Photography in India : from archives to contemporary practice / edited by Aileen Blaney and Chinar Shah.
ISBN
9781003103790 (electronic bk.)
1003103790 (electronic bk.)
9781000212372 (electronic bk. : Mobipocket)
1000212378 (electronic bk. : Mobipocket)
9781000213263 (electronic bk. : EPUB)
1000213269 (electronic bk. : EPUB)
9781000211603 (electronic bk. : PDF)
1000211606 (electronic bk. : PDF)
9781350027909
9781350141384
9781350027886
1003103790 (electronic bk.)
9781000212372 (electronic bk. : Mobipocket)
1000212378 (electronic bk. : Mobipocket)
9781000213263 (electronic bk. : EPUB)
1000213269 (electronic bk. : EPUB)
9781000211603 (electronic bk. : PDF)
1000211606 (electronic bk. : PDF)
9781350027909
9781350141384
9781350027886
Dil Kodu
İngilizce
Yayın Bilgisi
Abingdon, Oxon ; New York, NY : Routledge, Taylor & Francis Group, 2020.
Fiziksel Niteleme
1 online resource (272 pages) : illustrations
Genel Not
"First published 2018 by Bloomsbury Academic"--Title page verso.
İçindekiler Notu
ForewordAnna Fox, University for the Creative Arts, Farnham, UK 1. Introduction Aileen Blaney, Srishti Institute of Art, Design and Technology, India I Photographic Time and Memory 1. In the Theatre of Memory: The Work of Contemporary Art in the Photographic ArchiveRaqs Media Collective2. Lady Harriot Dufferin's Indian Album: 'My First Efforts in Photography, 1886' Denise A. Wilson3. Itinerant Photography: Medium and Translation in the work of Imran ChannaZahid Chaudhary4. Images of Deaths and Marriages: Syrian Christian Family Albums and Oral Histories in KeralaPooja Sagar5. All 'Dressed Up': Costume, Fashion and Identity in the Photographs of Homai VyarawallaSabeena Gadihoke6. Putting Women in the Picture: The Role of Photography in Mobilizing Support for the Indian Emergency (1975-77)Gemma Scott7. Copying and De-synchronizing: Performing the Past in Contemporary Indian Photography.Christopher PinneyII Photographies in Contemporary India8. Photography at the Edge of Representation?: Rethinking Photographs of Rural India Kathleen L. Wyma9. Interrogating 'Credible Chhattisgarh': Photography and the Construction of a New Indian StateAvrati Bhatnagar10. Silenced Ruptures, Images from 2002 Gujarat RiotsChinar Shah11. Satellite Images in India: Remotely Sensed and Ambiguously Accessed Muthatha Ramanathan12. The Self Is as the Selfie Does: Three Propositions for the Selfie in the Digital Turn Nishant Shah13. The Unfolding of the Networked Image: An Oscillation between a Simple Visibility and an Invisible Complexity Fabien Charuau14. Post-Photography and Missing Images Joan Fontcuberta, Translation by Ana MahéAfterwordFred Richin
Özet, vb.
Photography's prominence in the representation and experience of India in contemporary and historical times has not guaranteed it a position of sustained attention in research and scholarship. For a technology as all pervasive as photography, and a country as colossal as India, this scenario is somewhat of an anomaly. Photography in India explores elements of the past, present and future of photography in the context of India through speculation and reflection on photography as an artistic, documentary and everyday practice. The perspectives of writers, theorists, curators and artists are selectively brought to bear upon known as well as previously unseen photographic archives, together with changes in photographic practice that have been synchronous with contemporary India's rapid urban and rural transformation and the technological shift from chemistry and light to programming and algorithms. Essential reading for anyone interested in Indian photography, this book binds insights into a history of photography with its contemporary development, consolidating wide-ranging thinking on the topic and setting the agenda for future research.
Konu
Photography __ India __ History.
PHOTOGRAPHY / Subjects & Themes / Regional (see also TRAVEL / Pictorials) __ bisacsh
SOCIAL SCIENCE / Anthropology / Cultural __ bisacsh
HISTORY / Asia / India & South Asia __ bisacsh
PHOTOGRAPHY / Subjects & Themes / Regional (see also TRAVEL / Pictorials) __ bisacsh
SOCIAL SCIENCE / Anthropology / Cultural __ bisacsh
HISTORY / Asia / India & South Asia __ bisacsh
Diğer Yazarlar
Veritabanı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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245 00|aPhotography in India :|bfrom archives to contemporary practice /|cedited by Aileen Blaney and Chinar Shah.
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300 |a1 online resource (272 pages) :|billustrations
336 |atext|btxt|2rdacontent
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500 |a"First published 2018 by Bloomsbury Academic"--Title page verso.
505 0 |aForewordAnna Fox, University for the Creative Arts, Farnham, UK 1. Introduction Aileen Blaney, Srishti Institute of Art, Design and Technology, India I Photographic Time and Memory 1. In the Theatre of Memory: The Work of Contemporary Art in the Photographic ArchiveRaqs Media Collective2. Lady Harriot Dufferin's Indian Album: 'My First Efforts in Photography, 1886' Denise A. Wilson3. Itinerant Photography: Medium and Translation in the work of Imran ChannaZahid Chaudhary4. Images of Deaths and Marriages: Syrian Christian Family Albums and Oral Histories in KeralaPooja Sagar5. All 'Dressed Up': Costume, Fashion and Identity in the Photographs of Homai VyarawallaSabeena Gadihoke6. Putting Women in the Picture: The Role of Photography in Mobilizing Support for the Indian Emergency (1975-77)Gemma Scott7. Copying and De-synchronizing: Performing the Past in Contemporary Indian Photography.Christopher PinneyII Photographies in Contemporary India8. Photography at the Edge of Representation?: Rethinking Photographs of Rural India Kathleen L. Wyma9. Interrogating 'Credible Chhattisgarh': Photography and the Construction of a New Indian StateAvrati Bhatnagar10. Silenced Ruptures, Images from 2002 Gujarat RiotsChinar Shah11. Satellite Images in India: Remotely Sensed and Ambiguously Accessed Muthatha Ramanathan12. The Self Is as the Selfie Does: Three Propositions for the Selfie in the Digital Turn Nishant Shah13. The Unfolding of the Networked Image: An Oscillation between a Simple Visibility and an Invisible Complexity Fabien Charuau14. Post-Photography and Missing Images Joan Fontcuberta, Translation by Ana MahéAfterwordFred Richin
520 |aPhotography's prominence in the representation and experience of India in contemporary and historical times has not guaranteed it a position of sustained attention in research and scholarship. For a technology as all pervasive as photography, and a country as colossal as India, this scenario is somewhat of an anomaly. Photography in India explores elements of the past, present and future of photography in the context of India through speculation and reflection on photography as an artistic, documentary and everyday practice. The perspectives of writers, theorists, curators and artists are selectively brought to bear upon known as well as previously unseen photographic archives, together with changes in photographic practice that have been synchronous with contemporary India's rapid urban and rural transformation and the technological shift from chemistry and light to programming and algorithms. Essential reading for anyone interested in Indian photography, this book binds insights into a history of photography with its contemporary development, consolidating wide-ranging thinking on the topic and setting the agenda for future research.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aPhotography|zIndia|xHistory.
650 7|aPHOTOGRAPHY / Subjects & Themes / Regional (see also TRAVEL / Pictorials)|2bisacsh
650 7|aSOCIAL SCIENCE / Anthropology / Cultural|2bisacsh
650 7|aHISTORY / Asia / India & South Asia|2bisacsh
700 1 |aBlaney, Aileen,|eeditor.
700 1 |aShah, Chinar,|eeditor.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781003103790
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis
001 793097
003 TR_AnAIT
005 20260123001156
006 m o d
007 cr cnu|||unuuu
008 201023r20202018enka ob 000 0 eng d
020 |a9781003103790|q(electronic bk.)
020 |a1003103790|q(electronic bk.)
020 |a9781000212372|q(electronic bk. : Mobipocket)
020 |a1000212378|q(electronic bk. : Mobipocket)
020 |a9781000213263|q(electronic bk. : EPUB)
020 |a1000213269|q(electronic bk. : EPUB)
020 |a9781000211603|q(electronic bk. : PDF)
020 |a1000211606|q(electronic bk. : PDF)
020 |z9781350027909
020 |z9781350141384
020 |z9781350027886
024 7 |a10.4324/9781003103790|2doi
035 |a(OCoLC)1201337395
035 |a(OCoLC-P)1201337395
040 |aOCoLC-P|beng|erda|epn|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aTR103
072 7|aPHO|x019000|2bisacsh
072 7|aSOC|x002010|2bisacsh
072 7|aHIS|x017000|2bisacsh
072 7|aAC|2bicssc
082 04|a770.954|223
245 00|aPhotography in India :|bfrom archives to contemporary practice /|cedited by Aileen Blaney and Chinar Shah.
264 1|aAbingdon, Oxon ;|aNew York, NY :|bRoutledge, Taylor & Francis Group,|c2020.
300 |a1 online resource (272 pages) :|billustrations
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
500 |a"First published 2018 by Bloomsbury Academic"--Title page verso.
505 0 |aForewordAnna Fox, University for the Creative Arts, Farnham, UK 1. Introduction Aileen Blaney, Srishti Institute of Art, Design and Technology, India I Photographic Time and Memory 1. In the Theatre of Memory: The Work of Contemporary Art in the Photographic ArchiveRaqs Media Collective2. Lady Harriot Dufferin's Indian Album: 'My First Efforts in Photography, 1886' Denise A. Wilson3. Itinerant Photography: Medium and Translation in the work of Imran ChannaZahid Chaudhary4. Images of Deaths and Marriages: Syrian Christian Family Albums and Oral Histories in KeralaPooja Sagar5. All 'Dressed Up': Costume, Fashion and Identity in the Photographs of Homai VyarawallaSabeena Gadihoke6. Putting Women in the Picture: The Role of Photography in Mobilizing Support for the Indian Emergency (1975-77)Gemma Scott7. Copying and De-synchronizing: Performing the Past in Contemporary Indian Photography.Christopher PinneyII Photographies in Contemporary India8. Photography at the Edge of Representation?: Rethinking Photographs of Rural India Kathleen L. Wyma9. Interrogating 'Credible Chhattisgarh': Photography and the Construction of a New Indian StateAvrati Bhatnagar10. Silenced Ruptures, Images from 2002 Gujarat RiotsChinar Shah11. Satellite Images in India: Remotely Sensed and Ambiguously Accessed Muthatha Ramanathan12. The Self Is as the Selfie Does: Three Propositions for the Selfie in the Digital Turn Nishant Shah13. The Unfolding of the Networked Image: An Oscillation between a Simple Visibility and an Invisible Complexity Fabien Charuau14. Post-Photography and Missing Images Joan Fontcuberta, Translation by Ana MahéAfterwordFred Richin
520 |aPhotography's prominence in the representation and experience of India in contemporary and historical times has not guaranteed it a position of sustained attention in research and scholarship. For a technology as all pervasive as photography, and a country as colossal as India, this scenario is somewhat of an anomaly. Photography in India explores elements of the past, present and future of photography in the context of India through speculation and reflection on photography as an artistic, documentary and everyday practice. The perspectives of writers, theorists, curators and artists are selectively brought to bear upon known as well as previously unseen photographic archives, together with changes in photographic practice that have been synchronous with contemporary India's rapid urban and rural transformation and the technological shift from chemistry and light to programming and algorithms. Essential reading for anyone interested in Indian photography, this book binds insights into a history of photography with its contemporary development, consolidating wide-ranging thinking on the topic and setting the agenda for future research.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aPhotography|zIndia|xHistory.
650 7|aPHOTOGRAPHY / Subjects & Themes / Regional (see also TRAVEL / Pictorials)|2bisacsh
650 7|aSOCIAL SCIENCE / Anthropology / Cultural|2bisacsh
650 7|aHISTORY / Asia / India & South Asia|2bisacsh
700 1 |aBlaney, Aileen,|eeditor.
700 1 |aShah, Chinar,|eeditor.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781003103790
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis
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