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020 |a9781000427271|q(electronic bk.)
020 |a1000427277|q(electronic bk.)
020 |z0367439212
020 |z9780367439217
035 |a(OCoLC)1260818916
035 |a(OCoLC-P)1260818916
040 |aOCoLC-P|beng|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aML1055
082 04|a780.266|223
245 00|aPhonographic encounters|h[electronic resource] :|bmapping transnational cultures of sound, 1890-1945 /|cedited by Elodie Amandine Roy and Eva Moreda Rodriguez.
260 |a[S.l.] :|bROUTLEDGE,|c2021.
300 |a1 online resource
520 |aThis cross-disciplinary volume illuminates the history of early phonography from a transnational perspective, recovering the myriad sites, knowledge practices, identities and discourses which dynamically shaped early recording cultures. With case studies from China, Australia, the United States, Latin America, Russia, Sweden, Germany, Spain, Portugal, France, and Italy, Phonographic Encounters explores moments of interaction and encounter, as well as tensions, between local and global understandings of recording technologies. Drawing on an array of archival sources often previously unavailable in English, it moves beyond western-centric narratives of early phonography and beyond the strict confines of the recording industry. Contributions from media history, musicology, popular music studies, cultural studies, area studies and the history of science and technology make this book a key and innovative resource for understanding early phonography against the backdrop of colonial and global power relations.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aSound|xRecording and reproducing|xHistory.
650 0|aSound|xRecording and reproducing|vCase studies.
650 0|aSound|xRecording and reproducing|xSocial aspects.
650 0|aSound recordings|xHistory.
700 1 |aRoy, Elodie A.,|eeditor.
700 1 |aMoreda Rodríguez, Eva,|eeditor.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781003006497
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis