Deconstructing the myths of Islamic art / edited by Onur Öztürk, Xenia Gazi, and Sam Bowker.
ISBN
9781003170525 (ebook)
1003170528
9780367772659 (hardback)
9780367772666 (paperback)
9781000555875 (electronic bk. : PDF)
1000555879 (electronic bk. : PDF)
9781000555950 (electronic bk. : EPUB)
100055595X (electronic bk. : EPUB)
1003170528
9780367772659 (hardback)
9780367772666 (paperback)
9781000555875 (electronic bk. : PDF)
1000555879 (electronic bk. : PDF)
9781000555950 (electronic bk. : EPUB)
100055595X (electronic bk. : EPUB)
Dil Kodu
İngilizce
Yayın Bilgisi
New York, NY : Routledge, 2022.
Fiziksel Niteleme
1 online resource
Dizi
Routledge Research in Art History
İçindekiler Notu
Foreword Wendy Shaw Introduction Onur Öztürk, Xenia Gazi, and Sam BowkerPart 1: Deconstructing the Myths of Islamic Art in Scholarship1. Deconstructing the Myths and Mysteries of the "Worn" Mosque: West African Marginality, Decolonial Archi-Identity and Reinvented Regionalism Cleo Cantone2. Cross-culturation with Classical Hellenism in Late-antique Arabia Juan de Lara3. Debunking the Regionalistic Myth in the Discourse on Islamic Ornament Valerie Gonzalez4. The 'Islam in Europe' Exhibition and the 'World of Islam' Festival: Curatorial Aporia and Failure as MethodologyNur Sobers-Khan5. Fiber Fragments: The Divided Histories of Medieval Islamic Textiles Patricia BlessingPart 2: Deconstructing the Myths of Islamic Art in Museums and Classrooms6. Influencing Presentation and Interpretation of Islamic Art in Museum Settings: The Myths of Inclusivity, Didacticism, and ProvincialismXenia Gazi 7. Between Religion and Geography: Arts from Asia and the Islamic World in Mid-Atlantic MuseumsAshley Dimmig8. Islamic Art Exhibition and Contemporary Socio-politics: Demystifying ConnectionsMelissa Forstrom-Al-Khadi9. Decolonizing and Demystifying Islamic Art in American Undergraduate EducationOnur Öztürk10. The Myth of Center and PeripherySam BowkerPart 3: Deconstructing the Myths of Islamic Art in Contemporary Art Practice11. Translating the Miniature: Hamra Abbas and an Aesthetics of Resistance Karen Greenwalt12. A 'Layered Lens' on the Arts of the Islamic World in the Contemporary Pacific Leslee Katrina Michelsen13. Gen Y Speaks: Reflections on Contemporary Art by Australian Muslim ArtistsHamida Novakovich14. Deconstructing Myths via Performance Strategies: Experiences of a Contemporary PractitionerSami IsmatConclusionOnur Öztürk, Xenia Gazi, and Sam Bowker
Özet, vb.
"Deconstructing the Myths of Islamic Art addresses how researchers can challenge stereotypical notions of Islam and Islamic art while avoiding the creation of new myths and the encouragement of nationalistic and ethnic attitudes. Despite its Orientalist origins, the field of Islamic art has continued to evolve and shape our understanding of the various civilizations of Europe, Africa, Asia, and the Middle East. Situated in this field, this book addresses how universities, museums, and other educational institutions can continue to challenge stereotypical or homogeneous notions of Islam and Islamic art. It reviews subtle and overt mythologies through scholarly research, museum collections and exhibitions, classroom perspectives, and artists' initiatives. This collaborative volume addresses a conspicuous and persistent gap in the literature, which can only be filled by recognizing and resolving persistent myths regarding Islamic art from diverse academic and professional perspectives. The book will be of interest to scholars working in art history, museum studies, visual culture, and Middle Eastern studies"-- Provided by publisher.
Konu
Islamic art __ Study and teaching (Higher)
Islamic civilization __ Study and teaching (Higher)
ART / Middle Eastern __ bisacsh
Islamic civilization __ Study and teaching (Higher)
ART / Middle Eastern __ bisacsh
Diğer Yazarlar
Veritabanı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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505 0 |aForeword Wendy Shaw Introduction Onur Öztürk, Xenia Gazi, and Sam BowkerPart 1: Deconstructing the Myths of Islamic Art in Scholarship1. Deconstructing the Myths and Mysteries of the "Worn" Mosque: West African Marginality, Decolonial Archi-Identity and Reinvented Regionalism Cleo Cantone2. Cross-culturation with Classical Hellenism in Late-antique Arabia Juan de Lara3. Debunking the Regionalistic Myth in the Discourse on Islamic Ornament Valerie Gonzalez4. The 'Islam in Europe' Exhibition and the 'World of Islam' Festival: Curatorial Aporia and Failure as MethodologyNur Sobers-Khan5. Fiber Fragments: The Divided Histories of Medieval Islamic Textiles Patricia BlessingPart 2: Deconstructing the Myths of Islamic Art in Museums and Classrooms6. Influencing Presentation and Interpretation of Islamic Art in Museum Settings: The Myths of Inclusivity, Didacticism, and ProvincialismXenia Gazi 7. Between Religion and Geography: Arts from Asia and the Islamic World in Mid-Atlantic MuseumsAshley Dimmig8. Islamic Art Exhibition and Contemporary Socio-politics: Demystifying ConnectionsMelissa Forstrom-Al-Khadi9. Decolonizing and Demystifying Islamic Art in American Undergraduate EducationOnur Öztürk10. The Myth of Center and PeripherySam BowkerPart 3: Deconstructing the Myths of Islamic Art in Contemporary Art Practice11. Translating the Miniature: Hamra Abbas and an Aesthetics of Resistance Karen Greenwalt12. A 'Layered Lens' on the Arts of the Islamic World in the Contemporary Pacific Leslee Katrina Michelsen13. Gen Y Speaks: Reflections on Contemporary Art by Australian Muslim ArtistsHamida Novakovich14. Deconstructing Myths via Performance Strategies: Experiences of a Contemporary PractitionerSami IsmatConclusionOnur Öztürk, Xenia Gazi, and Sam Bowker
520 |a"Deconstructing the Myths of Islamic Art addresses how researchers can challenge stereotypical notions of Islam and Islamic art while avoiding the creation of new myths and the encouragement of nationalistic and ethnic attitudes. Despite its Orientalist origins, the field of Islamic art has continued to evolve and shape our understanding of the various civilizations of Europe, Africa, Asia, and the Middle East. Situated in this field, this book addresses how universities, museums, and other educational institutions can continue to challenge stereotypical or homogeneous notions of Islam and Islamic art. It reviews subtle and overt mythologies through scholarly research, museum collections and exhibitions, classroom perspectives, and artists' initiatives. This collaborative volume addresses a conspicuous and persistent gap in the literature, which can only be filled by recognizing and resolving persistent myths regarding Islamic art from diverse academic and professional perspectives. The book will be of interest to scholars working in art history, museum studies, visual culture, and Middle Eastern studies"--|cProvided by publisher.
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650 0|aIslamic art|xStudy and teaching (Higher)
650 0|aIslamic civilization|xStudy and teaching (Higher)
650 7|aART / Middle Eastern|2bisacsh
700 1 |aÖztürk, Onur,|eeditor.
700 1 |aGazi, Xenia,|eeditor.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781003170525
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis
001 799933
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020 |a1003170528
020 |z9780367772659|q(hardback)
020 |z9780367772666|q(paperback)
020 |a9781000555875|q(electronic bk. : PDF)
020 |a1000555879|q(electronic bk. : PDF)
020 |a9781000555950|q(electronic bk. : EPUB)
020 |a100055595X|q(electronic bk. : EPUB)
035 |a(OCoLC)1273727478
035 |a(OCoLC-P)1273727478
040 |aOCoLC-P|beng|erda|cOCoLC-P
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 00|aN6260
072 7|aART|x047000|2bisacsh
072 7|aAC|2bicssc
082 00|a700/.482970711|223/eng/20211022
245 00|aDeconstructing the myths of Islamic art /|cedited by Onur Öztürk, Xenia Gazi, and Sam Bowker.
264 1|aNew York, NY :|bRoutledge,|c2022.
300 |a1 online resource
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
490 1 |aRoutledge Research in Art History
505 0 |aForeword Wendy Shaw Introduction Onur Öztürk, Xenia Gazi, and Sam BowkerPart 1: Deconstructing the Myths of Islamic Art in Scholarship1. Deconstructing the Myths and Mysteries of the "Worn" Mosque: West African Marginality, Decolonial Archi-Identity and Reinvented Regionalism Cleo Cantone2. Cross-culturation with Classical Hellenism in Late-antique Arabia Juan de Lara3. Debunking the Regionalistic Myth in the Discourse on Islamic Ornament Valerie Gonzalez4. The 'Islam in Europe' Exhibition and the 'World of Islam' Festival: Curatorial Aporia and Failure as MethodologyNur Sobers-Khan5. Fiber Fragments: The Divided Histories of Medieval Islamic Textiles Patricia BlessingPart 2: Deconstructing the Myths of Islamic Art in Museums and Classrooms6. Influencing Presentation and Interpretation of Islamic Art in Museum Settings: The Myths of Inclusivity, Didacticism, and ProvincialismXenia Gazi 7. Between Religion and Geography: Arts from Asia and the Islamic World in Mid-Atlantic MuseumsAshley Dimmig8. Islamic Art Exhibition and Contemporary Socio-politics: Demystifying ConnectionsMelissa Forstrom-Al-Khadi9. Decolonizing and Demystifying Islamic Art in American Undergraduate EducationOnur Öztürk10. The Myth of Center and PeripherySam BowkerPart 3: Deconstructing the Myths of Islamic Art in Contemporary Art Practice11. Translating the Miniature: Hamra Abbas and an Aesthetics of Resistance Karen Greenwalt12. A 'Layered Lens' on the Arts of the Islamic World in the Contemporary Pacific Leslee Katrina Michelsen13. Gen Y Speaks: Reflections on Contemporary Art by Australian Muslim ArtistsHamida Novakovich14. Deconstructing Myths via Performance Strategies: Experiences of a Contemporary PractitionerSami IsmatConclusionOnur Öztürk, Xenia Gazi, and Sam Bowker
520 |a"Deconstructing the Myths of Islamic Art addresses how researchers can challenge stereotypical notions of Islam and Islamic art while avoiding the creation of new myths and the encouragement of nationalistic and ethnic attitudes. Despite its Orientalist origins, the field of Islamic art has continued to evolve and shape our understanding of the various civilizations of Europe, Africa, Asia, and the Middle East. Situated in this field, this book addresses how universities, museums, and other educational institutions can continue to challenge stereotypical or homogeneous notions of Islam and Islamic art. It reviews subtle and overt mythologies through scholarly research, museum collections and exhibitions, classroom perspectives, and artists' initiatives. This collaborative volume addresses a conspicuous and persistent gap in the literature, which can only be filled by recognizing and resolving persistent myths regarding Islamic art from diverse academic and professional perspectives. The book will be of interest to scholars working in art history, museum studies, visual culture, and Middle Eastern studies"--|cProvided by publisher.
588 |aOCLC-licensed vendor bibliographic record.
650 0|aIslamic art|xStudy and teaching (Higher)
650 0|aIslamic civilization|xStudy and teaching (Higher)
650 7|aART / Middle Eastern|2bisacsh
700 1 |aÖztürk, Onur,|eeditor.
700 1 |aGazi, Xenia,|eeditor.
856 40|3Taylor & Francis|uhttps://www.taylorfrancis.com/books/9781003170525
856 42|3OCLC metadata license agreement|uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
901 |aTaylor & Francis
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