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008 190122t20182019fluab ob 001 0 eng d
020 |a9780429467851(e-book : PDF)
035 |a(OCoLC)1079363200
040 |aFlBoTFG|cFlBoTFG|erda
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aNX512.3|b.A35
072 7|aART|x038000 |2bisacsh
072 7|aSOC|x001000 |2bisacsh
072 7|aART|x037000 |2bisacsh
072 7|aAB |2bicscc
082 04|a700.8996073|223
100 1 |aMorgan, Jo-Ann,|eauthor.
245 14|aThe Black Arts Movement and the Black Panther Party in American Visual Culture /|cby Jo-Ann Morgan.
250 |aFirst edition.
264 1|aBoca Raton, FL :|bRoutledge,|c[2018].
264 4|c©2019.
300 |a1 online resource (232 pages) :|b86 illustrations, text file, PDF.
336 |atext|2rdacontent
337 |acomputer|2rdamedia
338 |aonline resource|2rdacarrier
490 1 |aRoutledge Research in Art and Race
504 |aIncludes bibliographical references and index.
505 00|tIntroduction Part I: "Black Arts We Make": Aesthetics, Collaboration, and Social Identity in the Visual Art of Black Power 1. Pedigree of the Black Arts Movement: The March on Washington, Death of Malcolm X, and Free Jazz 2. Organization of Black American Culture: A Show of Respect 3. African Commune of Bad Relevant Artists: Finding a Black Aesthetic 4. Oakland Museums "New Perspectives in Black Art": Saying "Black Lives Matter" in 1968 Part II: The Black Panther Party in Photography and Print Ephemera 5. Huey P. Newton Enthroned: Iconic Image of Black Power 6. Eldridge Cleavers Visual Acumen and the Coalition of Black Power with White Resistance 7. Emory Douglas: Revolutionary Artist and Visual Theorist 8. Picturing the Female Revolutionary.
520 3 |aThis book examines a range of visual expressions of Black Power across American art and popular culture from 1965 through 1972. It begins with case studies of artist groups, including Spiral, OBAC and AfriCOBRA, who began questioning Western aesthetic traditions and created work that honored leaders, affirmed African American culture, and embraced an African lineage. Also showcased is an Oakland Museum exhibition of 1968 called "New Perspectives in Black Art," as a way to consider if Black Panther Party activities in the neighborhood might have impacted local artists’ work. The concluding chapters concentrate on the relationship between selected Black Panther Party members and visual culture, focusing on how they were covered by the mainstream press, and how they self-represented to promote Party doctrine and agendas.
530 |aAlso available in print format.
650 7|aSOCIAL SCIENCE / Ethnic Studies / African American Studies.|2bisacsh
650 7|aART / Art & Politics.|2bisacsh
650 7|aAfriCOBRA.|2bisacsh
650 7|aAfrican American art.|2bisacsh
650 7|aAfrican American history.|2bisacsh
650 7|aAfrican American studies.|2bisacsh
650 7|aAmerican art.|2bisacsh
650 7|aAngela Davis.|2bisacsh
650 7|aart history.|2bisacsh
650 7|aBerkeley.|2bisacsh
650 7|aBlack Panthers.|2bisacsh
650 7|ablack power.|2bisacsh
650 7|aCalifornia.|2bisacsh
650 7|acivil rights.|2bisacsh
650 7|adesegregation.|2bisacsh
650 7|aEldridge Cleaver.|2bisacsh
650 7|aEmory Douglas.|2bisacsh
650 7|aHuey P. Newton.|2bisacsh
650 7|aidentity.|2bisacsh
650 7|aKathleen Cleaver.|2bisacsh
650 7|aMalcolm X.|2bisacsh
650 7|anewspaper.|2bisacsh
650 7|aOakland.|2bisacsh
650 7|aOakland Museum.|2bisacsh
650 7|apaintings.|2bisacsh
650 7|aphotography.|2bisacsh
650 7|apolitics.|2bisacsh
650 7|aposters.|2bisacsh
650 7|aprints.|2bisacsh
650 7|avisual culture.|2bisacsh
650 0|aBlack Arts movement.
650 0|aAfrican American arts|y20th century.
650 0|aAfrican Americans|xRace identity.
650 0|aAfrican Americans|xIntellectual life|y20th century.
650 0|aArts|xPolitical aspects|zUnited States|yHistory|y20th century.
655 0|aElectronic books.
710 2 |aTaylor and Francis.
776 08|iPrint version: |z9781138605923
830 0|aRoutledge Research in Art and Race.
856 40|uhttps://www.taylorfrancis.com/books/9780429467851|zClick here to view
901 |aTaylor & Francis