LEADER 03637cam a22005178i 4500
001 797279
003 TR_AnAIT
005 20260123012120
006 m o d
007 cr |||||||||||
008 230907s2024 enk ob 001 0 eng
020 |a9781032694726|q(ebk)
020 |a1032694726
020 |a9781003847311|q(electronic bk. : PDF)
020 |a1003847315|q(electronic bk. : PDF)
020 |a9781003847373|q(electronic bk. : EPUB)
020 |a1003847374|q(electronic bk. : EPUB)
020 |z9781032694788|q(hbk)
020 |z9781032694764|q(pbk)
024 7 |a10.4324/9781032694726|2doi
035 |a(OCoLC)1409678610
035 |a(OCoLC-P)1409678610
040 |aOCoLC-P|beng|erda|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 00|aTR575
072 7|aPHO|x000000|2bisacsh
072 7|aSOC|x052000|2bisacsh
072 7|aSOC|x022000|2bisacsh
072 7|aAB|2bicssc
082 00|a770.954|223/eng/20231113
245 00|aDigital expressions of the self(ie) :|bthe social life of selfies in India /|c[edited by] Avishek Ray, Ethiraj Gabriel Dattatreyan, Usha Raman, Martin Webb, Neha Gupta, Sai Amulya Komarraju ; with Anuja Premika, Riad Azam, Farhat Salim, and Pranavesh Subramanian.
264 1|aAbingdon, Oxon ;|aNew York, NY :|bRoutledge,|c2024.
300 |a1 online resource
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
505 0 |aProbing 'insta-worthiness' : siting the selfie -- Strike a pose : Tik Tok still life and masculine placemaking in Delhi -- Putting the selfie to work : transparency, accountability and images as evidence in work settings -- Posthumous selfies : the making of a superstar -- Creating and curating the performing object : self-making on #Bookstagram and #Inktober.
520 |a"The book examines the social and cultural role of selfies in India and its diaspora. It looks at how the selfie, unlike the photograph, which was a gesture towards an external reality, remains intimately self-referential, yet reconfigures social ordering, identity formation, agency, and spaces in curious ways. This volume approaches questions about the construction and performance of the self through the digital selfie and uses this situated, contextualized, and culturally specific phenomenon as a site to explore the themes of self-making, place-making, gender, subjectivity, and power. Highlighting the specific contexts of production, the authors examine the array of self-expressive capabilities realized in a multitude of uses of the selfie that simultaneously reconfigure the self, the space, and the world. An important study of visual social media culture, the volume will be useful for interpreting everyday media experiences and will be of interest to students and researchers of image studies, visual studies, photography studies, visual culture, media studies, culture studies, cultural anthropology, digital humanities, popular culture, sociology of technology, and South Asian studies"--|cProvided by publisher.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aSelfies (Photography)|zIndia|xPsychological aspects.
650 0|aPhotography|xSocial aspects|zIndia.
650 7|aPHOTOGRAPHY / General|2bisacsh
650 7|aSOCIAL SCIENCE / Media Studies|2bisacsh
650 7|aSOCIAL SCIENCE / Popular Culture|2bisacsh
700 1 |aRay, Avishek,|d1985-|eauthor.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781032694726
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis