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020 |a9781000027112|qelectronic book
020 |a1000027112|qelectronic book
020 |a9780429346583|qelectronic book
020 |a0429346581|qelectronic book
020 |a9781000027075|qelectronic book|qelectronic book
020 |a1000027074|qelectronic book|qelectronic book
020 |a9781000027099|qelectronic book|qMobipocket
020 |a1000027090|qelectronic book|qMobipocket
020 |z0367365154|qhardcover
020 |z9780367365158|qhardcover
035 |a(OCoLC)1139916349|z(OCoLC)1139934014
035 |a(OCoLC-P)1139916349
040 |aOCoLC-P|beng|erda|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aN72.S6|bM34 2020
072 7|aART|x000000|2bisacsh
072 7|aBUS|x072000|2bisacsh
072 7|aNAT|x010000|2bisacsh
082 04|a701.03|223
100 1 |aMaggs, David,|eauthor.
245 10|aSustainability in an imaginary world :|bart and the vexed question of agency /|cDavid Maggs and John Robinson.
264 1|aMilton Park, Abingdon, Oxon :|bRoutledge,|c2020.
300 |a1 online resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
490 1 |aRoutledge studies in sustainability
520 |aSustainability in an Imaginary World explores the social agency of art and its connection to complex issues of sustainability. Over the past decade, interest in art's agency has ballooned as an increasing number of fields turn to the arts with ever-expanding expectations. Yet just as art is being heralded as a magic bullet of social change, research is beginning to throw cautionary light on such enthusiasm, challenging the linear, prescriptive, instrumental expectations such transdisciplinary interactions often imply. In this, art finds itself at a treacherous crossroads, unable to turn a deaf ear to calls for help from an increasing number of ostensibly non-aesthetic fields, yet in answering such prescriptive urgencies, jeopardizing the very power for which its help was sought in the first place. This book goes in search of a way forward, proposing a theory of art aiming to preserve the integrity of arts practices within transdisciplinary mandates. This approach is then explored through a series of case studies developed in collaboration with some of Canada's most prominent artists, including internationally renowned nature poet Don McKay; Italian composer and Head of Vancouver New Music, Giorgio Magnanesi; the renowned Electric Company Theatre, led by Kevin Kerr; and finally through a largescale multimedia installation aiming to reimagine the relationship between climate, culture, and human agency. Sustainability in an Imaginary World will be of great interest to students and scholars of arts-based research fields, sustainability studies, and environmental humanities.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aArt and society.
650 0|aArt and anthropology.
650 0|aArtists' representatives.
650 0|aSustainability.
650 7|aART / General|2bisacsh
650 7|aBUSINESS & ECONOMICS / Development / Sustainable Development|2bisacsh
650 7|aNATURE / Ecology|2bisacsh
700 1 |aRobinson, John,|eauthor.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9780429346583
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis