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008 200615s2020 enk ob 000 0 eng d
020 |a9781003085836|q(electronic bk.)
020 |a1003085830|q(electronic bk.)
020 |z9781474280457
020 |a9781000181920|q(electronic bk. : EPUB)
020 |a1000181928|q(electronic bk. : EPUB)
020 |z9781474280464
020 |z9781474280471
020 |a9781000185102|q(electronic bk. : PDF)
020 |a1000185109|q(electronic bk. : PDF)
020 |a9781000188554|q(electronic bk. : Mobipocket)
020 |a1000188558|q(electronic bk. : Mobipocket)
035 |a(OCoLC)1158313589
035 |a(OCoLC-P)1158313589
040 |aOCoLC-P|beng|erda|epn|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aML3790
072 7|aSOC|x002000|2bisacsh
072 7|aMUS|x000000|2bisacsh
072 7|aSOC|x002010|2bisacsh
072 7|aJHM|2bicssc
082 04|a338.76178|223
100 1 |aBartmanski, Dominik,|d1978-|eauthor.
245 10|aLabels :|bmaking independent music /|cDominik Bartmański & Ian Woodward.
264 1|aAbingdon, Oxon ;|aNew York, NY :|bRoutledge, Taylor & Francis Group,|c2020.
300 |a1 online resource (328 pages).
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
500 |a"First published 2020 by Bloomsbury Academic."
505 0 |aList of Illustrations AcknowledgementsAbout the authors Cast of Interviewed Characters List of Featured Labels Prologue:You Can't Put a Price on Freedom Introduction: Understanding Independent Labels1. Being Independent 2. Material Economy 3. Symbolic Economy 4. Urban Ecology Epilogue: Writing Independent Culture ReferencesIndex
520 |aThe music industry is dominated today by three companies. Outside of it, thousands of small independent record labels have developed despite the fact that digitalization made record sales barely profitable. How can those outsiders not only survive, but thrive within mass music markets? What makes them meaningful, and to whom? Dominik Bartmanski and Ian Woodward show how labels act as taste-makers and scene-markers that not only curate music, but project cultural values which challenge the mainstream capitalist music industry. Focusing mostly on labels that entered independent electronic music after 2000, the authors reconstruct their aesthetics and ethics. The book draws on multiple interviews with labels such as Ostgut Ton in Berlin, Argot in Chicago, 100% Silk in Los Angeles, Ninja Tune in London, and Goma Gringa in Sao Paulo. Written by the authors of Vinyl, this book is essential reading for anyone with an interest in the contemporary recording industry, independent music, material culture, anthropology, sociology, and cultural studies.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aMusic trade.
650 0|aElectronic music|xEconomic aspects.
650 0|aSound recordings|xSocial aspects.
650 7|aSOCIAL SCIENCE / Anthropology / General|2bisacsh
650 7|aMUSIC / General|2bisacsh
650 7|aSOCIAL SCIENCE / Anthropology / Cultural|2bisacsh
700 1 |aWoodward, Ian|c(Sociologist),|eauthor.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781003085836
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis