LEADER 05130cam a2200517Mi 4500
001 794479
003 TR_AnAIT
005 20260123003422
006 m o d
007 cr cn|||||||||
008 171222s2017 enk o 000 0 eng d
020 |a9781315167435|q(e-book)
020 |a1315167433
020 |z1472478398
020 |z9781472478399
020 |a9781351682978
020 |a1351682970
020 |a9781351682954
020 |a1351682954
035 |a(OCoLC)994448094|z(OCoLC)1016049283|z(OCoLC)1058463327
035 |a(OCoLC-P)994448094
040 |aOCoLC-P|beng|erda|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aNX448
082 04|a938
100 1 |aDuckworth, Chloë N.
245 10|aColour and Light in Ancient and Medieval Art /|ceditor, Sassin, Anne E.
250 |aFirst edition.
264 1|aLondon :|bTaylor and Francis,|c2017.
300 |a1 online resource :|btext file, PDF
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
505 00|tChapter On colour and light /|rChloë N. Duckworth Anne E. Sassin --|tchapter 1 Symbolic use of colour in Easter Island (Rapa Nui) in its Polynesian context 1 /|rDavid Govantes-Edwards --|tchapter 2 The colourful world of metal invention in the 5th millennium BCE Balkans 1 /|rMiljana Radivojević --|tchapter 3 Late Bronze Age manipulation of light and colour in metal 1 /|rStephanie Aulsebrook --|tchapter 4 By the dawn's early light: Colour, light and liminality in the throne room at Knossos 1 /|rKaty Soar --|tchapter 5 Tripping on the fantastic light --|tReclaiming the Parthenon Marbles /|rJames Beresford --|tchapter 6 Divine light through earthly colours: Mediating perception in Late Antique churches /|rVladimir Ivanovici --|tchapter 7 The use of colour in Romanesque manuscript illumination /|rAndreas Petzold --|tchapter 8 Light and colour in Portuguese Romanesque churches: The shaping of space /|rJorge Rodrigues --|tchapter 9 Gold, glass and light --|tThe Franciscan vision in representations of the stigmata /|rÉowyn Kerr-DiCarlo --|tchapter 10 Glints and colours of human inwardness --|tBartholomaeus de Bononia's De luce and contemporary preaching /|rFrancesca Galli --|tchapter 11 Light, the Dominicans and the cult of St. Thomas Aquinas /|rAnthony McGrath --|tchapter 12 Tinted drawing --|tTranslucency, luminosity and lumen vitae /|rSharon Lacey --|tchapter 13 From monochrome to polychrome in historical Persian architecture --|tA comparative study of light and spatial perception in places of worship /|rMaryam Mahvash --|tchapter 14 From texts to tiles --|tSufi colour conceptualization in Safavid Persia /|rIdries Trevathan.
520 2 |a"The myriad ways in which colour and light have been adapted and applied in the art, architecture, and material culture of past societies is the focus of this interdisciplinary volume. Light and colour's iconographic, economic, and socio-cultural implications are considered by established and emerging scholars including art historians, archaeologists, and conservators, who address the variety of human experience of these sensory phenomena. In today's world it is the norm for humans to be surrounded by strong, artificial colours, and even to see colour as perhaps an inessential or surface property of the objects around us. Similarly, electric lighting has provided the power and ability to illuminate and manipulate environments in increasingly unprecedented ways. In the context of such a saturated experience, it becomes difficult to identify what is universal, and what is culturally specific about the human experience of light and colour. Failing to do so, however, hinders the capacity to approach how they were experienced by people of centuries past. By means of case studies spanning a broad historical and geographical context and covering such diverse themes as architecture, cave art, the invention of metallurgy, and medieval manuscript illumination, the contributors to this volume provide an up-to-date discussion of these themes from a uniquely interdisciplinary perspective. The papers range in scope from the meaning of colour in European prehistoric art to the technical art of the glazed tiles of the Shah mosque in Isfahan. Their aim is to explore a multifarious range of evidence and to evaluate and illuminate what is a truly enigmatic topic in the history of art and visual culture."--Provided by publisher.
588 |aOCLC-licensed vendor bibliographic record.
650 07|aART|xHistory|xAncient & Classical.|2bisacsh
650 07|aART|xHistory|xMedieval.|2bisacsh
650 0|aColor in art.
650 0|aLight in art.
650 0|aArt, Ancient.
650 0|aArt, Medieval.
700 1 |aSassin, Anne E.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781315167435
856 |3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781351682978|zClick here to view
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis
938 |aTaylor & Francis|bTAFR|n9781315167435