Literary Materialisations and Interferential Reading : Making Matter Matter on Page, Stage and Screen / edited by Ingrid Hotz-Davies, Martin Middeke, Christoph Reinfandt.
ISBN
9781003301684 (electronic bk.)
1003301681 (electronic bk.)
9781040295878 (electronic bk. : PDF)
1040295878 (electronic bk. : PDF)
9781040295915 (electronic bk. : EPUB)
1040295916 (electronic bk. : EPUB)
9781032294605
1003301681 (electronic bk.)
9781040295878 (electronic bk. : PDF)
1040295878 (electronic bk. : PDF)
9781040295915 (electronic bk. : EPUB)
1040295916 (electronic bk. : EPUB)
9781032294605
Dil Kodu
İngilizce
Yayın Bilgisi
New York : Routledge, 2025.
Fiziksel Niteleme
1 online resource (286 pages) : illustrations.
Dizi
Routledge Studies in Contemporary Literature
İçindekiler Notu
List of ContributorsPART I: Method Matters1 Literary Materialisations and Interferential Reading: How Matter Matters on Page, Stage and Screen Ingrid Hotz-Davies, Martin Middeke and Christoph Reinfandt2 From Paper to Pulp: A Report from No Man's Land Tom McCarthy3 In the Blink of an Eye: Sound Matter, Eye-Movement and Poetic Form Felix Sprang4 Concrete Structures (in) J. G. Ballard's Concrete Island Kylie CranePART II: Fictional Materialisations5 Moral Matters: Power, Coloniality and Narrative in Hanya Yanagihara's The People in the Trees Gero Bauer6 Longing for Matter: Nicola Barker's Exploration of Transhuman Existence in H(A)PPY Ingrid Hotz-Davies7 Invisible Materiality and Suprapersonal Narration in Richard Powers's The Overstory Christoph Reinfandt8 "The Entirety of the Shape Is Complicit"-A Diffractive Reading of Colum McCann's Apeirogon Martin RiedelsheimerPART III: Poetic Materialisations9 Making Embodiment Matter in John Donne's "The Cross" and Death's Duel Nadine Böhm-Schnitker10 Here, Hair and History: Keats's Poetics of Materiality David Lo11 Language Matters: Perception and Expression in Herder, Wordsworth and Tennyson Philipp Erchinger12 "The Mould Is Blossoming on the Wall": Assemblages of Vibrant Borders in Northern Irish Poems Jessica BundschuhPART IV: Performing Matter13 Against the "Myth of Non-Mediation": Displacing the Aura and the Materiality of Live Theatre Broadcasting Heidi Lucja Liedke14 Theatre as Assemblage: Materiality and/as Texture in Tim Crouch's Total Immediate Collective Imminent Terrestrial Salvation Martin Middeke15 Materiality, Affectivity, and the Female Disabled Body in Contemporary Automedial Art Katrin RöderPART V: Emergent Genres16 Of Broomsticks and Doughnuts: Theorising and Historicising British and Anglo-Irish Thing-Essays from 1701 to 2021 Daniel Schneider17 Prose for a More-Than-Human World: John Berger, Kathleen Jamie and the Ends of Genre Christian Schmitt-Kilb18 The Practice of Colour Writing: Material-Discursive Colourscapes in Han Kang's The White Book Mascha WielandName IndexSubject Index
Özet, vb.
This book traces literature's long history of repurposing representational language use for performative, "material" effects. It brings this tradition into dialogue with the recent material turn in literary and cultural theory, which seeks to supplant or at least rethink the foundational influence of the linguistic turn in the field. Drawing on a variety of cutting-edge new-materialist theories, this book programmatically outlines the contours of a methodology of Interferential Reading that is then brought to bear on examples ranging from Shakespeare, Donne, Keats and Tennyson to Northern Irish poets Colette Bryce and Sinéad Morrissey and Scottish poet Kathleen Jamie; from British thing essays to J. G. Ballard, John Berger, Nicola Barker, Richard Powers, Colum McCann, Tim Crouch, Hanya Yanagihara and Korean writer Han Kang, winner of the 2024 Nobel Prize for literature, and from the history of theatrical bodies to the intermedial as well as affective textures in very recent experimental theatre, live theatre broadcasting and media art.
Konu
Playwriting.
Veritabanı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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245 00|aLiterary Materialisations and Interferential Reading :|bMaking Matter Matter on Page, Stage and Screen /|cedited by Ingrid Hotz-Davies, Martin Middeke, Christoph Reinfandt.
264 1|aNew York :|bRoutledge,|c2025.
300 |a1 online resource (286 pages) :|billustrations.
