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008 201221s2021 nyu ob 001 0 eng
020 |a9781003120506|q(ebook)
020 |a1003120504
020 |a9781000400564|q(electronic bk. : EPUB)
020 |a1000400565|q(electronic bk. : EPUB)
020 |a9781000400533|q(electronic bk. : PDF)
020 |a1000400530|q(electronic bk. : PDF)
020 |z9780367637422|q(hardback)
035 |a(OCoLC)1228910715
035 |a(OCoLC-P)1228910715
040 |aOCoLC-P|beng|erda|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 00|aND617
072 7|aART|x015030|2bisacsh
072 7|aAC|2bicssc
082 00|a759.509/034|223
100 1 |aWatts, Laura L.,|eauthor.
245 10|aItalian painting in the age of unification /|cLaura L. Watts.
264 1|aNew York :|bRoutledge,|c2021.
300 |a1 online resource
336 |atext|btxt|2rdacontent
337 |acomputer|bn|2rdamedia
338 |aonline resource|bnc|2rdacarrier
505 0 |aOttocento painting and the gap in nineteenth-century art historical discourse -- Three portraits/three cities -- Tommaso Minardi and the Roman destiny -- Fancesco Hayez and the rise of history painting during the Risorgimento -- Gioacchino Toma, Neapolitan realism and the aftermath of Unification -- The regional/national model.
520 |a"Italian Painting in the Age of Unification reconstructs the artistic motivations and messaging of three artists-Tommaso Minardi, Francesco Hayez and Gioacchino Toma-from three distinct regions in Italy prior to, during and directly following political unification in 1861. Each artist, working in Rome, Milan and Naples respectively, adopted the visual narratives particular to his region, using style to communicate aspects of his political, religious or social context. By focusing on these three figures, this study will introduce readers outside of Italy to their diversity of practice, and provide a means for understanding their place within the larger field of international nineteenth-century art, albeit a place largely distinct from the better known French tradition. The book will be of interest to scholars working in art history, nationalism, Italian history, or Italian studies"--|cProvided by publisher.
588 |aOCLC-licensed vendor bibliographic record.
600 10|aMinardi, Tommaso,|d1787-1871|xCriticism and interpretation.
600 10|aHayez, Francesco,|d1791-1882|xCriticism and interpretation.
600 10|aToma, Gioacchino,|d1836-1891|xCriticism and interpretation.
650 0|aPainting, Italian|y19th century.
650 0|aRegionalism in art.
650 7|aART / European|2bisacsh
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781003120506
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis