LEADER 03450cam a22005658i 4500
001 799922
003 TR_AnAIT
005 20260123020052
006 m o d
007 cr |||||||||||
008 211027s2022 nyu ob 001 0 eng
020 |a9781000461381|q(epub)
020 |a1000461386
020 |z9780367743772|q(hardback)
020 |a9781003157540|q(ebook)
020 |a1003157548
020 |a9781000461374|q(adobe pdf)
020 |a1000461378
020 |z9780367743789|q(paperback)
020 |z0367743779
035 |a(OCoLC)1267338258
035 |a(OCoLC-P)1267338258
040 |aOCoLC-P|beng|erda|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 00|aPN1993.5.E19
072 7|aHIS|x003000|2bisacsh
072 7|aHIS|x014000|2bisacsh
072 7|aHIS|x037030|2bisacsh
072 7|aHBTB|2bicssc
082 00|a791.43095|223/eng/20211027
245 00|aEast Asian-German cinema :|bthe transnational screen, 1919 to the present /|cedited by Joanne Miyang Cho.
264 1|aNew York :|bRoutledge,|c2022.
300 |a1 online resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
490 0 |aRoutledge studies in cultural history;|vvol 114
520 |a"This is the first edited volume dedicated to the study of East Asian-German cinema. Its coverage ranges from 1919 to the present, a period which has witnessed an unprecedented degree of global entanglement between Germany and East Asia. In analyzing this hybrid cinema, this volume employs a transnational approach, which highlights the nations' cinematic encounters and entanglements. It reveals both German perceptions of East Asia and East Asian perceptions of Germany, through analysis of works by both German directors and East Asian/East Asian-German directors. It is hoped that this volume will not only accelerate cross-cultural exchange, but also provide a wider perspective that helps film scholars to see the broader contexts in which these films are produced. It introduces multiple compelling topics, not just immigration, multiculturalism, and exile, but also Japonisme, children's literature, musical modernity, media hybridity, gender representation, urban space, Cold War divisions, and national identity. It addresses several genres-feature films, essay films, and documentary films. Lastly, by embracing three East Asian cinemas in one volume, this volume serves as an excellent introduction for German cinema students and scholars. It will appeal to international and interdisciplinary audiences, as its contributors represent multiple disciplines and four world regions"--|cProvided by publisher.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aMotion pictures|zEast Asia|xHistory.
650 0|aMotion pictures|zGermany|xHistory and criticism.
650 7|aHISTORY / Asia / General|2bisacsh
650 7|aHISTORY / Europe / Germany|2bisacsh
650 7|aHISTORY / Modern / General|2bisacsh
651 0|aEast Asia|xIn motion pictures.
651 0|aGermany (East)|xIn motion pictures.
651 0|aEast Asia|xRelations|zGermany.
651 0|aGermany|xRelations|zEast Asia.
700 1 |aCho, Joanne Miyang,|d1959-|eeditor.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781003157540
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis