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020 |a9780429269042|qelectronic book
020 |a0429269048|qelectronic book
020 |a9781000088786|qelectronic book
020 |a1000088782|qelectronic book
020 |a9781000088823|qelectronic book
020 |a1000088820|qelectronic book
020 |a9781000088748|qelectronic book
020 |a100008874X|qelectronic book
020 |z9780367219642|qhardcover
035 |a(OCoLC)1152490343
035 |a(OCoLC-P)1152490343
040 |aOCoLC-P|beng|erda|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 04|aPR641|b.C37 2021
072 7|aHIS|x000000|2bisacsh
072 7|aHBLC1|2bicssc
082 00|a822/.109|223
100 1 |aCarpenter, Sarah,|eauthor.
240 00|aEssays.|kSelections
245 10|aEarly performance: courts and audiences :|bshifting paradigms in early English drama studies /|cSarah Carpenter ; edited by John J McGavin and Greg Walker.
264 1|aAbingdon, Oxon ;|aNew York :|bRoutledge,|c2021.
264 4|c©2021
300 |a1 online resource (viii, 233 pages)
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
490 1 |aVariorum collected studies series
520 |a"These essays of Sarah Carpenter have been selected to reflect her career's close focus on the relationship of performance and audience. They are drawn from the last 25 years of her writing, and this has enabled the editors to organise them not chronologically but rather to develop her central theme through a range of genres, including morality plays, the interlude, court entertainments, international political spectacle, and the public 'performances' of natural and maintained fools. As a scholar who also has experience of acting and of production, Carpenter is particularly sensitive to the implications of location for creating meaning and generating audience reaction. The essays are focused on a relatively short time-span of 120 years, from the late fifteenth to the turn of the seventeenth century, and thus nuance a period traditionally divided between the late medieval and the early-modern, and between Catholicism and Protestantism. Carpenter shows how the dynamics of theatrical engagement in which the roles of audience and performer are frequently mixed or even reversed offer a more creative route to understanding how the individual and society respond to change"--|cProvided by publisher.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aEnglish drama|yTo 1500|xHistory and criticism.
650 0|aEnglish drama|yEarly modern and Elizabethan, 1500-1600.
650 0|aTheater|zEngland|xHistory|yMedieval, 500-1500.
650 0|aTheater|zEngland|xHistory|yTo 1500.
650 7|aHISTORY / General|2bisacsh
700 1 |aMcGavin, John J.,|d1950-|eeditor.
700 1 |aWalker, Greg,|d1959-|eeditor.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9780429269042
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis