LEADER 03479cam a22005538i 4500
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007 cr |||||||||||
008 201214s2021 nyu ob 001 0 eng
020 |a9780367175511|q(ebook)
020 |a0367175517
020 |a9780429615313|q(ePub ebook)
020 |a0429615310
020 |a9780429510106|q(PDF ebook)
020 |a0429510101
020 |a9780429614101|q(electronic bk. : Mobipocket)
020 |a0429614101|q(electronic bk. : Mobipocket)
020 |z9780367175436|q(hardback)
024 8 |a10.4324/9780367175511|2doi
035 |a(OCoLC)1227842699
035 |a(OCoLC-P)1227842699
040 |aOCoLC-P|beng|erda|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 00|aN7276.7.B45
072 7|aART|x047000|2bisacsh
072 7|aART|x015110|2bisacsh
072 7|aART|x037000|2bisacsh
072 7|aAB|2bicssc
082 00|a709.5692/5|223
100 1 |aRogers, Sarah A.|c(Art historian),|eauthor.
245 10|aModern art in Cold War Beirut :|bdrawing alliances /|cSarah Rogers.
264 1|aNew York :|bRoutledge,|c2021.
300 |a1 online resource
336 |atext|btxt|2rdacontent
337 |acomputer|bn|2rdamedia
338 |aonline resource|bnc|2rdacarrier
490 0 |aRoutledge research in art history
505 0 |aBeirut as Cultural Capital: Cosmopolitanism in the Shadow of the Cold War -- An Artistic Coup: Maryette Charlton and the Founding of the American University of Beirut's Department of Fine Arts -- The Artist as Cultural Diplomat: John Ferren in Beirut, 1963-64 -- Abstraction's Universalist Assumptions: Local Debates on the Practice of Art -- Figuration, International Alliances, and Palestinian Art in Beirut: The Painting of Tamam al-Akhal and Ismail Shammout -- Lessons from the Cold War and the Possibilities of Global Modernism.
520 |a"Modern Art in Cold War Beirut: Drawing Alliances examines the entangled histories of modern art and international politics during the decades of the 1950s and 60s. Positing the Cold War as a globalized conflict, fraught with different political ideologies and intercultural exchanges, this study asks how these historical circumstances shaped local debates in Beirut over artistic pedagogy, the social role of the artist, the aesthetics of form, and, ultimately, the development of a national art. Drawing on a range of archival material and taking an interdisciplinary approach that combines Art History, Middle Eastern, and Cold War studies, Sarah Rogers argues that the genealogies of modern art can never be understood as isolated, national histories, but rather that they participate in an ever contingent global modernism. This book will be of particular interest to scholars in art history, contemporary art, and Middle East studies"--|cProvided by publisher.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aModernism (Art)|zLebanon|zBeirut.
650 0|aArt|xPolitical aspects|zLebanon|zBeirut|xHistory|y20th century.
650 0|aArt and society|zLebanon|zBeirut|xHistory|y20th century.
650 7|aART / Middle Eastern|2bisacsh
650 7|aART / History / Contemporary (1945-)|2bisacsh
650 7|aART / Art & Politics|2bisacsh
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9780367175511
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis