Music by subscription : composers and their networks in the British music-publishing trade, 1676-1820 / [edited by] Simon D.I. Fleming, Martin Perkins.
ISBN
9781003163558 (ebook)
1003163556
9781000519983 (electronic bk. : EPUB)
1000519988 (electronic bk. : EPUB)
9781000519952 (electronic bk. : PDF)
1000519953 (electronic bk. : PDF)
9780367748500 (hardback)
9780367756833 (paperback)
1003163556
9781000519983 (electronic bk. : EPUB)
1000519988 (electronic bk. : EPUB)
9781000519952 (electronic bk. : PDF)
1000519953 (electronic bk. : PDF)
9780367748500 (hardback)
9780367756833 (paperback)
Dil Kodu
İngilizce
Basım Bildirimi
[01.].
Yayın Bilgisi
New York : Routledge, 2022.
Fiziksel Niteleme
1 online resource.
Dizi
Routledge research in music
İçindekiler Notu
Introduction -- Section 1. The Production of Musical Works by Subscription. Thomas Mace and the Publication by Subscription of Musick's Monument (1676) / Stephanie Carter ; Cecilia Maria Barthélemon's Three Sonatas, Op 1 / Michael Kassler ; Maria Hester Park and her Subscribers / Lise Karin Meling ; Publishing Music by Subscription in Eighteenth-Century Edinburgh : John Watlen and his Collections of Circus Tunes / Simon D. I. Fleming ; William Felton and John Pixell : The Musical Circles of the Vicar Composer / Simon D. I. Fleming -- Section 2. The Consumption of Music Published by Subscription. Gentry, Servants and Musicians : A Network of Subscribers in North-East England / Roz Southey ; The Music-Making of the Bridgeman Family, Weston Park / Martin Perkins ; A Big Data Study: Musical Societies in Subscription Lists / Simon D. I. Fleming and Martin Perkins ; Strathspeys, Reels and Instrumental Airs : A National Product / Karen E. McAulay ; Profiting from the Slave Economy and Subscribing to Music : the British Experience in the Eighteenth Century / David Hunter ; Foreign Composers, the Subscription Market, and the Popularity of Continental Music in Eighteenth-Century Britain / Simon D. I. Fleming.
Özet, vb.
"This book breaks new ground in the social and cultural history of eighteenth-century music in Britain through the study of a hitherto neglected resource, the lists of subscribers that were attached to a wide variety of publications, including musical works. These lists shed considerable light on the nature of those who subscribed to music, including their social status, place of employment, residence, and musical interests. Through broad analysis of subscription data, the contributors reveal insights into social and economic changes during the period, and the types of music favoured by groups like music clubs, the aristocracy, the clergy, and by men and women. With chapters on female composers and listeners, music and the slave economy, musical patronage, the print trade, and nationality, this book provides innovative perspectives that enhance our understanding of music's social spheres, the emergence of music publishing, and the potential of digital musicology research"-- Provided by publisher.
Konu
Music __ Social aspects __ Great Britain __ History __ 18th century.
Music patronage __ Great Britain __ History __ 18th century.
Music publishing __ Great Britain __ History __ 18th century.
Music trade __ Great Britain __ History __ 18th century.
MUSIC / General __ bisacsh
MUSIC / History & Criticism __ bisacsh
Music patronage __ Great Britain __ History __ 18th century.
Music publishing __ Great Britain __ History __ 18th century.
Music trade __ Great Britain __ History __ 18th century.
MUSIC / General __ bisacsh
MUSIC / History & Criticism __ bisacsh
Diğer Yazarlar
Veritabanı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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245 00|aMusic by subscription :|bcomposers and their networks in the British music-publishing trade, 1676-1820 /|c[edited by] Simon D.I. Fleming, Martin Perkins.
250 |a[01.].
264 1|aNew York :|bRoutledge,|c2022.
300 |a1 online resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
490 0 |aRoutledge research in music
505 0 |aIntroduction -- Section 1. The Production of Musical Works by Subscription. Thomas Mace and the Publication by Subscription of Musick's Monument (1676) / Stephanie Carter ; Cecilia Maria Barthélemon's Three Sonatas, Op 1 / Michael Kassler ; Maria Hester Park and her Subscribers / Lise Karin Meling ; Publishing Music by Subscription in Eighteenth-Century Edinburgh : John Watlen and his Collections of Circus Tunes / Simon D. I. Fleming ; William Felton and John Pixell : The Musical Circles of the Vicar Composer / Simon D. I. Fleming -- Section 2. The Consumption of Music Published by Subscription. Gentry, Servants and Musicians : A Network of Subscribers in North-East England / Roz Southey ; The Music-Making of the Bridgeman Family, Weston Park / Martin Perkins ; A Big Data Study: Musical Societies in Subscription Lists / Simon D. I. Fleming and Martin Perkins ; Strathspeys, Reels and Instrumental Airs : A National Product / Karen E. McAulay ; Profiting from the Slave Economy and Subscribing to Music : the British Experience in the Eighteenth Century / David Hunter ; Foreign Composers, the Subscription Market, and the Popularity of Continental Music in Eighteenth-Century Britain / Simon D. I. Fleming.
520 |a"This book breaks new ground in the social and cultural history of eighteenth-century music in Britain through the study of a hitherto neglected resource, the lists of subscribers that were attached to a wide variety of publications, including musical works. These lists shed considerable light on the nature of those who subscribed to music, including their social status, place of employment, residence, and musical interests. Through broad analysis of subscription data, the contributors reveal insights into social and economic changes during the period, and the types of music favoured by groups like music clubs, the aristocracy, the clergy, and by men and women. With chapters on female composers and listeners, music and the slave economy, musical patronage, the print trade, and nationality, this book provides innovative perspectives that enhance our understanding of music's social spheres, the emergence of music publishing, and the potential of digital musicology research"--|cProvided by publisher.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aMusic|xSocial aspects|zGreat Britain|xHistory|y18th century.
650 0|aMusic patronage|zGreat Britain|xHistory|y18th century.
650 0|aMusic publishing|zGreat Britain|xHistory|y18th century.
650 0|aMusic trade|zGreat Britain|xHistory|y18th century.
650 7|aMUSIC / General|2bisacsh
650 7|aMUSIC / History & Criticism|2bisacsh
700 1 |aFleming, Simon,|eeditor.
700 1 |aPerkins, Martin,|d1975-|eeditor.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781003163558
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis
001 793134
003 TR_AnAIT
005 20260123001233
006 m o d
007 cr |||||||||||
008 210812s2022 nyu ob 001 0 eng
020 |a9781003163558|q(ebook)
020 |a1003163556
020 |a9781000519983|q(electronic bk. : EPUB)
020 |a1000519988|q(electronic bk. : EPUB)
020 |a9781000519952|q(electronic bk. : PDF)
020 |a1000519953|q(electronic bk. : PDF)
020 |z9780367748500|q(hardback)
020 |z9780367756833|q(paperback)
024 7 |a10.4324/9781003163558|2doi
035 |a(OCoLC)1264172509
035 |a(OCoLC-P)1264172509
040 |aOCoLC-P|beng|erda|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 00|aML3917.G7
072 7|aMUS|x000000|2bisacsh
072 7|aMUS|x020000|2bisacsh
072 7|aAVGC4|2bicssc
082 00|a780.941/09033|223
245 00|aMusic by subscription :|bcomposers and their networks in the British music-publishing trade, 1676-1820 /|c[edited by] Simon D.I. Fleming, Martin Perkins.
250 |a[01.].
264 1|aNew York :|bRoutledge,|c2022.
300 |a1 online resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
490 0 |aRoutledge research in music
505 0 |aIntroduction -- Section 1. The Production of Musical Works by Subscription. Thomas Mace and the Publication by Subscription of Musick's Monument (1676) / Stephanie Carter ; Cecilia Maria Barthélemon's Three Sonatas, Op 1 / Michael Kassler ; Maria Hester Park and her Subscribers / Lise Karin Meling ; Publishing Music by Subscription in Eighteenth-Century Edinburgh : John Watlen and his Collections of Circus Tunes / Simon D. I. Fleming ; William Felton and John Pixell : The Musical Circles of the Vicar Composer / Simon D. I. Fleming -- Section 2. The Consumption of Music Published by Subscription. Gentry, Servants and Musicians : A Network of Subscribers in North-East England / Roz Southey ; The Music-Making of the Bridgeman Family, Weston Park / Martin Perkins ; A Big Data Study: Musical Societies in Subscription Lists / Simon D. I. Fleming and Martin Perkins ; Strathspeys, Reels and Instrumental Airs : A National Product / Karen E. McAulay ; Profiting from the Slave Economy and Subscribing to Music : the British Experience in the Eighteenth Century / David Hunter ; Foreign Composers, the Subscription Market, and the Popularity of Continental Music in Eighteenth-Century Britain / Simon D. I. Fleming.
520 |a"This book breaks new ground in the social and cultural history of eighteenth-century music in Britain through the study of a hitherto neglected resource, the lists of subscribers that were attached to a wide variety of publications, including musical works. These lists shed considerable light on the nature of those who subscribed to music, including their social status, place of employment, residence, and musical interests. Through broad analysis of subscription data, the contributors reveal insights into social and economic changes during the period, and the types of music favoured by groups like music clubs, the aristocracy, the clergy, and by men and women. With chapters on female composers and listeners, music and the slave economy, musical patronage, the print trade, and nationality, this book provides innovative perspectives that enhance our understanding of music's social spheres, the emergence of music publishing, and the potential of digital musicology research"--|cProvided by publisher.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aMusic|xSocial aspects|zGreat Britain|xHistory|y18th century.
650 0|aMusic patronage|zGreat Britain|xHistory|y18th century.
650 0|aMusic publishing|zGreat Britain|xHistory|y18th century.
650 0|aMusic trade|zGreat Britain|xHistory|y18th century.
650 7|aMUSIC / General|2bisacsh
650 7|aMUSIC / History & Criticism|2bisacsh
700 1 |aFleming, Simon,|eeditor.
700 1 |aPerkins, Martin,|d1975-|eeditor.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781003163558
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis
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