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020 |a9781315516738|q(e-book : PDF)
035 |a(OCoLC)1019631825
040 |aFlBoTFG|cFlBoTFG|erda
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aPN1993.5.U6
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072 7|aPER|x004000 |2bisacsh
072 7|aLAN|x008000 |2bisacsh
072 7|aJFD |2bicscc
082 04|a791.430973|223
245 00|aRediscovering U.S. newsfilm :|bcinema, television, and the archive /|cedited by Mark Garrett Cooper, Sara Beth Levavy, Ross Melnick and Mark Williams.
250 |aFirst edition.
264 1|aBoca Raton, FL :|bRoutledge, an imprint of Taylor and Francis,|c2018.
300 |a1 online resource (356 pages) :|b69 illustrations.
336 |atext|2rdacontent
337 |acomputer|2rdamedia
338 |aonline resource|2rdacarrier
490 1 |aAFI film readers series
505 0 |achapter 1 introduction mark garrett cooper, sara beth levavy, ross melnick, and mark williams -- part part one newsfilm and the news -- chapter 2 the great war and the birth of american moving image journalism greg wilsbacher -- chapter 3 news’ electric circuits: newspapers, newsreels, and radio between the wars sara beth levavy -- chapter 4 home invasions: hearst newsreels, american preparedness, and the coming of world war ii kenneth hough -- chapter 5 completing the transmedia trinity: a history of the telenews theater corporation michael aronson -- chapter 6 historicizing television news in the 1960s: case studies of the kennedy assassination and the selma voting rights campaign aniko bodroghkozy -- chapter 7 breakthroughs by women in documentary newsfilm production: a case history of nbc’s washington documentary unit, 1961–89 thomas a. mascaro -- part part two newsfilm geographies -- chapter 8 the circulation of local newsreels in the silent period: the case of detroit richard abel -- chapter 9 technologies of place in the early sound newsreel: the aerial view jennifer peterson -- chapter 10 from canada and back again: roy tash, montreal’s associated screen news, and the u.s. newsreel’s transnational flows before world war ii joseph clark -- chapter 11 a long ride on the metro: metro news, hearst metrotone inc., and u.s. studio-government relations ross melnick -- chapter 12 mama’s brand of tv: lbj, family-owned broadcasting, and complicating “local” newsfilm caroline frick -- part part three into the archives -- chapter 13 the hearst metrotone news collection at the ucla film and television archive blaine m. bartell -- chapter 14 movietonews, inc.: a researcher’s introduction greg wilsbacher -- chapter 15 newsfilm at the national archives and records administration: an overview and spotlight on the universal newsreel collection ellen mulligan and carol swain -- chapter 16 the ktla newsfilm collection at ucla: research opportunities and challenges mark quigley -- chapter 17 reading the news(films): local television news collections at the university of south carolina amy meaney -- chapter 18 if you digitize it, they will come or welcome south, brother: local television newsfilm collections at the university of georgia ruta abolins -- chapter 19 the collaborative collection: boston tv news karen cariani -- chapter 20 fifty terms for newsfilm: a typology of archival elements dan streible -- chapter 21 watching radio: early newsfilm collections as alternative radio archives shawn vancour -- chapter 22 archives of liveness: television newsfilm reconsidered mark williams -- chapter 23 outtakes: perils and possibilities mark garrett cooper and jaimie baron.
520 3 |aThe twentieth century generated tens of thousands of hours of American newsfilm but not the scholarly apparatus necessary to analyze and contextualize them. Assembling new approaches to the study of U.S. newsfilm in cinema and television, this book makes a long overdue critical intervention in the field of film and media studies by addressing the format’s inherent intermediality; its mediation of "events" for local, national, and transnational communities; its distinctive archival legacies; and, consequently, its integral place in film and television studies more broadly. This collection brings fresh, contemporary methodologies and analysis to bear on a vast amount of material that has languished in relative obscurity for far too long.
650 7|aPERFORMING ARTS / Film & Video / General.|2bisacsh
650 7|aLANGUAGE ARTS & DISCIPLINES / Journalism.|2bisacsh
650 0|aAfi.
650 0|aAmerican Film Institute.
650 0|aArchives.
650 0|aDocumentary Film.
650 0|aFilm History.
650 0|aFilm Studies.
650 0|aFootage.
650 0|aNews.
650 0|aNewsreels.
650 0|aPreservation.
650 0|aTelevision Studies.
650 0|aAmerican Studies.
650 0|aDocumentary films.
650 0|aDocumentary.
650 0|aFilm History.
650 0|aJournalism.
650 0|aMotion pictures|xHistory.
650 0|aMotion pictures.
650 0|aStudy skills.
700 1 |aCooper, Mark Garrett,|eeditor.
700 1 |aWilliams, Mark,|eeditor.
700 1 |aLevavy, Sara Beth,|eeditor.
700 1 |aMelnick, Ross,|eeditor.
710 2 |aTaylor and Francis.
776 08|iPrint version: |z9781138699458
830 0|aAFI film readers series.
856 40|uhttps://www.taylorfrancis.com/books/9781315516738|zClick here to view.
901 |aTaylor & Francis