LEADER 05029cam a2200397Ii 4500
001 796380
003 TR_AnAIT
005 20260123010645
008 180706s2018 xx a o 000 0 eng d
020 |a9781315200156|q(e-book : PDF)
020 |a9781351778190|q(e-book: Mobi)
020 |z9781138712485|q(hardback)
024 7 |a10.4324/9781315200156 |2doi
035 |a(OCoLC)1014359364
040 |aFlBoTFG|cFlBoTFG|erda
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
072 7|aART006000|2bisacsh
072 7|aART015000|2bisacsh
072 7|aART016030|2bisacsh
072 7|aHIS016000|2bisacsh
100 1 |aGahtan, Maia Wellington,|eeditor.,|eauthor.
245 10|aMonographic Exhibitions and the History of Art /|ceditors, Pegazzano, Donatella,.
250 |aFirst edition.
264 1|aLondon :|bTaylor and Francis,|c2018.
300 |a1 online resource
336 |atext|2rdacontent
337 |acomputer|2rdamedia
338 |aonline resource|2rdacarrier
490 0 |aStudies in Art Historiography
505 00|tpart, I Living artists’ retrospectives -- |tchapter Introductory -- |tMonographic exhibitions and the history of art /|r Maia Wellington Gahtan Donatella Pegazzano -- |tchapter 1 Nathaniel Hone’s 1775 exhibition -- |tThe first single-artist retrospective 1 /|r Konstantinos J. Stefanis -- |tchapter 2 The Degas and Cassatt 1915 exhibition in support of women’s suffrage /|r Ruth E. Iskin -- |tchapter 3 Braque, Gris, Léger -- |tCubism in Switzerland in 1933 /|r Kate Kangaslahti -- |tchapter 4 Bacon at Grand Palais -- |tEchoes and influences /|r Monika Keska -- |tpart, II Posthumous retrospectives -- |tchapter 5 The first posthumous retrospective in France -- |tThe Paul Delaroche exhibition, a new perception of the artist’s work /|r Marie-Claire Rodriguez -- |tchapter 6 Max Jordan’s first monographic exhibitions at the Royal National Gallery in Berlin – rewriting the canon of art history and creating the artist as a national role model at the beginning of the German empire /|r Saskia Pütz -- |tchapter 7 The Courbet retrospective of 1882. Harbinger of the artist’s first major monography and catalogue raisonné /|r Petra ten-Doesschate Chu -- |tchapter 8 The critical reception of Marcello Tommasi’s oeuvre and the Tommasi family’s artistic legacy /|r Elisa Gradi -- |tpart, III Old Master monographic exhibitions from before World War II -- |tchapter 9 The Holbein exhibition of 1871 – an iconic turning point for art history /|r Lena Bader -- |tchapter 10 ‘This is the answer to those who tell us that Reynolds was a snob’ -- |tThe Grosvenor Gallery exhibition of works by Joshua Reynolds (1883–1884) /|r Camilla Murgia -- |tchapter 11 The master and Siena -- |tThe 1912 Duccio exhibition /|r Elisa Camporeale -- |tchapter 12 The twelve days of Bartolomeo della Gatta (Arezzo, 1–12 October 1930). A regional exhibition of an Old Master during Fascism /|r Luca Pezzuto -- |tchapter 13 Titian’s 1935 exhibition in Venice /|r Giuliana Tomasella -- |tpart, IV Old Master monographic exhibitions after World War II -- |tchapter 14 Poussin in perspective -- |tThe Louvre retrospective 1960 above and beyond* /|r Henry Keazor -- |tchapter 15 Rembrandt and the polemical monographic exhibition -- |t‘Rembrandt. The Master and His Workshop’ in Berlin, Amsterdam, and London in 1991–92 /|r Catherine Scallen -- |tchapter 16 Exploring Michelangelo through exhibitions. Closer to the master, closer to the scholar, closer to the public /|r Silvia Catitti -- |tpart, V Monographic exhibitions and the twenty-first century -- |tchapter 17 ‘Canaletti’ and the others. Recent monographic exhibitions of Venetian veduta painters -- |tArt history and the market /|r Heiner Krellig -- |tchapter 18 El Greco and the dynamics of retrospection in monographic exhibitions for the anniversary of his death in 2014 /|r Livia Stoenescu -- |tchapter 19 Past institution’s future -- |tMonographic exhibitions and Tate Modern’s make-up /|r Evi Baniotopoulou -- |tchapter 20 The rise of the monographic exhibition -- |tThe political economy of contemporary art /|r Ronit Milano.
520 2 |a"This edited collection traces the impact of monographic exhibitions on the discipline of art history from the first examples in the late 18th century through the present. Roughly falling into three genres (retrospectives of living artists, retrospectives of recently deceased artists, and monographic exhibitions of Old Masters), specialists examine examples of each genre within their social, cultural, political, and economic contexts. Exhbitions covered include Nathaniel Hones 1775 exhibition, Paul Delaroches exhibition, the Courbet retrospective of 1882 and the Holbein Exhibition of 1871."--Provided by publisher.
650 04|aContemporary Art
650 04|aHistoriography
650 04|aHistory of Art
650 04|aModern Art
650 04|aMuseum Studies
700 1 |aPegazzano, Donatella,|eeditor.
776 08|iPrint version: |z9781138712485
856 40|uhttps://www.taylorfrancis.com/books/9781315200156|zClick here to view.
901 |aTaylor & Francis