LEADER 01898cam a2200337Ii 4500
001 795650
003 TR_AnAIT
005 20260123005414
008 180706s2016 enk ob 001 0 eng d
020 |a9781315576770|q(e-book : PDF)
020 |a9781317152002|q(e-book: Mobi)
020 |a9781317152019|q(e-book: ePub)
020 |z9781472478108|q(hardback)
024 7 |a10.4324/9781315576770 |2doi
035 |a(OCoLC)948511633
041 |aeng
043 |ae-uk-en
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aPR658.E35|bS54 2016
082 04|a822.3093553|bS541
100 1 |aSheerin, Brian.,|eauthor.
245 10|aDesires of credit in early modern theory and drama :|bcommerce, poesy, and the profitable imagination /|cBrian Sheerin.
264 1|aLondon ;|aNew York :|bRoutledge,|c2016.
300 |a1 online resource
490 1 |aStudies in performance and early modern drama
505 0 |a1. The profitable imagination : poesy, coinage, and the hermeneutic circles of Marlowe's Doctor Faustus -- 2. The Jewish economies of Renaissance reading : putting Shylock to good use in Shakespeare's The merchant of Venice -- 3. Good credit and the maintenance of desire in Heywood's Apology for actors and If you know not me, you know nobody, part II -- 4. Imaginative alchemy and the face of the sovereign : locating value in Dekker's Old Fortunatus -- 5. Banking and the allure of belief : bad credit in Jonson's Volpone.
650 0|aEnglish drama|yEarly modern and Elizabethan, 1500-1600|xHistory and criticism.
650 0|aEnglish drama|y17th century|xHistory and criticism.
650 0|aEconomics in literature.
650 0|aDebt in literature.
650 0|aTheater|xEconomic aspects|zEngland.
650 0|aTheater and society|zEngland|zLondon|xHistory.
776 08|iPrint version: |z9781472478108|w(DLC) 2015033745
830 0|aStudies in performance and early modern drama.
856 40|uhttps://www.taylorfrancis.com/books/9781315576770|zClick here to view.
901 |aTaylor & Francis