LEADER 01322cam a2200349Ii 4500
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003 TR_AnAIT
005 20260123010909
008 180706s2016 nyug ob 001 0 eng d
020 |a9781315696065|q(e-book : PDF)
020 |a9781317444817|q(e-book: Mobi)
020 |a9781317444824|q(e-book: ePub)
020 |z9781138905023|q(hardback)
024 7 |a10.4324/9781315696065 |2doi
035 |a(OCoLC)958107123
041 |aeng
043 |aa-cc---
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aML1700|b.O669 2016
082 04|a782.1|bO614
245 00|aOpera in a multicultural world :|bcoloniality, culture, performance /|cedited by Mary I. Ingraham, Joseph K. So, and Roy Moodley.
264 1|aNew York ;|aLondon :|bRoutledge,|c2016.
300 |a1 online resource (xiii, 264 pages)
490 1 |aRoutledge research in music ;|v12
505 0 |apt. 1. Opera as tradition -- pt. 2. Critical case studies -- pt. 3. Opera in the real world.
650 0|aOpera.
650 0|aRace in opera.
650 0|aIndigenous peoples in opera.
650 0|aJews in opera.
651 0|aChina|xIn opera.
700 1 |aIngraham, Mary I.
700 1 |aMoodley, Roy.
700 1 |aSo, Joseph K.
776 08|iPrint version: |z9781138905023|w(DLC) 2015007018
830 0|aRoutledge research in music ;|v12.
856 40|uhttps://www.taylorfrancis.com/books/9781315696065|zClick here to view.
901 |aTaylor & Francis
