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020 |a9781351068680|q(e-book : PDF)
035 |a(OCoLC)1054378742
040 |aFlBoTFG|cFlBoTFG|erda
041 1 |aeng
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
072 7|aMUS|x000000 |2bisacsh
072 7|aMUS|x020000 |2bisacsh
072 7|aAVGP |2bicscc
245 00|aPopular Song in the First World War :|bAn International Perspective /|cedited by John Mullen.
250 |aFirst edition.
264 1|aBoca Raton, FL :|bRoutledge,|c[2018].
264 4|c©2019.
300 |a1 online resource (270 pages)
336 |atext|2rdacontent
337 |acomputer|2rdamedia
338 |aonline resource|2rdacarrier
490 1 |aAshgate Popular and Folk Music Series
504 |aIncludes bibliographical references and index.
505 00|tIntroduction: Beyond the Question of Morale: Popular Music in the First World War John Mullen --What Voices Can be Heard in Wartime Popular Song? --Chapter I: What voices can be heard in British music hall Songs of the First World War? John Mullen Chapter II: French popular song at the front during the Great War Eric Sauda Chapter III: German soldier songs in the First World War and beyond Andr Rottgeri Chapter IV: The music of war resistance in Britain, 1914-1918 Clive Barrett Chapter V: In search of the French anti-war song, the Chanson de Craonne Guy Marival --Gender, Commercial Song and War --Chapter VI Couples in French popular song and the challenges of the Great War Anne Simon Chapter VII Masculinity, war and song in America 1917-1918 Christina Gier Chapter VIII From tulips and curls to donuts and jazz: the representation of women in American popular and soldier songs during the First World War Amy Wells Chapter IX Staging the nation: Claire Waldoff and Berlin cabaret before and during the Great War Melanie Schiller --The Expression of National and Social Identities --Chapter X We shall get there in time: contemporary responses to the First World War by New Zealand songwriters Chris Bourke Chapter XI: Irish Songs of World War I Erick Falcher-Poyroux Chapter XII: Popular music and eroticism: the Spanish Cupl during the years of the First World War Lidia Lpez. Chapter XIII: A business without an industry: the Portuguese music business in turbulent times Pedro Flix Chapter XIV: Early Serbian popular songs outside of Serbia during the Great War Dragan Aleksi, Maja Vasiljevi, Nataa Simeunovi Baji -- =506 \\|aLicense restrictions may limit access.
520 3 |aWhat did popular song mean to people across the world during the First World War? For the first time, song repertoires and musical industries from countries on both sides in the Great War as well as from neutral countries are analysed in one exciting volume. Experts from around the world, and with very different approaches, bring to life the entertainment of a century ago, to show the role it played in the lives of our ancestors. The reader will meet the penniless lyricist, the theatre chain owner, the cross-dressing singer, fado composer, stage Scotsman or rhyming soldier, whether they come from Serbia, Britain, the USA, Germany, France, Portugal or elsewhere, in this fascinating exploration of showbiz before the generalization of the gramophone. Singing was a vector for patriotic support for the war, and sometimes for anti-war activism, but it was much more than that, and expressed and constructed debates, anxieties, social identities and changes in gender roles. This work, accompanied by many links to online recordings, will allow the reader to glimpse the complex role of popular song in people’s lives in a period of total war.
530 |aAlso available in print format.
650 7|aMUSIC / History & Criticism.|2bisacsh
650 0|aPopular music|y1911-1920|yHistory and criticism.
650 0|aWorld War, 1914-1918|xMusic and the war.
655 0|aElectronic books.
700 1 |aMullen, John,|eeditor.
710 2 |aTaylor and Francis.
776 08|iPrint version: |z9781138478466
830 0|aAshgate Popular and Folk Music Series.
856 40|uhttps://www.taylorfrancis.com/books/9781351068680|zClick here to view.
901 |aTaylor & Francis