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337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
490 1 |aRoutledge Studies in Contemporary Literature
505 0 |aList of ContributorsPART I: Method Matters1 Literary Materialisations and Interferential Reading: How Matter Matters on Page, Stage and Screen Ingrid Hotz-Davies, Martin Middeke and Christoph Reinfandt2 From Paper to Pulp: A Report from No Man's Land Tom McCarthy3 In the Blink of an Eye: Sound Matter, Eye-Movement and Poetic Form Felix Sprang4 Concrete Structures (in) J. G. Ballard's Concrete Island Kylie CranePART II: Fictional Materialisations5 Moral Matters: Power, Coloniality and Narrative in Hanya Yanagihara's The People in the Trees Gero Bauer6 Longing for Matter: Nicola Barker's Exploration of Transhuman Existence in H(A)PPY Ingrid Hotz-Davies7 Invisible Materiality and Suprapersonal Narration in Richard Powers's The Overstory Christoph Reinfandt8 "The Entirety of the Shape Is Complicit"-A Diffractive Reading of Colum McCann's Apeirogon Martin RiedelsheimerPART III: Poetic Materialisations9 Making Embodiment Matter in John Donne's "The Cross" and Death's Duel Nadine Böhm-Schnitker10 Here, Hair and History: Keats's Poetics of Materiality David Lo11 Language Matters: Perception and Expression in Herder, Wordsworth and Tennyson Philipp Erchinger12 "The Mould Is Blossoming on the Wall": Assemblages of Vibrant Borders in Northern Irish Poems Jessica BundschuhPART IV: Performing Matter13 Against the "Myth of Non-Mediation": Displacing the Aura and the Materiality of Live Theatre Broadcasting Heidi Lucja Liedke14 Theatre as Assemblage: Materiality and/as Texture in Tim Crouch's Total Immediate Collective Imminent Terrestrial Salvation Martin Middeke15 Materiality, Affectivity, and the Female Disabled Body in Contemporary Automedial Art Katrin RöderPART V: Emergent Genres16 Of Broomsticks and Doughnuts: Theorising and Historicising British and Anglo-Irish Thing-Essays from 1701 to 2021 Daniel Schneider17 Prose for a More-Than-Human World: John Berger, Kathleen Jamie and the Ends of Genre Christian Schmitt-Kilb18 The Practice of Colour Writing: Material-Discursive Colourscapes in Han Kang's The White Book Mascha WielandName IndexSubject Index
520 |aThis book traces literature's long history of repurposing representational language use for performative, "material" effects. It brings this tradition into dialogue with the recent material turn in literary and cultural theory, which seeks to supplant or at least rethink the foundational influence of the linguistic turn in the field. Drawing on a variety of cutting-edge new-materialist theories, this book programmatically outlines the contours of a methodology of Interferential Reading that is then brought to bear on examples ranging from Shakespeare, Donne, Keats and Tennyson to Northern Irish poets Colette Bryce and Sinéad Morrissey and Scottish poet Kathleen Jamie; from British thing essays to J. G. Ballard, John Berger, Nicola Barker, Richard Powers, Colum McCann, Tim Crouch, Hanya Yanagihara and Korean writer Han Kang, winner of the 2024 Nobel Prize for literature, and from the history of theatrical bodies to the intermedial as well as affective textures in very recent experimental theatre, live theatre broadcasting and media art.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aPlaywriting.
653 |aMatter;Materialization;Linguistics;Inferential Reading;Tom McCarthy
700 1 |aHotz-Davies, Ingrid,|eeditor.|1https://id.oclc.org/worldcat/entity/E39PBJy4jb9tHhRBKrC7qfBHG3
700 1 |aMiddeke, Martin,|d1963-|eeditor.|1https://id.oclc.org/worldcat/entity/E39PBJhdbhpQxb8FrbbxRdDQbd
700 1 |aReinfandt, Christoph,|eeditor.|1https://id.oclc.org/worldcat/entity/E39PBJktkYG6qCG3hmP9GFw6Kd
830 0|aRoutledge studies in contemporary literature.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781003301684
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis
001 795299
003 TR_AnAIT
005 20260123004812
006 m o d
007 cr cnu|||unuuu
008 250303s2025 enka eo 000 0 eng d
020 |a9781003301684|q(electronic bk.)
020 |a1003301681|q(electronic bk.)
020 |a9781040295878|q(electronic bk. : PDF)
020 |a1040295878|q(electronic bk. : PDF)
020 |a9781040295915|q(electronic bk. : EPUB)
020 |a1040295916|q(electronic bk. : EPUB)
020 |z9781032294605
024 7 |a10.4324/9781003301684|2doi
035 |a(OCoLC)1503905288
035 |a(OCoLC-P)1503905288
040 |aOCoLC-P|beng|erda|epn|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aPN1551
050 4|aPN1661
072 7|aDSBH|2bicssc
072 7|aLIT024050|2bisacsh
072 7|aJHM|2bicssc
072 7|aJMAF|2bicssc
072 7|aDSA|2bicssc
072 7|aMMJT|2bicssc
072 7|aLIT006000|2bisacsh
072 7|aPER011020|2bisacsh
072 7|aLAN009000|2bisacsh
072 7|aLIT000000|2bisacsh
082 04|a808.2|223/eng/20250317
245 00|aLiterary Materialisations and Interferential Reading :|bMaking Matter Matter on Page, Stage and Screen /|cedited by Ingrid Hotz-Davies, Martin Middeke, Christoph Reinfandt.
264 1|aNew York :|bRoutledge,|c2025.
300 |a1 online resource (286 pages) :|billustrations.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
490 1 |aRoutledge Studies in Contemporary Literature
505 0 |aList of ContributorsPART I: Method Matters1 Literary Materialisations and Interferential Reading: How Matter Matters on Page, Stage and Screen Ingrid Hotz-Davies, Martin Middeke and Christoph Reinfandt2 From Paper to Pulp: A Report from No Man's Land Tom McCarthy3 In the Blink of an Eye: Sound Matter, Eye-Movement and Poetic Form Felix Sprang4 Concrete Structures (in) J. G. Ballard's Concrete Island Kylie CranePART II: Fictional Materialisations5 Moral Matters: Power, Coloniality and Narrative in Hanya Yanagihara's The People in the Trees Gero Bauer6 Longing for Matter: Nicola Barker's Exploration of Transhuman Existence in H(A)PPY Ingrid Hotz-Davies7 Invisible Materiality and Suprapersonal Narration in Richard Powers's The Overstory Christoph Reinfandt8 "The Entirety of the Shape Is Complicit"-A Diffractive Reading of Colum McCann's Apeirogon Martin RiedelsheimerPART III: Poetic Materialisations9 Making Embodiment Matter in John Donne's "The Cross" and Death's Duel Nadine Böhm-Schnitker10 Here, Hair and History: Keats's Poetics of Materiality David Lo11 Language Matters: Perception and Expression in Herder, Wordsworth and Tennyson Philipp Erchinger12 "The Mould Is Blossoming on the Wall": Assemblages of Vibrant Borders in Northern Irish Poems Jessica BundschuhPART IV: Performing Matter13 Against the "Myth of Non-Mediation": Displacing the Aura and the Materiality of Live Theatre Broadcasting Heidi Lucja Liedke14 Theatre as Assemblage: Materiality and/as Texture in Tim Crouch's Total Immediate Collective Imminent Terrestrial Salvation Martin Middeke15 Materiality, Affectivity, and the Female Disabled Body in Contemporary Automedial Art Katrin RöderPART V: Emergent Genres16 Of Broomsticks and Doughnuts: Theorising and Historicising British and Anglo-Irish Thing-Essays from 1701 to 2021 Daniel Schneider17 Prose for a More-Than-Human World: John Berger, Kathleen Jamie and the Ends of Genre Christian Schmitt-Kilb18 The Practice of Colour Writing: Material-Discursive Colourscapes in Han Kang's The White Book Mascha WielandName IndexSubject Index
520 |aThis book traces literature's long history of repurposing representational language use for performative, "material" effects. It brings this tradition into dialogue with the recent material turn in literary and cultural theory, which seeks to supplant or at least rethink the foundational influence of the linguistic turn in the field. Drawing on a variety of cutting-edge new-materialist theories, this book programmatically outlines the contours of a methodology of Interferential Reading that is then brought to bear on examples ranging from Shakespeare, Donne, Keats and Tennyson to Northern Irish poets Colette Bryce and Sinéad Morrissey and Scottish poet Kathleen Jamie; from British thing essays to J. G. Ballard, John Berger, Nicola Barker, Richard Powers, Colum McCann, Tim Crouch, Hanya Yanagihara and Korean writer Han Kang, winner of the 2024 Nobel Prize for literature, and from the history of theatrical bodies to the intermedial as well as affective textures in very recent experimental theatre, live theatre broadcasting and media art.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aPlaywriting.
653 |aMatter;Materialization;Linguistics;Inferential Reading;Tom McCarthy
700 1 |aHotz-Davies, Ingrid,|eeditor.|1https://id.oclc.org/worldcat/entity/E39PBJy4jb9tHhRBKrC7qfBHG3
700 1 |aMiddeke, Martin,|d1963-|eeditor.|1https://id.oclc.org/worldcat/entity/E39PBJhdbhpQxb8FrbbxRdDQbd
700 1 |aReinfandt, Christoph,|eeditor.|1https://id.oclc.org/worldcat/entity/E39PBJktkYG6qCG3hmP9GFw6Kd
830 0|aRoutledge studies in contemporary literature.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781003301684
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis
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