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020 |a9781003042129|q(ebk)
020 |a1003042120
020 |a9781000509458|q(electronic bk. : PDF)
020 |a1000509451|q(electronic bk. : PDF)
020 |a9781000509489|q(electronic bk. : EPUB)
020 |a1000509486|q(electronic bk. : EPUB)
020 |z9780367486556|q(hbk)
020 |z9781032160016|q(pbk)
035 |a(OCoLC)1260689391
035 |a(OCoLC-P)1260689391
040 |aOCoLC-P|beng|erda|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 00|aTR183
072 7|aART|x046000|2bisacsh
072 7|aHDA|2bicssc
082 00|a771/.4|223
245 00|aDiffracting digital images :|barchaeology, art practice and cultural heritage /|cedited by Ian Dawson, Andrew Meirion Jones, Louisa Minkin and Paul Reilly.
264 1|aAbingdon, Oxon ;|aNew York, NY :|bRoutledge,|c2022.
300 |a1 online resource
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
520 |a"Digital imaging techniques have been rapidly adopted within archaeology and cultural heritage practice for the accurate documentation of cultural artefacts. But what is a digital image, and how does it relate to digital photography? The authors of this book take a critical look at the practice and techniques of digital imaging from the stance of digital archaeologists, cultural heritage practitioners and digital artists. Borrowing from the feminist scholar Karen Barad, the authors ask what happens when we diffract the formal techniques of archaeological digital imaging through a different set of disciplinary concerns and practices. Diffracting exposes the differences between archaeologists, heritage practitioners and artists and foregrounds how their differing practices and approaches enrich and inform each other. How might the digital imaging techniques used by archaeologists be adopted by digital artists, and what are the potentials associated with this adoption? Under the gaze of fine artists, what happens to the fidelity of the digital images made by archaeologists, and what new questions do we ask of the digital image? How can the critical approaches and practices of fine artists inform the future practice of digital imaging in archaeology and cultural heritage? Diffracting Digital Images will be of interest to students and scholars in archaeology, cultural heritage studies, anthropology, fine art, digital humanities, and media theory"--|cProvided by publisher.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aDigital images|xPhilosophy.
650 0|aAntiquities|xImaging.
650 0|aPhotography in archaeology.
650 0|aArchaeology and art.
650 0|aMaterial culture.
650 0|aAesthetics, Modern|y20th century.
650 7|aART / Digital & Video|2bisacsh
700 1 |aDawson, Ian,|d1969-|eeditor.
700 1 |aJones, Andrew,|d1967-|eeditor.
700 1 |aMinkin, Louisa,|eeditor.
700 1 |aReilly, Paul,|eeditor.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781003042129
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis