LEADER 03599cam a2200373Ii 4500
001 798482
003 TR_AnAIT
005 20260123014004
008 180706s2018 enka ob 001 0 eng d
020 |a9781315621722|q(e-book : PDF)
020 |a9781317220794|q(e-book: Mobi)
020 |z9781138656826|q(hardback)
024 7 |a10.4324/9781315621722 |2doi
035 |a(OCoLC)993948889
040 |aFlBoTFG|cFlBoTFG|erda
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aL797|b.G59 2017
082 04|a708|bG562
245 00|aGlobal and world art in the practice of the university museum /|cedited by Jane Chin Davidson and Sandra Esslinger.
264 1|aAbingdon, Oxon ;|aNew York :|bRoutledge,|c2018.
300 |a1 online resource (xii, 196 pages)
336 |atext|2rdacontent
337 |acomputer|2rdamedia
338 |aonline resource|2rdacarrier
490 0 |aRoutledge research in museum studies ;|v13
504 |aIncludes bibliographical references.
505 00|tchapter Introduction -- |tA critical conversation—global/world art and the university museum /|r Jane Chin Davidson -- |tchapter 1 Fowler at Fifty -- |tLooking back, looking forward /|r Marla C. Berns -- |tchapter 2 In the light of the Fowler -- |tArt, history, museology, and . . . /|r Donald Preziosi -- |tchapter 3 Global art and world art -- |tAn update on art and anthropology in the university museum /|r Jane Chin Davidson -- |tchapter 4 African art and art history’s global turn /|r Gemma Rodrigues -- |tchapter 5 East Asian art history at UCLA -- |tIts development and current challenges /|r Lothar von Falkenhausen -- |tchapter 6 Imagining art history otherwise /|r Claire Farago -- |tchapter 7 Time slip -- |tFiat Lux Redux/Remix as university museum social practice /|r Catherine M. Cole -- |tchapter 8 Public trust -- |tThe museum and the university /|r Selma Holo -- |tchapter 9 Other possible worlds -- |tThe global university museum and its subjects /|r Sandra Esslinger.
520 |a"Global and World Art in the Practice of the University Museum provides new thinking on exhibitions of global art and world art in relation to university museums. Taking The Fowler Museum at UCLA, USA, as its central subject, this edited collection traces how university museum practices have expanded the understanding of the 'art object' in recent years. It is argued that the meaning of cultural objects infused with the heritage and identity of 'global culture' has been developed substantially through the innovative approaches of university scholars, museum curators, and administrators since the latter part of the twentieth century. Through exploring the ways in which university museums have overseen changes in the global context for art, this edited collection initiates a larger dialogue and inquiry into the value and contribution of the empirical model. The volume includes a full-colour photo essay by Marla C. Berns on the Fowler Museum's 'Fowler at Fifty' project, as well as contributions from Donald Preziosi, Catherine M. Cole, Lothar von Falkenhausen, Claire Farago, Selma Holo, and Gemma Rodrigues. It is important reading for professionals, scholars and advanced students alike."--Provided by publisher.
610 20|aFowler Museum at UCLA.
650 0|aArt|xExhibition techniques.
650 0|aCollege museums|xPhilosophy.
650 0|aMuseum techniques|vCase studies.
650 0|aPostcolonialism and the arts.
700 1 |aDavidson, Jane Chin,|eeditor.
700 1 |aEsslinger, Sandra,|eeditor.
776 08|iPrint version: |z9781138656826|w(DLC) 2017008438
856 40|uhttps://www.taylorfrancis.com/books/9781315621722|zClick here to view.
901 |aTaylor & Francis