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003 TR_AnAIT
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006 m o d
007 cr cnu|||unuuu
008 190207s2019 nyu ob 001 0 eng d
020 |a9781351004008|q(electronic bk.)
020 |a135100400X|q(electronic bk.)
020 |a9781351004015|q(PDF ebook)
020 |a1351004018
020 |a9781351003995|q(Mobipocket ebook)
020 |a1351003992
020 |a9781351004022|q(ebook)
020 |a1351004026
020 |z9781138544376
024 8 |a10.4324/9781351004022|2doi
035 |a(OCoLC)1084727130
035 |a(OCoLC-P)1084727130
040 |aOCoLC-P|beng|erda|epn|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aQM33
072 7|aMED|x005000|2bisacsh
072 7|aSCI|x036000|2bisacsh
072 7|aART|x015000|2bisacsh
072 7|aART|x050010|2bisacsh
072 7|aMED|x039000|2bisacsh
072 7|aAC|2bicssc
082 04|a611.00228|223
245 00|aVisualizing the Body in Art, Anatomy, and Medicine since 1800 :|bModels and Modeling /|cedited by Andrew Graciano.
264 1|aNew York, NY :|bRoutledge,|c2019.
300 |a1 online resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
490 1 |aScience and the arts since 1750
505 0 |aCover; Half Title; Title Page; Copyright Page; Dedication; Table of Contents; List of Illustrations; Acknowledgements; About the Contributors; Prologue: Modeling the Modern Body; Introduction: Models and Modeling in Art, Anatomy, and Medicine; Part I: Anatomical Models in Artistic Training: Sculpted, Living, and Dissected; 1 Anatomy in the Drawing Room at Felix Meritis Maatschappij in Amsterdam: Between Skin and Bones, Theory and Practice; 2 Fabulations of the Flesh: Géricault and the Praxis of Art and Anatomy in France
505 8 |a3 Grecian Theory at the Royal Academy: John Flaxman and the Pedagogy of Corporeal RepresentationPart II: Visual Models in Anatomy and Medicine: Illustrative, Radiographic, and Sculptural; 4 The Brain in Text and in Image: Reconfiguring Medical Knowledge in Late Eighteenth-Century Japan; 5 When Sight Penetrates the Body: The Use and Promotion of Stereoscopic Radiography in Britain, 1896-1918; 6 Art in the Service of Medical Education: The 1939 Dickinson-Belskie Birth Series and the Use of Sculpture to Teach the Process of Human Development from Fertilization through Delivery
505 8 |aPart III: Modeling Public Health: The Healthy Body in Art and Propaganda7 Painting the Revolutionary Body: Anatomy and the Remaking of Mexican History in the Murals of Diego Rivera; 8 The Sick Man of Asia and the Anatomically Perfect Woman: Remodeling Republican China's (Body) Image through the Visual Arts; Part IV: Modeling Disease: The Pathologized Body in Art and Medicine; 9 The Model Patient: Observation and Illustration at the Musée Charcot; 10 The Fat Body as Anatomical and Medical Oddity: Lucian Freud's Paintings of Sue Tilley; Index
520 |aThis book expands the art historical perspective on art's connection to anatomy and medicine, bringing together in one text several case studies from various methodological perspectives. The contributors focus on the common visual and bodily nature of (figural) art, anatomy, and medicine around the central concept of modeling (posing, exemplifying and fabricating). Topics covered include the role of anatomical study in artistic training, the importance of art and visual literacy in anatomical/medical training and in the dissemination (via models) of medical knowledge/information, and artistic representations of the medical body in the contexts of public health and propaganda.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aHuman anatomy|xModels|xHistory.
650 0|aMedicine|xHistory.
650 7|aMEDICAL / Anatomy.|2bisacsh
650 7|aSCIENCE / Life Sciences / Human Anatomy & Physiology.|2bisacsh
650 7|aART / History / General|2bisacsh
650 7|aART / Subjects & Themes / Human Figure|2bisacsh
650 7|aMEDICAL / History|2bisacsh
700 1 |aGraciano, Andrew.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781351004022
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis