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020 |a9781351244824
020 |a1351244825
020 |a9781351244831|q(electronic bk.)
020 |a1351244833|q(electronic bk.)
020 |a9781351244800|q(electronic bk. : Mobipocket)
020 |a1351244809|q(electronic bk. : Mobipocket)
020 |a9781351244817|q(electronic bk. : EPUB)
020 |a1351244817|q(electronic bk. : EPUB)
035 |a(OCoLC)1089531517
035 |a(OCoLC-P)1089531517
040 |aOCoLC-P|beng|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aNX180.S6|bL38 2019eb
072 7|aHIS|x000000|2bisacsh
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082 04|a700.1/0309495|223
245 00|aLate Byzantium Reconsidered|h[electronic resource] :|bThe Arts of the Palaiologan Era in the Mediterranean /|cedited by Andrea Mattiello and Maria Alessia Rossi.
260 |aMilton :|bRoutledge,|c2019.
300 |a1 online resource (242 p.)
500 |aDescription based upon print version of record.
505 0 |aCover; Half Title; Title; Copyright; Contents; List of illustrations; Foreword; Acknowledgements; Notes on contributors; Introduction; 1 'And the whole city cheered': the poetics and politics of the miraculous in the Early Palaiologan period; 2 Art in decline or art in the age of decline? Historiography and new approaches to Late Byzantine painting; 3 The timeliness of timelessness: reconsidering decline in the Palaiologan period; 4 Reconsidering the Early Palaiologan period: anti-Latin propaganda, miracle accounts, and monumental art
505 8 |a5 How to illustrate a scientific treatise in the Palaiologan period6 Looking beyond the city walls of Mystras: the transformation of the religious landscape of Laconia; 7 Remnants of an era: monasteries and lay piety in Late Byzantine Sozopolis; 8 Palaiologan art from regional Crete: artistic decline or social progress?; 9 Liturgical and devotional artefacts in the Venetian churches of the Levant, thirteenth to fifteenth centuries; 10 Who is that man? The perception of Byzantium in fifteenth-century Italy
505 8 |a11 The story behind the image: the literary patronage of Tsar Ivan Alexander of Bulgaria between ostentation and decline12 Imperial portraits of the Grand Komnenoi of Trebizond (1204-1461); Index
520 |aLate Byzantium Reconsidered offers a unique collection of essays analysing the artistic achievements of Mediterranean centres linked to the Byzantine Empire between 1261, when the Palaiologan dynasty re-conquered Constantinople, and the decades after 1453, when the Ottomans took the city, marking the end of the Empire. These centuries were characterised by the rising of socio-political elites, in regions such as Crete, Italy, Laconia, Serbia, and Trebizond, that, while sharing cultural and artistic values influenced by the Byzantine Empire, were also developing innovative and original visual and cultural standards. The comparative and interdisciplinary framework offered by this volume aims to challenge established ideas concerning the late Byzantine period such as decline, renewal, and innovation. By examining specific case studies of cultural production from within and outside Byzantium, the chapters in this volume highlight the intrinsic innovative nature of the socio-cultural identities active in the late medieval and early modern Mediterranean vis-aa-vis the rhetorical assumption of the cultural contraction of the Byzantine Empire.
588 |aOCLC-licensed vendor bibliographic record.
650 7|aHISTORY / General|2bisacsh
650 0|aArts and society|zMediterranean Region|xHistory|yTo 1500.
650 0|aArts and society|zByzantine Empire.
651 0|aByzantine Empire|xCivilization|y1081-1453.
700 1 |aMattiello, Andrea.
700 1 |aRossi, Maria Alessia.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781351244831
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis