global study of rock art.
530 |aAlso available in print format.
650 0|aRock paintings|zSouth America.
650 0|aPetroglyphs|zSouth America.
650 0|aArt, Prehistoric|zSouth America.
650 0|aART / History / General.
650 0|aArt, Prehistoric.
650 0|aPetroglyphs.
650 0|aRock paintings.
655 0|aElectronic books.
700 1 |aTroncoso, Andrés,|eeditor.
700 1 |aArmstrong, Felipe,|eeditor.
700 1 |aNash, George,|eeditor.
710 2 |aTaylor and Francis.
776 08|iPrint version: |z9781138292673
856 40|uhttps://www.taylorfrancis.com/books/9781315232782|zClick here to view.
901 |aTaylor & Francis