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008 210823s2021 nyu ob 001 0 eng
020 |a9781000536843|q(epub)
020 |a100053684X
020 |a9781003009160|q(ebook)
020 |a1003009166
020 |a9781000536829|q(adobe pdf)
020 |a1000536823
020 |z9780367443375|q(hardback)
020 |z9781032200293|q(paperback)
035 |a(OCoLC)1266195823
035 |a(OCoLC-P)1266195823
040 |aOCoLC-P|beng|erda|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 00|aML1460
072 7|aHIS|x010000|2bisacsh
072 7|aHIS|x015000|2bisacsh
072 7|aHIS|x037050|2bisacsh
072 7|aHBTB|2bicssc
082 00|a782.04/2|223
100 1 |aRobertson-Kirkland, Brianna E.,|d1989-|eauthor.
245 10|aVenanzio Rauzzini and the birth of a new style in English singing :|bscandalous lessons /|cBrianna E. Robertson-Kirkland.
250 |a[1st.].
264 1|aNew York :|bRoutledge,|c2021.
300 |a1 online resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
490 0 |aRoutledge studies in eighteenth-century cultures and societies
505 0 |aPrelude. "The First Master for Singing in the Universe" -- Britain's Music Education in Decline -- Using and Creating Celebrity -- Natural or Learned? -- "The Father of a New Style in English Singing"? -- A Master's Treatise. A Legacy Product -- Master or Servant. Vilifying the Female Amateur and the Italian Master -- A Respectable Master or a Scandalous Lover? -- Postlude. The Eighteenth Century in the Twenty-First Century -- Appendix 1. Anna Selina (Nancy) Storace's Performances Between 1773-1778 -- Appendix 2. Singers Advertised as "Pupils of Rauzzini".
520 |a"Since the eighteenth century, the one-to-one singing lesson has been the most common method of delivery. The scenario allows the teacher to familiarize and individualize the lesson to suit the needs of their student; however, it can also lead to speculation about what is taught. More troubling is the heightened risk of gossip and rumor with the private space generating speculation about the student-teacher relationship. Venanzio Rauzzini (1746-1810), an Italian castrato living in England who became a highly sought-after singing master, was particularly susceptible since his students tended to be women, whose moral character was under more scrutiny than their male counterparts. Even so in 1792, The Bath Chronicle proclaimed the Italian castrato: "the father of a new style in English singing." Branding Rauzzini as a founder of an English style was not an error, but indicative of deep-seeded anxieties about the Italian invasion on England's musical culture. This book places teaching at the center of the socio-historical narrative and provides unique insight into musical culture. Using a microhistory approach, this study is the first to focus in on the impact of teaching and casts new light on issues of celebrity culture, gender and nationalism in Georgian England"--|cProvided by publisher.
588 |aOCLC-licensed vendor bibliographic record.
600 10|aRauzzini, Venanzio,|d1746-1810.
650 0|aSinging|xInstruction and study|zGreat Britain|xHistory|y18th century.
650 0|aTeacher-student relationships|zGreat Britain|xHistory|y18th century.
650 0|aMusic|xSocial aspects|zGreat Britain|xHistory|y18th century.
650 0|aVoice teachers.
650 0|aCastrati.
650 7|aHISTORY / Europe / General|2bisacsh
650 7|aHISTORY / Europe / Great Britain|2bisacsh
650 7|aHISTORY / Modern / 18th Century|2bisacsh
651 0|aEngland|xSocial life and customs|y18th century.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781003009160
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis