Romanesque and the past : retrospection in the art and architecture of Romanesque Europe / edited by John McNeill and Richard Plant.
ISBN
9781003580355 (electronic bk.)
1003580351 (electronic bk.)
9781909662100
9781040279458 (electronic bk. : EPUB)
1040279457 (electronic bk. : EPUB)
9781040283905 (electronic bk. : PDF)
104028390X (electronic bk. : PDF)
1003580351 (electronic bk.)
9781909662100
9781040279458 (electronic bk. : EPUB)
1040279457 (electronic bk. : EPUB)
9781040283905 (electronic bk. : PDF)
104028390X (electronic bk. : PDF)
Dil Kodu
İngilizce
Yayın Bilgisi
London : Routledge, 2021.
Fiziksel Niteleme
1 online resource : illustrations
Genel Not
Papers from a conference held in London in April 2010.
"First published 2013 by British Archaeological Association."
"First published 2013 by British Archaeological Association."
İçindekiler Notu
Veteres statuas emit Rome : Romanesque attitudes to the past / John McNeill -- Memorializing Bernward of Hildesheim in the 12th century : a contribution to medieval Imitatio / Gerhard Lutz -- Making an impression : consecration and the creation of architectural memory / Lucy Donkin -- St Peter's Basilica in Rome c. 1024-1159 : a model for emulation? / Richard Gem -- Architecture as a visual record? S. Maria della Roccella in Calabria / Kai Kappel -- Iconic architecture and the medieval reformation : Ambrose of Milan, Peter Damian, Stephen Harding and the aisleless cruciform church / Jill A. Franklin -- Archaism or singularity? The nave clerestory in Romanesque architecture between the Loire and Dordogne / Claude Andrault-Schmitt -- Cluny and the past / Neil Stratford -- The portal at Ripoli revisited : an honorary arch for the ancestors / Manuel Castineiras -- Tarragona : lieu de memoire / Elizabeth Valdez del Alamo -- On the edge of the world : Hiberno-Romanesque and the classical tradition / Roger Stalley -- The reconstruction of Pannonhalma : archaism in 13th-century Hungary / Bela Zsolt Szakacs -- Uses of the past in English Romanesque sculpture : beyond the antique / Deborah Kahn -- Three Romanesque patrons and their regard of the past / Peter Fergusson -- Artistic strategies for institutional memory : Trier, Villanauxe, Glastonbury / Stephan Albrecht -- Recasting Hrabanus : Romanesque praise for the Holy Cross / Beatrice Kitzinger -- Visualizing the order of history : Hugh of Saint VIctor's Chronicon and Peter of Poitiers' Compendium historiae / Andrea Worm -- Person, time and place in the construction of history in Hugh of Saint Victor's Mystic Ark / Conrad Rudolph -- The concept of the Romanesque / Eric Fernie.
Özet, vb.
The nineteen papers collected in this volume explore a notable phenomenon, that of retrospection in the art and architecture of Romanesque Europe. They arise from a conference organized by the British Archaeological Association in 2010, and reflect its interest in how and why the past manifested itself in the visual culture of the 11th and 12th centuries. This took many forms, from the casual re-use of ancient material to a specific desire to re-present or emulate earlier objects and buildings. Central to it is a concern for the revival of Roman and early medieval forms, spolia, selective quotation, archaism and the construction of histories. The individual essays presented here cover a wide range of topics and media: the significance of consecration ceremonies in the creation of architectural memory, the rise of pictorial concepts in 12th-century chronicles, the creation of history in the Paris of Hugh of St-Victor, and the appeal of the works of Bernward of Hildesheim and of Hrabanus Maurus in the centuries after their deaths. There are studies of buildings and the ideological purpose behind them at Tarragona, Ripoll, Cluny, Pannonhalma (Hungary), La Roccelletta (Calabria), and Old St Peter's, comparative studies of Trier, Villenauxe and Glastonbury, and of Bury St Edmunds, Rievaulx and Canterbury, and wide-ranging papers on the tantalizing evidence for an engagement with an overseas past in Ireland, an Anglo-Saxon past in England, and a Milanese past among the aisleless cruciform churches of Augustinian Europe. The volume concludes with an assessment of the very concept of Romanesque.
Konu
SOCIAL SCIENCE / Archaeology __ bisacsh
Art, Romanesque __ Europe __ Congresses.
Architecture, Romanesque __ Europe __ Congresses.
Art, Romanesque __ Europe __ Congresses.
Architecture, Romanesque __ Europe __ Congresses.
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245 00|aRomanesque and the past :|bretrospection in the art and architecture of Romanesque Europe /|cedited by John McNeill and Richard Plant.
264 1|aLondon :|bRoutledge,|c2021.
300 |a1 online resource :|billustrations
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
500 |aPapers from a conference held in London in April 2010.
500 |a"First published 2013 by British Archaeological Association."
505 00|tVeteres statuas emit Rome : Romanesque attitudes to the past /|rJohn McNeill --|tMemorializing Bernward of Hildesheim in the 12th century : a contribution to medieval Imitatio /|rGerhard Lutz --|tMaking an impression : consecration and the creation of architectural memory /|rLucy Donkin --|tSt Peter's Basilica in Rome c. 1024-1159 : a model for emulation? /|rRichard Gem --|tArchitecture as a visual record? S. Maria della Roccella in Calabria /|rKai Kappel --|tIconic architecture and the medieval reformation : Ambrose of Milan, Peter Damian, Stephen Harding and the aisleless cruciform church /|rJill A. Franklin --|tArchaism or singularity? The nave clerestory in Romanesque architecture between the Loire and Dordogne /|rClaude Andrault-Schmitt --|tCluny and the past /|rNeil Stratford --|tThe portal at Ripoli revisited : an honorary arch for the ancestors /|rManuel Castineiras --|tTarragona : lieu de memoire /|rElizabeth Valdez del Alamo --|tOn the edge of the world : Hiberno-Romanesque and the classical tradition /|rRoger Stalley --|tThe reconstruction of Pannonhalma : archaism in 13th-century Hungary /|rBela Zsolt Szakacs --|tUses of the past in English Romanesque sculpture : beyond the antique /|rDeborah Kahn --|tThree Romanesque patrons and their regard of the past /|rPeter Fergusson --|tArtistic strategies for institutional memory : Trier, Villanauxe, Glastonbury /|rStephan Albrecht --|tRecasting Hrabanus : Romanesque praise for the Holy Cross /|rBeatrice Kitzinger --|tVisualizing the order of history : Hugh of Saint VIctor's Chronicon and Peter of Poitiers' Compendium historiae /|rAndrea Worm --|tPerson, time and place in the construction of history in Hugh of Saint Victor's Mystic Ark /|rConrad Rudolph --|tThe concept of the Romanesque /|rEric Fernie.
520 |aThe nineteen papers collected in this volume explore a notable phenomenon, that of retrospection in the art and architecture of Romanesque Europe. They arise from a conference organized by the British Archaeological Association in 2010, and reflect its interest in how and why the past manifested itself in the visual culture of the 11th and 12th centuries. This took many forms, from the casual re-use of ancient material to a specific desire to re-present or emulate earlier objects and buildings. Central to it is a concern for the revival of Roman and early medieval forms, spolia, selective quotation, archaism and the construction of histories. The individual essays presented here cover a wide range of topics and media: the significance of consecration ceremonies in the creation of architectural memory, the rise of pictorial concepts in 12th-century chronicles, the creation of history in the Paris of Hugh of St-Victor, and the appeal of the works of Bernward of Hildesheim and of Hrabanus Maurus in the centuries after their deaths. There are studies of buildings and the ideological purpose behind them at Tarragona, Ripoll, Cluny, Pannonhalma (Hungary), La Roccelletta (Calabria), and Old St Peter's, comparative studies of Trier, Villenauxe and Glastonbury, and of Bury St Edmunds, Rievaulx and Canterbury, and wide-ranging papers on the tantalizing evidence for an engagement with an overseas past in Ireland, an Anglo-Saxon past in England, and a Milanese past among the aisleless cruciform churches of Augustinian Europe. The volume concludes with an assessment of the very concept of Romanesque.
588 |aOCLC-licensed vendor bibliographic record.
650 7|aSOCIAL SCIENCE / Archaeology|2bisacsh
650 0|aArt, Romanesque|zEurope|vCongresses.
650 0|aArchitecture, Romanesque|zEurope|vCongresses.
700 1 |aMcNeill, John,|d1957-|eeditor.|1https://id.oclc.org/worldcat/entity/E39PCjtKfxpKry8Kcf9gQbFKbd
700 1 |aPlant, Richard,|d1962-|eeditor.|1https://id.oclc.org/worldcat/entity/E39PCjxDwthKvRdcj7Qcpp79rC
710 2 |aBritish Archaeological Association,|eissuing body.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781003580355
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis
001 794398
003 TR_AnAIT
005 20260123003304
006 m o d
007 cr cnu|||unuuu
008 241029r20212013enka gob 101 0 eng d
020 |a9781003580355|q(electronic bk.)
020 |a1003580351|q(electronic bk.)
020 |z9781909662100
020 |a9781040279458|q(electronic bk. : EPUB)
020 |a1040279457|q(electronic bk. : EPUB)
020 |a9781040283905|q(electronic bk. : PDF)
020 |a104028390X|q(electronic bk. : PDF)
024 7 |a10.4324/9781003580355|2doi
035 |a(OCoLC)1464076199
035 |a(OCoLC-P)1464076199
040 |aOCoLC-P|beng|erda|epn|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aN6280
072 7|aSOC|x003000|2bisacsh
072 7|aHDD|2bicssc
082 04|a709.02/16|223/eng/20241121
245 00|aRomanesque and the past :|bretrospection in the art and architecture of Romanesque Europe /|cedited by John McNeill and Richard Plant.
264 1|aLondon :|bRoutledge,|c2021.
300 |a1 online resource :|billustrations
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
500 |aPapers from a conference held in London in April 2010.
500 |a"First published 2013 by British Archaeological Association."
505 00|tVeteres statuas emit Rome : Romanesque attitudes to the past /|rJohn McNeill --|tMemorializing Bernward of Hildesheim in the 12th century : a contribution to medieval Imitatio /|rGerhard Lutz --|tMaking an impression : consecration and the creation of architectural memory /|rLucy Donkin --|tSt Peter's Basilica in Rome c. 1024-1159 : a model for emulation? /|rRichard Gem --|tArchitecture as a visual record? S. Maria della Roccella in Calabria /|rKai Kappel --|tIconic architecture and the medieval reformation : Ambrose of Milan, Peter Damian, Stephen Harding and the aisleless cruciform church /|rJill A. Franklin --|tArchaism or singularity? The nave clerestory in Romanesque architecture between the Loire and Dordogne /|rClaude Andrault-Schmitt --|tCluny and the past /|rNeil Stratford --|tThe portal at Ripoli revisited : an honorary arch for the ancestors /|rManuel Castineiras --|tTarragona : lieu de memoire /|rElizabeth Valdez del Alamo --|tOn the edge of the world : Hiberno-Romanesque and the classical tradition /|rRoger Stalley --|tThe reconstruction of Pannonhalma : archaism in 13th-century Hungary /|rBela Zsolt Szakacs --|tUses of the past in English Romanesque sculpture : beyond the antique /|rDeborah Kahn --|tThree Romanesque patrons and their regard of the past /|rPeter Fergusson --|tArtistic strategies for institutional memory : Trier, Villanauxe, Glastonbury /|rStephan Albrecht --|tRecasting Hrabanus : Romanesque praise for the Holy Cross /|rBeatrice Kitzinger --|tVisualizing the order of history : Hugh of Saint VIctor's Chronicon and Peter of Poitiers' Compendium historiae /|rAndrea Worm --|tPerson, time and place in the construction of history in Hugh of Saint Victor's Mystic Ark /|rConrad Rudolph --|tThe concept of the Romanesque /|rEric Fernie.
520 |aThe nineteen papers collected in this volume explore a notable phenomenon, that of retrospection in the art and architecture of Romanesque Europe. They arise from a conference organized by the British Archaeological Association in 2010, and reflect its interest in how and why the past manifested itself in the visual culture of the 11th and 12th centuries. This took many forms, from the casual re-use of ancient material to a specific desire to re-present or emulate earlier objects and buildings. Central to it is a concern for the revival of Roman and early medieval forms, spolia, selective quotation, archaism and the construction of histories. The individual essays presented here cover a wide range of topics and media: the significance of consecration ceremonies in the creation of architectural memory, the rise of pictorial concepts in 12th-century chronicles, the creation of history in the Paris of Hugh of St-Victor, and the appeal of the works of Bernward of Hildesheim and of Hrabanus Maurus in the centuries after their deaths. There are studies of buildings and the ideological purpose behind them at Tarragona, Ripoll, Cluny, Pannonhalma (Hungary), La Roccelletta (Calabria), and Old St Peter's, comparative studies of Trier, Villenauxe and Glastonbury, and of Bury St Edmunds, Rievaulx and Canterbury, and wide-ranging papers on the tantalizing evidence for an engagement with an overseas past in Ireland, an Anglo-Saxon past in England, and a Milanese past among the aisleless cruciform churches of Augustinian Europe. The volume concludes with an assessment of the very concept of Romanesque.
588 |aOCLC-licensed vendor bibliographic record.
650 7|aSOCIAL SCIENCE / Archaeology|2bisacsh
650 0|aArt, Romanesque|zEurope|vCongresses.
650 0|aArchitecture, Romanesque|zEurope|vCongresses.
700 1 |aMcNeill, John,|d1957-|eeditor.|1https://id.oclc.org/worldcat/entity/E39PCjtKfxpKry8Kcf9gQbFKbd
700 1 |aPlant, Richard,|d1962-|eeditor.|1https://id.oclc.org/worldcat/entity/E39PCjxDwthKvRdcj7Qcpp79rC
710 2 |aBritish Archaeological Association,|eissuing body.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781003580355
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis
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