LEADER 02950cam a2200385Ii 4500
001 797527
003 TR_AnAIT
005 20260123012447
008 180706s2016 nyu ob 001 0deng d
020 |a9781315668321|q(e-book : PDF)
020 |a9781317360759|q(e-book: Mobi)
020 |a9781317360766|q(e-book: ePub)
020 |z9781138951259|q(hardback)
024 7 |a10.4324/9781315668321 |2doi
035 |a(OCoLC)946162322
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aD13|b.F695 2016
082 04|a907.2|bF926
100 1 |aFroeyman, Anton.,|eauthor.
245 10|aHistory, ethics, and the recognition of the other :|ba Levinasian view on the writing of history /|cAnton Froeyman ; foreword by Frank Ankersmit.
264 1|aNew York :|bRoutledge,|c2016.
300 |a1 online resource (xv, 213 pages)
490 1 |aRoutledge approaches to history ;|v17
505 0 |aPart I: The possibility of an ethical perspective -- On ethics -- Emmanuel Levinas -- An ethics of representation -- Hermeneutics, post-structuralism and Levinas -- Part II: The plausibility of an ethical perspective -- Experiencing the past? -- History with a face : on microhistory -- Leaving the laboratory : Levinas, ethics and experience in other ways of writing history -- Part III: The consequences of an ethical perspective -- Virtues of history -- Academic history, public history and historical performance practice in music.
520 2 |a"This book introduces a new way of looking at the writing of history. Rather than as the production of knowledge or the telling of stories, it sees writing history as an ethical, existential and emotional engagement with the people from the past. The conceptual and philosophical basis for this view is provided by the philosophy of Emmanuel Levinas. In the first part, the view is presented and contrasted with other, competing views, such as those of Hans-Georg Gadamer and Michel Foucualt. In the second part, the view is argued for, most importantly by an in-depth discussion of one specific tradition of history-writing (microhistory), and a series of close readings of several classical works from the history of historiography. The third part, finally, explores some of the methodological consequences of this view, and applies it to a non-academic way of dealing with the past, namely historical performance practice in music. The book features a foreword by Frank Ankersmit"--Provided by publisher.
600 10|aLevinas, Emmanuel|xPhilosophy.
650 0|aHistoriography|xMoral and ethical aspects.
650 0|aHistoriography|xPhilosophy.
650 0|aDifference (Psychology)
650 0|aOther (Philosophy)
650 0|aApplied ethics.
650 0|aExistentialism.
650 0|aEmotions.
650 0|aHistory|xPhilosophy.
650 0|aHistory|xMethodology.
776 08|iPrint version: |z9781138951259|w(DLC) 2015022295
830 0|aRoutledge approaches to history ;|v17.
856 40|uhttps://www.taylorfrancis.com/books/9781315668321|zClick here to view.
901 |aTaylor & Francis