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006 m o d
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008 181112t20182019fluab ob 001 0 eng d
020 |a9781351187275|q(e-book : PDF)
035 |a(OCoLC)1029789567
040 |aFlBoTFG|cFlBoTFG|erda
041 1 |aeng
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
072 7|aART|x015070 |2bisacsh
072 7|aART|x035000 |2bisacsh
072 7|aREL|x049000 |2bisacsh
072 7|aAC |2bicscc
100 1 |aTsakiridou, C.A.,|eauthor.
245 10|aTradition and Transformation in Christian Art :|bThe Transcultural Icon /|cby C.A. Tsakiridou.
250 |aFirst edition.
264 1|aBoca Raton, FL :|bRoutledge,|c[2018].
264 4|c©2019.
300 |a1 online resource (242 pages) :|b39 illustrations, text file, PDF.
336 |atext|2rdacontent
337 |acomputer|2rdamedia
338 |aonline resource|2rdacarrier
490 1 |aRoutledge Research in Art and Religion
504 |aIncludes bibliographical references and index.
505 00|tList of Figures -- |tPreface -- |tChapter 1: Introduction -- |tChapter 2: Tradition and Iconographic Types -- |tChapter 3: Iconicity and Eschatology -- |tChapter 4: Ascetics in Prison -- |tChapter 5: Sinaitic and Franciscan Theophanies -- |tChapter 6: Byzantine Encounters with the Dead Christ -- |tChapter 7: The Penitential Imagination -- |tChapter 8: The --King of Glory in Italy -- |tChapter 9: Missionary Masses -- |tChapter 10: The Mystical Colony -- |tChapter 11: New Mexican Acheiropoietai -- |tChapter 12: The Greek Icon -- |tEpilogue -- |tBibliography.
520 3 |aTradition and Transformation in Christian Art approaches tradition and transculturality in religious art from an Orthodox perspective that defines tradition as a dynamic field of exchanges and synergies between iconographic types and their variants. Relying on a new ontology of iconographic types, it explores one of the most significant ascetical and eschatological Christian images, the King of Glory (Man of Sorrows) This icon of the dead-living Christ originated in Byzantium, migrated west, and was promoted in the New World by Franciscan and Dominican missions. Themes include tensions between Byzantine and Latin spiritualities of penance and salvation, the participation of the body and gender in deification, and the theological plasticity of the Christian imaginary. Primitivist tendencies in Christian eschatology and modernism place avant-garde interest in New Mexican santos and Greek icons in tradition.
530 |aAlso available in print format.
650 7|aART / Subjects & Themes / Religious.|2bisacsh
650 7|aRELIGION / Christianity / Orthodox.|2bisacsh
650 7|aart history.|2bisacsh
650 7|aByzantine studies.|2bisacsh
650 7|aByzantium.|2bisacsh
650 7|aChristianity.|2bisacsh
650 7|aChristian eschatology.|2bisacsh
650 7|aDominican missions.|2bisacsh
650 7|aFranciscan missions.|2bisacsh
650 7|aGreece.|2bisacsh
650 7|aGreek Orthodox.|2bisacsh
650 7|aiconography.|2bisacsh
650 7|aKing of Glory.|2bisacsh
650 7|aLatin American studies.|2bisacsh
650 7|aMan of Sorrows.|2bisacsh
650 7|amodernist aesthetics.|2bisacsh
650 7|aNew Spain.|2bisacsh
650 7|aNew World.|2bisacsh
650 7|aontology.|2bisacsh
650 7|aphilosophy.|2bisacsh
650 7|areligion.|2bisacsh
650 7|aSpanish Colonial studies.|2bisacsh
650 7|asantos.|2bisacsh
650 7|atheology.|2bisacsh
650 7|athe Passion.|2bisacsh
650 7|atransculturality.|2bisacsh
650 0|aChristianity and art.
650 0|aMan of Sorrows (Art)
655 0|aElectronic books.
710 2 |aTaylor and Francis.
776 08|iPrint version: |z9780815374183
830 0|aRoutledge Research in Art and Religion.
856 40|uhttps://www.taylorfrancis.com/books/9781351187275|zClick here to view.
901 |aTaylor & Francis