United Artists / edited by Peter Krämer, Gary Needham, Yannis Tzioumakis and Tino Balio.
ISBN
9780429058332 (ebook)
0429058330
9780429608759 (electronic bk. : PDF)
0429608756 (electronic bk. : PDF)
9780429603235 (electronic bk. : EPUB)
0429603231 (electronic bk. : EPUB)
9780429597718 (electronic bk. : Mobipocket)
0429597711 (electronic bk. : Mobipocket)
9780367178987 (hardback)
9780367179007 (paperback)
0429058330
9780429608759 (electronic bk. : PDF)
0429608756 (electronic bk. : PDF)
9780429603235 (electronic bk. : EPUB)
0429603231 (electronic bk. : EPUB)
9780429597718 (electronic bk. : Mobipocket)
0429597711 (electronic bk. : Mobipocket)
9780367178987 (hardback)
9780367179007 (paperback)
Dil Kodu
İngilizce
Yayın Bilgisi
London ; New York : Routledge, 2020.
Fiziksel Niteleme
1 online resource.
Dizi
Routledge Hollywood centenary
İçindekiler Notu
Introduction: United Artists in film history / Tino Balio -- 'One of the United Artists' : Buster Keaton, Joseph Schenck and United Artists / Peter Krämer -- Declarations of independence : Gloria Swanson at United Artists, 1925-1933 / Mike Mashon -- Going independent in 1930s Hollywood : freelance star and independent producer collaborations at United Artists / Emily Carman -- The tramp, the dictator and the knight : United Artists and the roadshowing of prestige pictures in the 1930s and 1940s / Sheldon Hall -- 'Look, Ma, I'm a corporation!' : United Artists and Kirk Douglas's Bryna Productions 1955-1959 / James Fenwick -- The magnificent seven Mirisch companies : competitive strategy and corporate authorship / Paul Kerr -- An artist under the influence : United Artists and Woody Allen / Michael Petitti -- No Shot in the dark : developing the Pink Panther franchise / Oliver Gruner -- United Artists, fourth quarter 1980 : the rhetoric of Hollywood failure & success / Justin Wyatt -- 'Cruising is a picture we sincerely wish we did not have to show' : United Artists, ratings, blind-bidding and the controversy of William Friedkin's Cruising (1980) / Gary Needham -- From Heaven's gate to Rocky IV : reconfiguring auteurism in United Artists' transition to MGM/UA in the 1980s / Nicholas Godfrey -- The next step : Orion Pictures as the new United Artists (1978-1985) / Yannis Tzioumakis -- United Artists Films : re-entering the specialty market (1999-2005) / Lisa Dombrowski -- From star-producer to executive : Tom Cruise and/at United Artists (2006-2012) / Sarah E.S. Sinwell.
Özet, vb.
"This edited collection brings together leading film historians to examine key aspects of United Artists' centennial history from its origins to the sometimes chaotic developments of the last four decades. The focus is on several key executives - ranging from Joseph Schenck to Paula Wagner and Tom Cruise - and on many of the people making films for United Artists, including Gloria Swanson, David O. Selznick, Kirk Douglas, the Mirisch brothers and Woody Allen. Drawing on a wide range of primary sources, individual case studies explore the mutually supportive but also in places highly contentious relationships between United Artists and its suppliers, the difficult balance between artistic and commercial objectives, and the resulting hits and misses (among them The General, the Pink Panther franchise, Heaven's Gate, Cruising and Hot Tub Time Machine). The second title of the Routledge Hollywood Centenary series, United Artists is a fascinating and comprehensive study of the firm's history and legacy, perfect for students and researchers of cinema and film history, media Industries, and Hollywood"-- Provided by publisher.
Konu
United Artists Corporation __ History.
MGM/UA Entertainment Co. __ History.
United Artists (Firm) __ History.
Motion picture studios __ California __ Los Angeles __ History.
Motion picture industry __ United States __ History.
SOCIAL SCIENCE / Media Studies __ bisacsh
MGM/UA Entertainment Co. __ History.
United Artists (Firm) __ History.
Motion picture studios __ California __ Los Angeles __ History.
Motion picture industry __ United States __ History.
SOCIAL SCIENCE / Media Studies __ bisacsh
Veritabanı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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505 0 |aIntroduction: United Artists in film history / Tino Balio -- 'One of the United Artists' : Buster Keaton, Joseph Schenck and United Artists / Peter Krämer -- Declarations of independence : Gloria Swanson at United Artists, 1925-1933 / Mike Mashon -- Going independent in 1930s Hollywood : freelance star and independent producer collaborations at United Artists / Emily Carman -- The tramp, the dictator and the knight : United Artists and the roadshowing of prestige pictures in the 1930s and 1940s / Sheldon Hall -- 'Look, Ma, I'm a corporation!' : United Artists and Kirk Douglas's Bryna Productions 1955-1959 / James Fenwick -- The magnificent seven Mirisch companies : competitive strategy and corporate authorship / Paul Kerr -- An artist under the influence : United Artists and Woody Allen / Michael Petitti -- No Shot in the dark : developing the Pink Panther franchise / Oliver Gruner -- United Artists, fourth quarter 1980 : the rhetoric of Hollywood failure & success / Justin Wyatt -- 'Cruising is a picture we sincerely wish we did not have to show' : United Artists, ratings, blind-bidding and the controversy of William Friedkin's Cruising (1980) / Gary Needham -- From Heaven's gate to Rocky IV : reconfiguring auteurism in United Artists' transition to MGM/UA in the 1980s / Nicholas Godfrey -- The next step : Orion Pictures as the new United Artists (1978-1985) / Yannis Tzioumakis -- United Artists Films : re-entering the specialty market (1999-2005) / Lisa Dombrowski -- From star-producer to executive : Tom Cruise and/at United Artists (2006-2012) / Sarah E.S. Sinwell.
520 |a"This edited collection brings together leading film historians to examine key aspects of United Artists' centennial history from its origins to the sometimes chaotic developments of the last four decades. The focus is on several key executives - ranging from Joseph Schenck to Paula Wagner and Tom Cruise - and on many of the people making films for United Artists, including Gloria Swanson, David O. Selznick, Kirk Douglas, the Mirisch brothers and Woody Allen. Drawing on a wide range of primary sources, individual case studies explore the mutually supportive but also in places highly contentious relationships between United Artists and its suppliers, the difficult balance between artistic and commercial objectives, and the resulting hits and misses (among them The General, the Pink Panther franchise, Heaven's Gate, Cruising and Hot Tub Time Machine). The second title of the Routledge Hollywood Centenary series, United Artists is a fascinating and comprehensive study of the firm's history and legacy, perfect for students and researchers of cinema and film history, media Industries, and Hollywood"--|cProvided by publisher.
588 |aOCLC-licensed vendor bibliographic record.
610 20|aUnited Artists Corporation|xHistory.
610 20|aMGM/UA Entertainment Co.|xHistory.
610 20|aUnited Artists (Firm)|xHistory.
650 0|aMotion picture studios|zCalifornia|zLos Angeles|xHistory.
650 0|aMotion picture industry|zUnited States|xHistory.
650 7|aSOCIAL SCIENCE / Media Studies|2bisacsh
700 1 |aKrämer, Peter,|d1961-|eeditor.
700 1 |aNeedham, Gary,|eeditor.
700 1 |aTzioumakis, Yannis,|eeditor.
700 1 |aBalio, Tino,|eeditor.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9780429058332
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis
001 794946
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020 |a9780429058332|q(ebook)
020 |a0429058330
020 |a9780429608759|q(electronic bk. : PDF)
020 |a0429608756|q(electronic bk. : PDF)
020 |a9780429603235|q(electronic bk. : EPUB)
020 |a0429603231|q(electronic bk. : EPUB)
020 |a9780429597718|q(electronic bk. : Mobipocket)
020 |a0429597711|q(electronic bk. : Mobipocket)
020 |z9780367178987|q(hardback)
020 |z9780367179007|q(paperback)
035 |a(OCoLC)1129397248
035 |a(OCoLC-P)1129397248
040 |aOCoLC-P|beng|erda|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 00|aPN1999.U5
072 7|aSOC|x052000|2bisacsh
072 7|a1K|2bicssc
082 00|a384/.80979494|223
245 00|aUnited Artists /|cedited by Peter Krämer, Gary Needham, Yannis Tzioumakis and Tino Balio.
264 1|aLondon ;|aNew York :|bRoutledge,|c2020.
300 |a1 online resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bn|2rdamedia
338 |aonline resource|bnc|2rdacarrier
490 1 |aRoutledge Hollywood centenary
505 0 |aIntroduction: United Artists in film history / Tino Balio -- 'One of the United Artists' : Buster Keaton, Joseph Schenck and United Artists / Peter Krämer -- Declarations of independence : Gloria Swanson at United Artists, 1925-1933 / Mike Mashon -- Going independent in 1930s Hollywood : freelance star and independent producer collaborations at United Artists / Emily Carman -- The tramp, the dictator and the knight : United Artists and the roadshowing of prestige pictures in the 1930s and 1940s / Sheldon Hall -- 'Look, Ma, I'm a corporation!' : United Artists and Kirk Douglas's Bryna Productions 1955-1959 / James Fenwick -- The magnificent seven Mirisch companies : competitive strategy and corporate authorship / Paul Kerr -- An artist under the influence : United Artists and Woody Allen / Michael Petitti -- No Shot in the dark : developing the Pink Panther franchise / Oliver Gruner -- United Artists, fourth quarter 1980 : the rhetoric of Hollywood failure & success / Justin Wyatt -- 'Cruising is a picture we sincerely wish we did not have to show' : United Artists, ratings, blind-bidding and the controversy of William Friedkin's Cruising (1980) / Gary Needham -- From Heaven's gate to Rocky IV : reconfiguring auteurism in United Artists' transition to MGM/UA in the 1980s / Nicholas Godfrey -- The next step : Orion Pictures as the new United Artists (1978-1985) / Yannis Tzioumakis -- United Artists Films : re-entering the specialty market (1999-2005) / Lisa Dombrowski -- From star-producer to executive : Tom Cruise and/at United Artists (2006-2012) / Sarah E.S. Sinwell.
520 |a"This edited collection brings together leading film historians to examine key aspects of United Artists' centennial history from its origins to the sometimes chaotic developments of the last four decades. The focus is on several key executives - ranging from Joseph Schenck to Paula Wagner and Tom Cruise - and on many of the people making films for United Artists, including Gloria Swanson, David O. Selznick, Kirk Douglas, the Mirisch brothers and Woody Allen. Drawing on a wide range of primary sources, individual case studies explore the mutually supportive but also in places highly contentious relationships between United Artists and its suppliers, the difficult balance between artistic and commercial objectives, and the resulting hits and misses (among them The General, the Pink Panther franchise, Heaven's Gate, Cruising and Hot Tub Time Machine). The second title of the Routledge Hollywood Centenary series, United Artists is a fascinating and comprehensive study of the firm's history and legacy, perfect for students and researchers of cinema and film history, media Industries, and Hollywood"--|cProvided by publisher.
588 |aOCLC-licensed vendor bibliographic record.
610 20|aUnited Artists Corporation|xHistory.
610 20|aMGM/UA Entertainment Co.|xHistory.
610 20|aUnited Artists (Firm)|xHistory.
650 0|aMotion picture studios|zCalifornia|zLos Angeles|xHistory.
650 0|aMotion picture industry|zUnited States|xHistory.
650 7|aSOCIAL SCIENCE / Media Studies|2bisacsh
700 1 |aKrämer, Peter,|d1961-|eeditor.
700 1 |aNeedham, Gary,|eeditor.
700 1 |aTzioumakis, Yannis,|eeditor.
700 1 |aBalio, Tino,|eeditor.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9780429058332
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis
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