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008 200601t20212021nyua ob 101 0 eng
020 |a9781003019671|qelectronic book
020 |a1003019676|qelectronic book
020 |z9781000179095|qelectronic book
020 |z1000179095|qelectronic book
020 |z9781000179118|qelectronic book
020 |z1000179117|qelectronic book
020 |z9781000179101|qelectronic book|qMobipocket
020 |z1000179109|qelectronic book|qMobipocket
020 |z9780367895297|qhardcover
035 |a(OCoLC)1157823314
035 |a(OCoLC-P)1157823314
040 |aOCoLC-P|beng|erda|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 04|aN6370|b.I29 2021
072 7|aART|x015080|2bisacsh
072 7|aAC|2bicssc
082 00|a709.02/4|223
245 00|aIconology, neoplatonism, and the arts in the Renaissance /|cedited by Berthold Hub and Sergius Kodera.
264 1|aNew York :|bRoutledge,|c2021.
264 4|c©2021
300 |a1 online resource (xi, 234 pages)
336 |atext|btxt|2rdacontent
337 |acomputer|bn|2rdamedia
338 |aonline resource|bnc|2rdacarrier
490 1 |aRoutledge research in art history
505 2 |aErwin Panofsky's book Idea of 1924 / Andreas Thielemann -- Botticelli's Primavera and contemporary commentaries / Angela Dressen -- Neither drunk nor sober : Dionysiac inspiration and Renaissance artistic practices / Francois Quiviger.
520 |a"The mid-twentieth century saw a change in paradigms of art history: iconology. The main claim of this novel trend in art history was that renown Renaissance artists (such as Botticelli, Leonardo or Michelangelo) created imaginative syntheses between their art and contemporary cosmology, philosophy, theology and magic. The Neo-Platonism in the books by Marsilio Ficino and Giovanni Pico della Mirandola became widely acknowledged for their lasting influence on art. It thus became common knowledge that Renaissance artists were not exclusively concerned with problems intrinsic to their work, but that their artifacts encompassed a much larger intellectual and cultural horizon. This volume brings together historians - both those concerned with the history of their own discipline and also those whose research is on the art and culture of the Italian Renaissance itself - with historians from a wide variety of specialist fields, in order to engage with the contested field of iconology. The book will be of interest to scholars working in art history, Renaissance history, Renaissance studies, historiography, philosophy, theology, gender studies, and literature"--|cProvided by publisher.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aArt, Renaissance|xHistoriography.
650 0|aArt and philosophy.
650 0|aNeoplatonism.
650 7|aART / History / Renaissance|2bisacsh
700 1 |aHub, Berthold,|eeditor.
700 1 |aKodera, Sergius,|d1963-|eeditor.
711 2 |aIconology: Neoplatonism and Art in the Renaissance (Conference)|d(2011 :|cUniversität Wien)
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781003019671
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis