Surrealism and photography in 1930s Japan : the impossible avant-garde / Jelena Stojković.

Erişim Adresi
Taylor & Francis Link
OCLC metadata license agreement Link
ISBN
9781003086796 (electronic bk.)
1003086799 (electronic bk.)
9781350115651
9781000182538 (electronic bk. : EPUB)
1000182533 (electronic bk. : EPUB)
9781000185713 (electronic bk. : PDF)
1000185710 (electronic bk. : PDF)
9781788314053
9781000189162 (electronic bk. : Mobipocket)
1000189163 (electronic bk. : Mobipocket)
Dil Kodu
İngilizce
Yayın Bilgisi
Abingdon, Oxon ; New York, NY : Routledge, Taylor & Francis Group, 2020.
Fiziksel Niteleme
1 online resource (272 pages) : illustrations
Genel Not
'First published 2020 by Bloomsbury Academic."
İçindekiler Notu
Introduction Part I: 'NEW' PHOTOGRAPHY (shinko shashin) 1. Emergence2. Photo-Collages Part II: 'AVANT-GARDE' PHOTOGRAPHY (zen'ei shashin) 3. Images without Texts 4. Coded Revolution Part III: 'PLASTIC' PHOTOGRAPHY (zokei shashin) 5. Materiality 6. Locality Conclusion
Özet, vb.
Despite the censorship of dissident material during the decade between the Manchurian Incident of 1931 and the outbreak of the Pacific War in 1941, a number of photographers across Japan produced a versatile body of Surrealist work. In a pioneering study of their practice, Jelena Stojkovic draws on primary sources and extensive archival research and maps out art historical and critical contexts relevant to the apprehension of this rich photographic output, most of which is previously unseen outside of its country of origin. The volume is an essential resource in the fields of Surrealism and Japanese history of art, for researchers and students of historical avant-gardes and photography, as well as forreaders interested in visual culture.
Konu
Photography __ Japan __ History __ 20th century.
ART / Asian __ bisacsh
PHOTOGRAPHY / History __ bisacsh
Veritabanı