HERITAGE, PHOTOGRAPHY AND THE AFFECTIVE PAST.
ISBN
9780429027185 (electronic bk.)
0429027184 (electronic bk.)
9780429648748 (electronic bk. : EPUB)
042964874X (electronic bk. : EPUB)
9780429651380 (electronic bk. : PDF)
0429651384 (electronic bk. : PDF)
9780429646102 (electronic bk. : Mobipocket)
0429646100 (electronic bk. : Mobipocket)
0367135574
9780367135577
0429027184 (electronic bk.)
9780429648748 (electronic bk. : EPUB)
042964874X (electronic bk. : EPUB)
9780429651380 (electronic bk. : PDF)
0429651384 (electronic bk. : PDF)
9780429646102 (electronic bk. : Mobipocket)
0429646100 (electronic bk. : Mobipocket)
0367135574
9780367135577
Dil Kodu
İngilizce
Yazar
Yayın Bilgisi
[Place of publication not identified] : ROUTLEDGE, 2019.
Fiziksel Niteleme
1 online resource (1 volume)
Dizi
UCL Institute of Archaeology critical cultural heritage series
İçindekiler Notu
Cover; Half Title; Series Page; Title; Copyright; Contents; Figures; Acknowledgements; 1 Introduction: critical heritage and photography; Why photography?; Rethinking heritage and photography; Framing affect; Book structure and approach; 2 Memory; Fugitive testimonies; Heritage estranged; Photography against memory; Remembering the planet; Mnemonic ecologies; Networks, connections, algorithms; Affective memories; 3 Site; Three tenses; Angkor and Famagusta; John Thomson: assembling image-objects; Distributed pictures; Timeless moments; Futures deferred; 4 Archive; Ruinous photographies
Remapping the Thomson archiveAngkor as imperial debris; Shifting perceptions of British Famagusta; Alternative archival imaginaries; 5 Performance; Performing the frame; Tremulous pictures; Icons of Angkor; In pursuit of 'better memories'; Walking Famagusta; Towards an embodied politics of heritage photography; 6 Conclusion: uncertain frames; Index
Remapping the Thomson archiveAngkor as imperial debris; Shifting perceptions of British Famagusta; Alternative archival imaginaries; 5 Performance; Performing the frame; Tremulous pictures; Icons of Angkor; In pursuit of 'better memories'; Walking Famagusta; Towards an embodied politics of heritage photography; 6 Conclusion: uncertain frames; Index
Özet, vb.
Heritage, Photography, and the Affective Pastcritically examines the production, consumption, and interpretation of photography across various heritage domains, from global image archives to the domestic arena of the family album. Through original ethnographic and archival research, the book sheds new light on the role photography has played in the emergence, expansion, and articulation of heritage in diverse sociocultural contexts. Drawing on wide-ranging experience across the heritage sector and two international case studies - Angkor in Cambodia and the town of Famagusta, Cyprus -the book makes a major contribution to our understanding of the role photography has played and continues to play in shaping experiences and conceptualisations of heritage. One of the core aims of the book is to problematise and potentially redirect the varied usages of photography within current practice, usages which remain woefully undertheorised, despite their often-central role in shaping heritage. Ultimately, by focusing attention on a hitherto underexamined aspect of the heritage phenomenon, namely its manifold interconnections with photography, this book provides fresh insightto the making and remaking of the past in the present, and the alternative heritages that might come into being around emergent photographic forms and approaches. Heritage, Photography, and the Affective Past uses photography as a method of enquiry as well as a tool of documentation. It will be of interest to scholars and students of heritage, photography, anthropology, museology, public archaeology, and tourism. The book will also be a valuable resource for heritage practitioners working around the globe.
Konu
World history __ Pictorial works.
Historic sites __ Pictorial works.
Photography.
Memory.
Photograph collections.
Photographs as information resources.
HISTORY / Europe / General __ bisacsh
PHOTOGRAPHY / General __ bisacsh
PHOTOGRAPHY / History __ bisacsh
Historic sites __ Pictorial works.
Photography.
Memory.
Photograph collections.
Photographs as information resources.
HISTORY / Europe / General __ bisacsh
PHOTOGRAPHY / General __ bisacsh
PHOTOGRAPHY / History __ bisacsh
Veritabanı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
LEADER 04784cam a2200601Ki 4500
001 792898
003 TR_AnAIT
005 20260123000833
006 m o d
007 cr cnu---unuuu
008 190830s2019 xx o 000 0 eng d
020 |a9780429027185|q(electronic bk.)
020 |a0429027184|q(electronic bk.)
020 |a9780429648748|q(electronic bk. : EPUB)
020 |a042964874X|q(electronic bk. : EPUB)
020 |a9780429651380|q(electronic bk. : PDF)
020 |a0429651384|q(electronic bk. : PDF)
020 |a9780429646102|q(electronic bk. : Mobipocket)
020 |a0429646100|q(electronic bk. : Mobipocket)
020 |z0367135574
020 |z9780367135577
035 |a(OCoLC)1114601337|z(OCoLC)1114873389|z(OCoLC)1115001268
035 |a(OCoLC-P)1114601337
040 |aOCoLC-P|beng|erda|epn|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aD21.1
072 7|aHIS|x010000|2bisacsh
072 7|aPHO|x000000|2bisacsh
072 7|aPHO|x010000|2bisacsh
072 7|aGM|2bicssc
082 04|a779.99|223
100 1 |aSTERLING, COLIN.
245 10|aHERITAGE, PHOTOGRAPHY AND THE AFFECTIVE PAST.
264 1|a[Place of publication not identified] :|bROUTLEDGE,|c2019.
300 |a1 online resource (1 volume)
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
490 0 |aUCL Institute of Archaeology critical cultural heritage series
505 0 |aCover; Half Title; Series Page; Title; Copyright; Contents; Figures; Acknowledgements; 1 Introduction: critical heritage and photography; Why photography?; Rethinking heritage and photography; Framing affect; Book structure and approach; 2 Memory; Fugitive testimonies; Heritage estranged; Photography against memory; Remembering the planet; Mnemonic ecologies; Networks, connections, algorithms; Affective memories; 3 Site; Three tenses; Angkor and Famagusta; John Thomson: assembling image-objects; Distributed pictures; Timeless moments; Futures deferred; 4 Archive; Ruinous photographies
505 8 |aRemapping the Thomson archiveAngkor as imperial debris; Shifting perceptions of British Famagusta; Alternative archival imaginaries; 5 Performance; Performing the frame; Tremulous pictures; Icons of Angkor; In pursuit of 'better memories'; Walking Famagusta; Towards an embodied politics of heritage photography; 6 Conclusion: uncertain frames; Index
520 |aHeritage, Photography, and the Affective Pastcritically examines the production, consumption, and interpretation of photography across various heritage domains, from global image archives to the domestic arena of the family album. Through original ethnographic and archival research, the book sheds new light on the role photography has played in the emergence, expansion, and articulation of heritage in diverse sociocultural contexts. Drawing on wide-ranging experience across the heritage sector and two international case studies - Angkor in Cambodia and the town of Famagusta, Cyprus -the book makes a major contribution to our understanding of the role photography has played and continues to play in shaping experiences and conceptualisations of heritage. One of the core aims of the book is to problematise and potentially redirect the varied usages of photography within current practice, usages which remain woefully undertheorised, despite their often-central role in shaping heritage. Ultimately, by focusing attention on a hitherto underexamined aspect of the heritage phenomenon, namely its manifold interconnections with photography, this book provides fresh insightto the making and remaking of the past in the present, and the alternative heritages that might come into being around emergent photographic forms and approaches. Heritage, Photography, and the Affective Past uses photography as a method of enquiry as well as a tool of documentation. It will be of interest to scholars and students of heritage, photography, anthropology, museology, public archaeology, and tourism. The book will also be a valuable resource for heritage practitioners working around the globe.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aWorld history|vPictorial works.
650 0|aHistoric sites|vPictorial works.
650 0|aPhotography.
650 0|aMemory.
650 0|aPhotograph collections.
650 0|aPhotographs as information resources.
650 7|aHISTORY / Europe / General|2bisacsh
650 7|aPHOTOGRAPHY / General|2bisacsh
650 7|aPHOTOGRAPHY / History|2bisacsh
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9780429027185
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis
001 792898
003 TR_AnAIT
005 20260123000833
006 m o d
007 cr cnu---unuuu
008 190830s2019 xx o 000 0 eng d
020 |a9780429027185|q(electronic bk.)
020 |a0429027184|q(electronic bk.)
020 |a9780429648748|q(electronic bk. : EPUB)
020 |a042964874X|q(electronic bk. : EPUB)
020 |a9780429651380|q(electronic bk. : PDF)
020 |a0429651384|q(electronic bk. : PDF)
020 |a9780429646102|q(electronic bk. : Mobipocket)
020 |a0429646100|q(electronic bk. : Mobipocket)
020 |z0367135574
020 |z9780367135577
035 |a(OCoLC)1114601337|z(OCoLC)1114873389|z(OCoLC)1115001268
035 |a(OCoLC-P)1114601337
040 |aOCoLC-P|beng|erda|epn|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aD21.1
072 7|aHIS|x010000|2bisacsh
072 7|aPHO|x000000|2bisacsh
072 7|aPHO|x010000|2bisacsh
072 7|aGM|2bicssc
082 04|a779.99|223
100 1 |aSTERLING, COLIN.
245 10|aHERITAGE, PHOTOGRAPHY AND THE AFFECTIVE PAST.
264 1|a[Place of publication not identified] :|bROUTLEDGE,|c2019.
300 |a1 online resource (1 volume)
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
490 0 |aUCL Institute of Archaeology critical cultural heritage series
505 0 |aCover; Half Title; Series Page; Title; Copyright; Contents; Figures; Acknowledgements; 1 Introduction: critical heritage and photography; Why photography?; Rethinking heritage and photography; Framing affect; Book structure and approach; 2 Memory; Fugitive testimonies; Heritage estranged; Photography against memory; Remembering the planet; Mnemonic ecologies; Networks, connections, algorithms; Affective memories; 3 Site; Three tenses; Angkor and Famagusta; John Thomson: assembling image-objects; Distributed pictures; Timeless moments; Futures deferred; 4 Archive; Ruinous photographies
505 8 |aRemapping the Thomson archiveAngkor as imperial debris; Shifting perceptions of British Famagusta; Alternative archival imaginaries; 5 Performance; Performing the frame; Tremulous pictures; Icons of Angkor; In pursuit of 'better memories'; Walking Famagusta; Towards an embodied politics of heritage photography; 6 Conclusion: uncertain frames; Index
520 |aHeritage, Photography, and the Affective Pastcritically examines the production, consumption, and interpretation of photography across various heritage domains, from global image archives to the domestic arena of the family album. Through original ethnographic and archival research, the book sheds new light on the role photography has played in the emergence, expansion, and articulation of heritage in diverse sociocultural contexts. Drawing on wide-ranging experience across the heritage sector and two international case studies - Angkor in Cambodia and the town of Famagusta, Cyprus -the book makes a major contribution to our understanding of the role photography has played and continues to play in shaping experiences and conceptualisations of heritage. One of the core aims of the book is to problematise and potentially redirect the varied usages of photography within current practice, usages which remain woefully undertheorised, despite their often-central role in shaping heritage. Ultimately, by focusing attention on a hitherto underexamined aspect of the heritage phenomenon, namely its manifold interconnections with photography, this book provides fresh insightto the making and remaking of the past in the present, and the alternative heritages that might come into being around emergent photographic forms and approaches. Heritage, Photography, and the Affective Past uses photography as a method of enquiry as well as a tool of documentation. It will be of interest to scholars and students of heritage, photography, anthropology, museology, public archaeology, and tourism. The book will also be a valuable resource for heritage practitioners working around the globe.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aWorld history|vPictorial works.
650 0|aHistoric sites|vPictorial works.
650 0|aPhotography.
650 0|aMemory.
650 0|aPhotograph collections.
650 0|aPhotographs as information resources.
650 7|aHISTORY / Europe / General|2bisacsh
650 7|aPHOTOGRAPHY / General|2bisacsh
650 7|aPHOTOGRAPHY / History|2bisacsh
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9780429027185
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis
Materyaller
Depodan talep edilen materyal sadece kütüphane içerisinde kullanılmaktadır.
Materyal dışarıya ödünç verilmemektedir.
Materyal dışarıya ödünç verilmemektedir.
