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008 160407s2016 enk ob 001 0 eng d
020 |a9781134805860|q(ePub ebook)
020 |a1134805861|q(ePub ebook)
020 |a9781134805792|q(PDF ebook)
020 |a1134805799|q(PDF ebook)
020 |a9781134805938|q(Mobipocket ebook)
020 |a1134805934|q(Mobipocket ebook)
020 |z9781472450043|q(hbk.)
035 |a(OCoLC)991526148
035 |a(OCoLC-P)991526148
040 |aOCoLC-P|beng|erda|epn|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aML3917.S73
082 04|a780.9460904|223
100 1 |aMoreda Rodríguez, Eva,|eauthor.
245 10|aMusic and exile in Francoist Spain /|cEva Moreda Rodriguez.
264 1|aLondon :|bRoutledge,|c2016.
300 |a1 online resource
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
505 0 |aCover -- Half Title -- Title -- Copyright -- Contents -- List of Music Examples -- Acknowledgements -- Introduction -- 1 Rodolfo Halffter and Conflicting Narratives of Modernity -- 2 Salvador Bacarisse: A 'Performer's Composer' in Exile -- 3 Roberto Gerhard: The Clash of Two National Histories -- 4 The Hispanic Middle Ages under Francoism and in Exile -- 5 Constructing the Intellectual Musician in Francoist Spain -- Conclusion: Exiles and Returns -- Bibliography -- Index.
520 |aThe Spanish Republican exile of 1939 impacted music as much as it did literature and academia, with well-known figures such as Adolfo Salazar and Roberto Gerhard forced to leave Spain. Exile is typically regarded as a discontinuity - an irreparable dissociation between the home country and the host country. Spanish exiled composers, however, were never totally cut off from the musical life of Francoist Spain (1939-1975), be it through private correspondence, public performances of their work, honorary appointments and invitations from Francoist institutions, or a physical return to Spanish soil. Music and Exile in Francoist Spain analyses the connections of Spanish exiled composers with their homeland throughout 1939-1975. Taking the diversity and heterogeneity of the Spanish Republican exile as its starting point, the volume presents extended comparative case studies in order to broaden and advance current conceptions of, and debates surrounding, exile in musicology and Spanish studies. In doing so, it significantly furthers academic research on individual composers including Salvador Bacarisse, Julian Bautista, Roberto Gerhard, Rodolfo Halffter, Julian Orbon and Adolfo Salazar. As the first English-language monograph to explore the exiled composers from the perspectives of historiography, music criticism, performance and correspondence, Eva Moreda Rodriguez's vivid reconception of the role of place and nation in twentieth-century music history will be of particular interest for scholars of Spanish music, Spanish Republican history, and exile and displacement more broadly.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aMusic|xPolitical aspects|zSpain|xHistory|y20th century.
650 0|aMusicians|zSpain.
650 0|aExiles|zSpain|xHistory|y20th century.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781315562896
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis