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008 251008s2025 xx o 0|| 0 eng d
020 |a9781040785263|q(electronic bk.)
020 |a1040785263|q(electronic bk.)
020 |a9781040791240|qePub ebook
020 |a1040791247
020 |a9781003700524|q(electronic bk.)
020 |a1003700527|q(electronic bk.)
020 |z1041183461
020 |z9781041183464
024 8 |aCIPO000302323
024 7 |a10.5117/9789463728614|2doi
035 |a(OCoLC)1543499100
035 |a(OCoLC-P)1543499100
040 |aOCoLC-P|beng|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aND1318.15
072 7|aAC|2bicssc
072 7|aART015080|2bisacsh
072 7|aAB|2bicssc
072 7|aHBLH|2bicssc
072 7|aHIS020000|2bisacsh
072 7|aSOC028000|2bisacsh
082 04|a757.4094509024|223/eng/20260108
100 1 |aToreno, Elisabetta.
245 10|aNETHERLANDISH AND ITALIAN FEMALE PORTRAITURE IN THE FIFTEENTH CENTURY|h[electronic resource] :|bgender, identity, and... the tradition of power.
260 |a[S.l.] :|bROUTLEDGE,|c2025.
300 |a1 online resource
336 |atext|2rdacontent
336 |astill image|2rdacontent
337 |acomputer|2rdamedia
338 |aonline resource|2rdacarrier
490 0 |aVisual and material culture, 1300-1700
520 |aThis book investigates the aesthetic and conceptual characteristics of fifteenth-century female portraiture on panel. Portraits of women increased substantially during this century. They formed part of a material and a visual culture borne out of the rapid rise of an oligarchy from entrepreneurial activities that was especially advanced in the urbanised territories of Italy and Flanders. For this reason, the portraits in this book are by Netherlandish and Italian painters. They are simultaneously illustrative of the emancipation of the genre from its medieval idiom, and of the responses to the matrix of patriarchy, under which society was organised. Patriarchy is an androcentric structure that places women in a paradoxical situation of legal and social disenfranchisement on the account of purported psychophysical inadequacy, whilst making them the catalysts, through arranged marriages, for the success of the spheres of power, which are controlled by men. Thus, these portraits are also a window into women's lives in this structure. This book is the first systematic study of their sign-system and of the feminine experience of seeing and being seen, at the intersection of disciplines that include art history, anthropology, legal history, philosophy. The surprising results suggest new interpretations of form and function in female portraiture, women's active role in the imaging process and the early instances of a pro-women ideology.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aPainting, Dutch|y15th century|xThemes, motives.
650 0|aPainting, Italian|y15th century|xThemes, motives.
650 0|aWomen|zItaly|xSocial conditions|y15th century.
650 0|aWomen|zNetherlands|xSocial conditions|y15th century.
650 0|aWomen|zItaly|xPortraits.
650 0|aWomen|zNetherlands|xPortraits.
650 0|aWomen in art|xHistory|yTo 1500.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781003700524
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis