LEADER 03475cam a2200577Ki 4500
001 798854
003 TR_AnAIT
005 20260123014523
006 m o d
007 cr cnu---unuuu
008 200425t20212021enka ob 001 0 eng d
020 |a9781350097247|qelectronic book
020 |a1350097241|qelectronic book
020 |a9781350097261|qelectronic book
020 |a1350097268|qelectronic book
020 |a9781003084365|qelectronic book
020 |a1003084362|qelectronic book
020 |a9781000182378|q(electronic bk. : EPUB)
020 |a1000182371|q(electronic bk. : EPUB)
020 |a9781000189001|q(electronic bk. : Mobipocket)
020 |a1000189007|q(electronic bk. : Mobipocket)
020 |a9781000185553|q(electronic bk. : PDF)
020 |a1000185559|q(electronic bk. : PDF)
035 |a(OCoLC)1150181163
035 |a(OCoLC-P)1150181163
040 |aOCoLC-P|beng|erda|epn|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aN7401|b.S76 2021
072 7|aSOC|x002000|2bisacsh
072 7|aART|x013000|2bisacsh
072 7|aSOC|x002010|2bisacsh
072 7|aJHMC|2bicssc
082 04|a704.03/9915|223
100 1 |aStolte, Gretchen M.,|eauthor.
245 10|aAboriginal and Torres Strait Islander art :|ban anthropology of identity production in far north Queensland /|cGretchen M. Stolte.
264 1|aAbingdon, Oxon ;|aNew York, NY :|bRoutledge,|c2021.
264 4|c©2021
300 |a1 online resource (xvi, 229 pages) :|billustrations
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
505 0 |aCover -- Half Title -- Series -- Title -- Copyright -- Dedication -- Contents -- Figures -- Tables -- Preface -- Acknowledgements -- 1 Art and identity -- 2 Curios and artefacts -- 3 The history of the studio -- 4 The studio today -- 5 Disciplining the artist -- 6 Value creation and the market -- 7 Design elements -- 8 Cultural content -- 9 True North -- Bibliography -- Index
520 |aAboriginal and Torres Strait Islander Art explores the effects of Queensland government policies on urban First Nation artists. While such art has often been misinterpreted as derivative lesser copies of true' Indigenous works, this book unveils new histories and understandings about the mixed legacy left for Queensland Indigenous artists. Gretchen Stolte uses rich ethnographic detail to illuminate how both Aboriginal and Torres Strait Islander artists understand and express their heritage. She specifically focuses on artwork at the Aboriginal and Torres Strait Islander art studio in the Tropical North Queensland College of Technical and Further Education (TNQT TAFE), Cairns. Stolte's ethnography further develops methodologies in art history and anthropology by identifying additional methods for understanding how art is produced and meaning is created.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aArt, Aboriginal Australian.
650 0|aArt, Torres Strait Islander.
650 0|aAboriginal Australians|xEthnic identity.
650 7|aSOCIAL SCIENCE / Anthropology / General|2bisacsh
650 7|aART / Folk & Outsider Art|2bisacsh
650 7|aSOCIAL SCIENCE / Anthropology / Cultural|2bisacsh
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781003084365
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis