Constructing the Memory of War in Visual Culture since 1914 : The Eye on War / edited by Ann Murray.
Erişim Adresi
ISBN
9780203711385 (e-book : PDF)
9781351360197 (e-book: Mobi)
9781138502970 (hardback)
9781351360197 (e-book: Mobi)
9781138502970 (hardback)
Dil Kodu
İngilizce
Basım Bildirimi
First edition.
Yayın Bilgisi
London : Taylor and Francis, 2018.
Fiziksel Niteleme
1 online resource (xx, 333 pages)
Dizi
Routledge Research in Art and Politics
İçindekiler Notu
part, 1I Home Front -- chapter 1 ‘Picturing’ World War I -- German War Bond Posters and the Modern Public / Claire Whitner -- chapter 2 ‘Our Lovely Countryside’ -- Capturing the Image of Britain at War in Commercial Advertising, 1939–1945 / David Clampin -- chapter 3 Picturing War’s Affects on the Homefront during the First World War / Catherine Speck -- chapter 4 America’s Forgotten Soldier Art -- The World War II Camp Art Programmes / Peter Harrington -- chapter 5 Official Art of World War II by British Women Artists -- Directing the Gaze / Elizabeth de Cacqueray -- part, 61II Art, Activism and Resistance -- chapter 6 Strategies of Liberation -- Jean Dubuffet’s Métro Series / Caroline Perret -- chapter 7 Laughter at War / Anna Markowska -- chapter 8 Another Egyptian Revolution -- Khayamiya as War Art / Sam Bowker -- chapter 9 Art and Conflict Resolution -- Bloody Sunday, Northern Ireland / Maebh O’Regan -- chapter 10 Terms of Engagement -- Canadian War Art in a Time of Perpetual Warfare / Christine Conley -- part, 127III Traumatic Memory and Victimhood -- chapter 11 Kārlis Padegs’ Red Laugh -- The High Song of Insanity / Jānis Kalnačs -- chapter 12 Vietnam -- Memory of Desecration in Brian De Palma’s Casualties of War / Nanette Norris -- chapter 13 The Soldier’s Diary -- A Record of Erased Time / Agnė Narušytė -- chapter 14 The Fakhouri File -- Traumatic Memory in the Work of Walid Raad / Anna Rådström -- chapter 15 Polyrhythmics and Migrating Voices / Leonida Kovač -- part, 191IV Collective Memory and Commemoration -- chapter 16 A Paroxysm of Battle Painting -- Adriano de Sousa Lopes and the Great War / Carlos Silveira -- chapter 17 Let There Be No More War -- Jack B. Yeats’s Grief in Context / Elisabeth Ansel -- chapter 18 Remembering Port Said 1956 -- Images of Popular Resistance in Egyptian Documentaries / Rania Abdelrahman -- chapter 19 Orphan Nation -- Orphan Photographs of the Korean War in Visual Culture / Jung Joon Lee -- chapter 20 A Lost State of Plenitude -- Commemorating the Homeland War in Public Spaces in Croatia / Sandra Križić Roban.
Özet, vb.
"This collection provides a transnational, interdisciplinary perspective on artistic responses to war from 1914 to the present, analysing a broad selection of the rich, complex body of work which has emerged in response to conflicts since the Great War. Many of the creators examined here embody the human experience of war: first-hand witnesses who developed a unique visual language in direct response to their role as victim, soldier, refugee, resister, prisoner, embedded or official artist. Contributors address specific issues relating to propaganda, wartime femininity and masculinity, women as war artists, trauma, the role of art in soldiery, memory, art as resistance, identity and the memorialisation of war. "--Provided by publisher.
Konu
Art and war.
World War, 1914-1918 __ Art and the war.
World War, 1939-1945 __ Art and the war.
World War, 1914-1918 __ Art and the war.
World War, 1939-1945 __ Art and the war.
Diğer Yazarlar
Veritabanı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
LEADER 04176cam a2200337Ii 4500
001 796718
003 TR_AnAIT
005 20260123011123
008 180706s2018 enkao ob 001 0 eng d
020 |a9780203711385|q(e-book : PDF)
020 |a9781351360197|q(e-book: Mobi)
020 |z9781138502970|q(hardback)
024 7 |a10.4324/9780203711385 |2doi
035 |a(OCoLC)1007505988
040 |aFlBoTFG|cFlBoTFG|erda
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aD810.A7|bC66 2018
082 04|a940.531|bC758
245 00|aConstructing the Memory of War in Visual Culture since 1914 :|bThe Eye on War /|cedited by Ann Murray.
250 |aFirst edition.
264 1|aLondon :|bTaylor and Francis,|c2018.
300 |a1 online resource (xx, 333 pages)
336 |atext|2rdacontent
337 |acomputer|2rdamedia
338 |aonline resource|2rdacarrier
490 0 |aRoutledge Research in Art and Politics
505 00|tpart, 1I Home Front -- |tchapter 1 ‘Picturing’ World War I -- |tGerman War Bond Posters and the Modern Public /|r Claire Whitner -- |tchapter 2 ‘Our Lovely Countryside’ -- |tCapturing the Image of Britain at War in Commercial Advertising, 1939–1945 /|r David Clampin -- |tchapter 3 Picturing War’s Affects on the Homefront during the First World War /|r Catherine Speck -- |tchapter 4 America’s Forgotten Soldier Art -- |tThe World War II Camp Art Programmes /|r Peter Harrington -- |tchapter 5 Official Art of World War II by British Women Artists -- |tDirecting the Gaze /|r Elizabeth de Cacqueray -- |tpart, 61II Art, Activism and Resistance -- |tchapter 6 Strategies of Liberation -- |tJean Dubuffet’s Métro Series /|r Caroline Perret -- |tchapter 7 Laughter at War /|r Anna Markowska -- |tchapter 8 Another Egyptian Revolution -- |tKhayamiya as War Art /|r Sam Bowker -- |tchapter 9 Art and Conflict Resolution -- |tBloody Sunday, Northern Ireland /|r Maebh O’Regan -- |tchapter 10 Terms of Engagement -- |tCanadian War Art in a Time of Perpetual Warfare /|r Christine Conley -- |tpart, 127III Traumatic Memory and Victimhood -- |tchapter 11 Kārlis Padegs’ Red Laugh -- |tThe High Song of Insanity /|r Jānis Kalnačs -- |tchapter 12 Vietnam -- |tMemory of Desecration in Brian De Palma’s Casualties of War /|r Nanette Norris -- |tchapter 13 The Soldier’s Diary -- |tA Record of Erased Time /|r Agnė Narušytė -- |tchapter 14 The Fakhouri File -- |tTraumatic Memory in the Work of Walid Raad /|r Anna Rådström -- |tchapter 15 Polyrhythmics and Migrating Voices /|r Leonida Kovač -- |tpart, 191IV Collective Memory and Commemoration -- |tchapter 16 A Paroxysm of Battle Painting -- |tAdriano de Sousa Lopes and the Great War /|r Carlos Silveira -- |tchapter 17 Let There Be No More War -- |tJack B. Yeats’s Grief in Context /|r Elisabeth Ansel -- |tchapter 18 Remembering Port Said 1956 -- |tImages of Popular Resistance in Egyptian Documentaries /|r Rania Abdelrahman -- |tchapter 19 Orphan Nation -- |tOrphan Photographs of the Korean War in Visual Culture /|r Jung Joon Lee -- |tchapter 20 A Lost State of Plenitude -- |tCommemorating the Homeland War in Public Spaces in Croatia /|r Sandra Križić Roban.
520 |a"This collection provides a transnational, interdisciplinary perspective on artistic responses to war from 1914 to the present, analysing a broad selection of the rich, complex body of work which has emerged in response to conflicts since the Great War. Many of the creators examined here embody the human experience of war: first-hand witnesses who developed a unique visual language in direct response to their role as victim, soldier, refugee, resister, prisoner, embedded or official artist. Contributors address specific issues relating to propaganda, wartime femininity and masculinity, women as war artists, trauma, the role of art in soldiery, memory, art as resistance, identity and the memorialisation of war. "--Provided by publisher.
650 0|aArt and war.
650 0|aWorld War, 1914-1918|vArt and the war.
650 0|aWorld War, 1939-1945|vArt and the war.
700 1 |aMurray, Ann,|eeditor.
776 08|iPrint version: |z9781138502970
856 40|uhttps://www.taylorfrancis.com/books/9780203711385|zClick here to view.
901 |aTaylor & Francis
001 796718
003 TR_AnAIT
005 20260123011123
008 180706s2018 enkao ob 001 0 eng d
020 |a9780203711385|q(e-book : PDF)
020 |a9781351360197|q(e-book: Mobi)
020 |z9781138502970|q(hardback)
024 7 |a10.4324/9780203711385 |2doi
035 |a(OCoLC)1007505988
040 |aFlBoTFG|cFlBoTFG|erda
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aD810.A7|bC66 2018
082 04|a940.531|bC758
245 00|aConstructing the Memory of War in Visual Culture since 1914 :|bThe Eye on War /|cedited by Ann Murray.
250 |aFirst edition.
264 1|aLondon :|bTaylor and Francis,|c2018.
300 |a1 online resource (xx, 333 pages)
336 |atext|2rdacontent
337 |acomputer|2rdamedia
338 |aonline resource|2rdacarrier
490 0 |aRoutledge Research in Art and Politics
505 00|tpart, 1I Home Front -- |tchapter 1 ‘Picturing’ World War I -- |tGerman War Bond Posters and the Modern Public /|r Claire Whitner -- |tchapter 2 ‘Our Lovely Countryside’ -- |tCapturing the Image of Britain at War in Commercial Advertising, 1939–1945 /|r David Clampin -- |tchapter 3 Picturing War’s Affects on the Homefront during the First World War /|r Catherine Speck -- |tchapter 4 America’s Forgotten Soldier Art -- |tThe World War II Camp Art Programmes /|r Peter Harrington -- |tchapter 5 Official Art of World War II by British Women Artists -- |tDirecting the Gaze /|r Elizabeth de Cacqueray -- |tpart, 61II Art, Activism and Resistance -- |tchapter 6 Strategies of Liberation -- |tJean Dubuffet’s Métro Series /|r Caroline Perret -- |tchapter 7 Laughter at War /|r Anna Markowska -- |tchapter 8 Another Egyptian Revolution -- |tKhayamiya as War Art /|r Sam Bowker -- |tchapter 9 Art and Conflict Resolution -- |tBloody Sunday, Northern Ireland /|r Maebh O’Regan -- |tchapter 10 Terms of Engagement -- |tCanadian War Art in a Time of Perpetual Warfare /|r Christine Conley -- |tpart, 127III Traumatic Memory and Victimhood -- |tchapter 11 Kārlis Padegs’ Red Laugh -- |tThe High Song of Insanity /|r Jānis Kalnačs -- |tchapter 12 Vietnam -- |tMemory of Desecration in Brian De Palma’s Casualties of War /|r Nanette Norris -- |tchapter 13 The Soldier’s Diary -- |tA Record of Erased Time /|r Agnė Narušytė -- |tchapter 14 The Fakhouri File -- |tTraumatic Memory in the Work of Walid Raad /|r Anna Rådström -- |tchapter 15 Polyrhythmics and Migrating Voices /|r Leonida Kovač -- |tpart, 191IV Collective Memory and Commemoration -- |tchapter 16 A Paroxysm of Battle Painting -- |tAdriano de Sousa Lopes and the Great War /|r Carlos Silveira -- |tchapter 17 Let There Be No More War -- |tJack B. Yeats’s Grief in Context /|r Elisabeth Ansel -- |tchapter 18 Remembering Port Said 1956 -- |tImages of Popular Resistance in Egyptian Documentaries /|r Rania Abdelrahman -- |tchapter 19 Orphan Nation -- |tOrphan Photographs of the Korean War in Visual Culture /|r Jung Joon Lee -- |tchapter 20 A Lost State of Plenitude -- |tCommemorating the Homeland War in Public Spaces in Croatia /|r Sandra Križić Roban.
520 |a"This collection provides a transnational, interdisciplinary perspective on artistic responses to war from 1914 to the present, analysing a broad selection of the rich, complex body of work which has emerged in response to conflicts since the Great War. Many of the creators examined here embody the human experience of war: first-hand witnesses who developed a unique visual language in direct response to their role as victim, soldier, refugee, resister, prisoner, embedded or official artist. Contributors address specific issues relating to propaganda, wartime femininity and masculinity, women as war artists, trauma, the role of art in soldiery, memory, art as resistance, identity and the memorialisation of war. "--Provided by publisher.
650 0|aArt and war.
650 0|aWorld War, 1914-1918|vArt and the war.
650 0|aWorld War, 1939-1945|vArt and the war.
700 1 |aMurray, Ann,|eeditor.
776 08|iPrint version: |z9781138502970
856 40|uhttps://www.taylorfrancis.com/books/9780203711385|zClick here to view.
901 |aTaylor & Francis
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