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008 211130s2022 nyu ob 001 0 eng
020 |a9781003140511|q(ebook)
020 |a1003140513
020 |a9781000591804|q(electronic bk. : PDF)
020 |a1000591808|q(electronic bk. : PDF)
020 |a9781000591958|q(electronic bk. : EPUB)
020 |a1000591956|q(electronic bk. : EPUB)
020 |z9780367691325|q(hardback)
020 |z9780367691387|q(paperback)
024 7 |a10.4324/9781003140511|2doi
035 |a(OCoLC)1288422829
035 |a(OCoLC-P)1288422829
040 |aOCoLC-P|beng|erda|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 00|aML3027.2
072 7|aMUS|x000000|2bisacsh
072 7|aMUS|x020000|2bisacsh
072 7|aAVGC2|2bicssc
082 00|a781.71/2009440902|223
100 1 |aAnderson, Michael Alan,|d1975-|eauthor.
245 10|aMusic and performance in the Book of hours /|cMichael Alan Anderson.
264 1|aNew York :|bRoutledge,|c2022.
300 |a1 online resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
490 0 |aRoutledge research in music
505 0 |aMusic of the Offices. Psalms ; Antiphons ; Hymns ; Responsories ; Dialogues -- Music beyond the Offices. The Seven Penitential Psalms ; The Litany ; Suffrages ; Mass for the Virgin.
520 |a"This study uncovers the musical foundations and performance suggestions of books of hours, the prayer manuals that were the most popular and widespread books of the late Middle Ages. Exploring a variety of musical genres and sections of books of hours with musical implications, this book presents a richly textured sound world gleaned from dozens of extant manuscript sources from fifteenth-century France. It offers the first overview of the musical content of these guides to liturgy and prayer, together with cues that show scribal awareness for the articulation of sacred plainchants. Although books of hours lack musical notation, this survey elucidates the full range of musical genres and styles suggested both within and beyond the liturgical offices prescribed in books of hours. Privileging sound and ritual enactment in the experience of the hours, the survey complements studies of visual imagery that have dominated the category. The book's interdisciplinary approach within a musical context, and beautiful full color illustrations, will attract not only specialists in musicology, liturgy, and late medieval studies, but also those more broadly interested in the history of the book, memory, performance studies, and art history"--|cProvided by publisher.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aDivine office (Music)|zFrance|y15th century|xHistory and criticism.
650 0|aGregorian chants|zFrance|y15th century|xHistory and criticism.
650 0|aBooks of hours|zFrance|xHistory|y15th century.
650 0|aSound|xReligious aspects|xChristianity.
650 7|aMUSIC / General|2bisacsh
650 7|aMUSIC / History & Criticism|2bisacsh
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781003140511
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis