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020 |a9781003211679|q(ebook)
020 |a1003211674
020 |a9781000865974|q(electronic bk. : PDF)
020 |a1000865975|q(electronic bk. : PDF)
020 |a9781000866018|q(electronic bk. : EPUB)
020 |a1000866017|q(electronic bk. : EPUB)
020 |z9781032076492|q(hardback)
020 |z9781032078151|q(paperback)
024 7 |a10.4324/9781003211679|2doi
035 |a(OCoLC)1368218755
035 |a(OCoLC-P)1368218755
040 |aOCoLC-P|beng|erda|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 00|aPN2601
072 7|aBIO|x002000|2bisacsh
072 7|aHIS|x018000|2bisacsh
072 7|aPER|x011020|2bisacsh
072 7|aAN|2bicssc
082 00|a792.094150904|223
100 1 |aMurphy, Ciara L.,|eauthor.
245 10|aPerforming social change on the island of Ireland :|bfrom republic to pandemic /|cCiara L. Murphy.
264 1|aAbingdon, Oxon ;|aNew York :|bRoutledge,|c2023.
300 |a1 online resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
490 1 |aRoutledge advances in theatre and performance studies
520 |a"This book examines the relationship between moments of significant social change on the island of Ireland and performance practice during the twentieth and twenty-first centuries. It examines how moments of significant change influence not only the content of performance practice but also the form and function of theatre production and reception. This book investigates how the Troubles and subsequent Peace Process, Second-Wave Feminism, the Celtic Tiger and neoliberalism, social revolution and the COVID-19 pandemic impacts the form and function of performance practice across the island of Ireland. Although these forms of theatre and performance making refer to varied and distinct lineages of practice internationally, there are key parallels that compel a study of their inter-relationality in a specific Irish context This book explores how the performance of Ireland illuminates histories and stories that are on the margins, illuminating the lived realities of everyday life through the presentation of moments of violence, oppression, and trauma as something that is as important as the larger narratives often ascribed to nationhood. This book asks how performance practice engages with and informs moments of major social change on the island of Ireland through the distinct yet intersecting lenses of place, performance form, and social context over the course of almost a century of Irish theatre and performance practice. Ciara"--|cProvided by publisher.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aTheater|zIreland|xHistory|y20th century.
650 0|aTheater|zIreland|xHistory|y21st century.
650 0|aIrish drama|xHistory and criticism.
650 0|aTheater and society|zIreland|xHistory|y20th century.
650 0|aTheater and society|zIreland|xHistory|y21st century.
650 7|aBIOGRAPHY & AUTOBIOGRAPHY / People of Color|2bisacsh
650 7|aHISTORY / Europe / Ireland|2bisacsh
650 7|aPERFORMING ARTS / Theater / History & Criticism|2bisacsh
830 0|aRoutledge advances in theatre and performance studies.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781003211679
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis