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006 m o d
007 cr cnu---unuuu
008 190204s2019 nyu ob 001 0 eng d
020 |a9781351187299|q(electronic bk.)
020 |a1351187295|q(electronic bk.)
020 |a9781351187305|q(PDF ebook)
020 |a1351187309
020 |a9781351187282|q(Mobipocket ebook)
020 |a1351187287
020 |a9781351187312|q(ebook)
020 |a1351187317
020 |z9780815374190
020 |z0815374194
024 7 |a10.4324/9781351187312|2doi
035 |a(OCoLC)1084268716
035 |a(OCoLC-P)1084268716
040 |aOCoLC-P|beng|erda|epn|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aN72.M6|bM36 2019eb
072 7|aPER|x009000|2bisacsh
072 7|aART|x015100|2bisacsh
072 7|aART|x015020|2bisacsh
072 7|aPER|x004030|2bisacsh
072 7|aABA|2bicssc
082 04|a791.43/657|223
100 1 |aManthorne, Katherine,|eauthor.
245 10|aFilm and modern American art :|bthe dialogue between cinema and painting /|cKatherine Manthorne.
264 1|aNew York :|bRoutledge,|c2019.
300 |a1 online resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
490 1 |aRoutledge advances in art and visual studies
505 0 |aTwo American artists & silent cinema. Lust for looking : John Sloan's moving picture eye -- Transforming moving pictures into art : Everett Shinn, artist on the set -- New woman, new negro. Leading ladies : dance, reform, liberation -- Seeing in black & white : resistance, rhythm, renaissance.
520 |aBetween the 1890s and the 1930s, movie going became an established feature of everyday life across America. Movies constituted an enormous visual data bank and changed the way artist and public alike interpreted images. This book explores modern painting as a response to, and an appropriation of, the aesthetic possibilities pried open by cinema from its invention until the outbreak of World War II, when both the art world and the film industry changed substantially. Artists were watching movies, filmmakers studied fine arts; the membrane between media was porous, allowing for fluid exchange. Each chapter focuses on a suite of films and paintings, broken down into facets and then reassembled to elucidate the distinctive art-film nexus at successive historic moments.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aArt and motion pictures|zUnited States.
650 0|aPainting, American|y19th century|xThemes, motives.
650 0|aPainting, American|y20th century|xThemes, motives.
650 0|aMotion pictures|zUnited States|xHistory and criticism.
650 7|aPERFORMING ARTS / Reference|2bisacsh
650 7|aART / History / Modern (late 19th Century to 1945)|2bisacsh
650 7|aART / American / General|2bisacsh
650 7|aPERFORMING ARTS / Film & Video / History & Criticism|2bisacsh
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781351187312
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis
